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PALMGREN SAGA OP.28/3

PALMGREN SAGA OP.28/3

Rued Langgaard: Saga blot

Saga blot. Instrumentation: 3.3.3.3/4.3.3.1/timp/2 perc/str. BVN140

Carl Nielsen: Saga Dream Op.39 (Parts)

Parts for Saga Dream Op.39 by Carl Nielsen.

Carl Nielsen: Saga Dream Op.39 (Score)

Score for Saga Dream Op.39 by Carl Nielsen.

Pernille Bevort: Back In Business

Pernille Bevort's sound on both horns is rich and centered and she has an uncanny knack for blending and phrasing with other horns rarely found, combined with a very strong rhythmic sense. As a soloist she strives for making her point of departure the given musical universe, its melodic-rhythhmic essence and feeling. Her approach to improvisation is compositional and linear, like a modern-day Lester Young, steering away from the common pitfalls of "super-bop" or "coltraneology" and blatant lick playing. -A most welcome and very enjoyable introduction to a young, up and comming jazz musician of great potential and promise

The Titanic Saga

Following the spectacular movie Titanic, the story of the world famous ship stood in the spotlights once again. Piet Swerts was inspired by this catastrophic saga to compose this beautifully narrative piece, reflecting the massesof people in Southampton, playing children and the undulating sea. The piece gradually picks up impetuously culminating with the looming iceberg and the dramatic sinking of the Titanic.

The Titanic Saga

Following the spectacular movie Titanic, the story of the world famous ship stood in the spotlights once again. Piet Swerts was inspired by this catastrophic saga to compose this beautifully narrative piece, reflecting the masses of people in Southampton, playing children and the undulating sea. The piece gradually picks up impetuously culminating with the looming iceberg and the dramatic sinking of the Titanic.

New Moon (from Twilight Saga)

Here is the haunting main theme from the blockbuster movie New Moon, the second installment of the Twilight saga. Opening with a flute solo accompanied by vibes and low clarinets, this sensitively scored arrangement then builds toa dramatic full band climax before returning to a quiet finish.

New Moon (from Twilight Saga)

Here is the haunting main theme from the blockbuster movie New Moon, the second installment of the Twilight saga. Opening with a flute solo accompanied by vibes and low clarinets, this sensitively scored arrangement then builds to a dramatic full band climax before returning to a quiet finish.

Jacob's Theme : From Twilight Saga: Eclipse

From the dramatic fi nale to the popular Twilight Saga movie trilogy, here is Howard Shore’s distinctive and memorable main theme. Robert Longfield’s arrangement is carefully scored so that all sections (even the low brass) get a chance to play the haunting theme.

Jacob's Theme : From Twilight Saga: Eclipse

From the dramatic finale to the third film in the popular Twilight Saga movie series, here is Howard Shore's distinctive and memorable main theme. Robert Longfield's arrangement is carefully scored so that all sections (even lowbrass) get a chance to play the haunting theme.

New Moon (The Meadow) : from The Twilight Saga: New Moon

The blockbuster vampire saga continues with the powerful second installment New Moon. Here is the touching main theme in a beautifully scored setting for the field.

Jacob's Theme (from The Twilight Saga: Eclipse)

The third installment of the megahit Twilight saga has again captured the imagination of millions. The haunting main theme from veteran composer Howard Shore is certain to be a favorite of student players with this approachable arrangement by Robert Longfield.

Burgon: Theme From 'The Forsyte Saga' Irene's Song

Theme song from the TV serialisation of John Galsworthy's The Forsyte Saga, as sung by Bryn Terfel. Music by Geoffrey Burgon, with words by Jacqueline Kroft. Arranged for piano and voice. Piano score by John Longstaff.

The Twilight Saga - Eclipse Film Score (Easy Piano)

The Twilight Saga has become a worldwide phenomenon, with the third installment, Eclipse, also becoming a hit with cinema audiences. This songbook includes 10 selections from the score, penned by Howard Shore. All pieces have been arranged for easy Piano solo.

Twilight Overture : from The Twilight Saga: Breaking Dawn - Part 2

From the final installment of the blockbuster “Twilight Saga” movie series, here is Carter Burwells haunting and dramatic overture. This effective symphonic setting for band opens calmly and gently before closingwith the powerful andexciting fast theme. Beautifully scored.

The Twilight Saga - Eclipse Film Score (Big Note Piano)

The Twilight Saga has become a worldwide phenomenon, with the third installment, Eclipse, also becoming a hit with cinema audiences. This songbook includes 10 selections from the score, penned by Howard Shore. All pieces have been arranged for easy-to-read big note Piano solo.

A Thousand Years : From The Twilight Saga: Breaking Dawn, Part 1

Initially featured in the blockbuster movie The Twilight Saga: Breaking Dawn - Part 1 and recorded by Christina Perri, this powerful ballad enjoys continued popularity. A rare pop tune in 3/4 time, this effective arrangement for band features lyrical melodies, careful pacing, and nicely varied textures.

Howard Shore: The Twilight Saga - Eclipse Film Score (Piano Solo)

The Twilight Saga has become a worldwide phenomenon, with the third installment, Eclipse, also becoming a hit with cinema audiences. This songbook includes 10 selections from the score, penned by Howard Shore. All pieces have been arranged for Piano solo. Also includes a colour photo section with full-page portraits of the stars.

Moeran: Phyllida & Corydon (Vocal Score)

The Saga Of The Seven Days

Many languages associate each day of the week with one of seven heavenly objects known in ancient times: Sun, Moon, Mercury, Venus, Mars, Jupiter, and Saturn. English has retained these origins for Saturday, Sunday, and Monday. For the four other days, however, the names of Anglo-Saxon or Nordic gods have replaced the Roman gods that gave name to the planets. Thus, Tuesday is named after Tiu, Wednesday is named after Woden, Thursday is named after Thor, and Friday is named after Freya. In 2005, Scottish composer Tom Cunningham and English poet Paul Wigmore wrote a short song entitled The Great God Thor for the National Boys Choir of the National Youth Choir of Scotland. This proved to be such a success at its premiere that Christopher Bell, Artistic Director of NYCoS, invited Tom to expand the piece into a complete cantata. Thus the Saga of the Seven Days was born. The other six movements are set by Tom to texts by the Brussels-based writer, Derek Roberts.

Elgar: Scenes From The Saga Of King Olaf

The plot of Elgar’s King Olaf cantata has been criticized for it lack of cohesion, but the musical settings contain power, majesty, stirring melodies, joyous lyricism and a finale of immense proportion and emotional effect. As a lesser work of a great composer, it certainly bears study. As a work on its own, King Olaf rewards performers and listeners with superb moments. A final a capella Chorus, As Torrents In Summer, is frequently performed on its own.Scenes from the Saga of King Olaf is widely considered to be the best of Elgar’s pre-Enigma compositions. He was commissioned to write this work for the North Staffordshire Music Festival in 1896, and he chose to adapt sections of Longfellow’s Tales of a Wayside Inn with the assistance of his neighbour, the translator H A Acworth. Acworth reduced the length of Longfellow’s twenty-two sections to just eight with added material.

Saga Imperiale

Saga Imperiale

Saga Imperiale