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Richard Wagner: Das Rheingold (Libretto)

Richard Wagner: Das Rheingold (Libretto)

'Das Rheingold' is the first part of Wagner's 'Ring Cycle'.Alberich, a gnome of the Nibelung, discovers the all-powerful Rhine Gold and fashions a ring out of it, knowing that whoever wears it will rule the world, but must renounce love. The gods Wotan and his wife Fricka have build a new castle and paid the giants by promising them Fricka's sister Freia, who grows the golden apples that give the gods their power. After a struggle, she is kidnapped and all the gods begin to age and weaken. To get her back they decide to steal the Ring and bargain with the giants. br>Meanwhile Alberich has been forcing others to mine gold and Mime makes a helmet, the 'Tarnhelm', out of it, thinking this will help him seize the Ring. Alberich steals the Tarnhelm but the gods arrive and trick both it, the Ring and his gold out of him, taking him prisoner. In a fury he curses the Ring to bring death and envy to all who posess it. The gods use the Ring and helmet to bargain with the giants. They win Freia back and go home to their new castle, but as they leave the giant Fafner murders his brother Fasolt to claim the ring, continuing its bloody history...

SEK 137.00
1

Richard Wagner: Das Rheingold (Vocal Score)

Richard Wagner: Das Rheingold (Vocal Score)

'Das Rheingold' is the first part of Wagner's 'Ring Cycle'.Alberich, a gnome of the Nibelung, discovers the all-powerful Rhine Gold and fashions a ring out of it, knowing that whoever wears it will rule the world, but must renounce love. The gods Wotan and his wife Fricka have build a new castle and paid the giants by promising them Fricka's sister Freia, who grows the golden apples that give the gods their power. After a struggle, she is kidnapped and all the gods begin to age and weaken. To get her back they decide to steal the Ring and bargain with the giants. Meanwhile Alberich has been forcing other to mine gold and Mime makes a helmet, the 'Tarnhelm', out of it, thinking this will help him seize the Ring. Alberich steals the Tarnhelm but the gods arrive and trick both it, the Ring and his gold out of him, taking him prisoner. In a fury he curses the Ring to bring death and envy to all who posess it. The gods use the Ring and helmet to bargain with the giants. They win Freia back and go home to their new castle, but as they leave the giant Fafner murders his brother Fasolt to claim the ring, continuing its bloody history... This is the Schirmer edition of the Vocal Score, with an English translation by Frederick Jameson.

SEK 558.00
1

Galea et Bellum : The Unrevealed Story of Skelte van Aysma

Galea et Bellum : The Unrevealed Story of Skelte van Aysma

Galea et Bellum was commissioned by the Excelsior Schraard music society (Friesland, the Netherlands). The work tells the story of a rare helmet that was discovered in a church in the Frisian village of Schettens in 2015. Research revealed that it had been the property of Skelte van Aysma, a Frisian officer who fought in the armies of the Princes of Orange Maurice and Frederick Henry during the Eighty Years’ War. This little piece of history was the starting point for this composition. As a leitmotif, the hymn ‘Ach wie flüchtig, ach wie nichtig ist der Menschen Leben’ (‘Ah, how fleeting, ah how insignificant’) has been used. This 17th century melody by Michel Franck, inan arrangement by Johann Sebastian Bach, initially appears only in fragments, but grows to full stature toward the end of the work. An ideal contest piece with lots of challenges for your band.

SEK 558.00
1

Galea et Bellum : The Unrevealed Story of Skelte van Aysma

Galea et Bellum : The Unrevealed Story of Skelte van Aysma

Galea et Bellum was commissioned by the Excelsior Schraard music society (Friesland, the Netherlands). The work tells the story of a rare helmet that was discovered in a church in the Frisian village of Schettens in 2015. Research revealed that it had been the property of Skelte van Aysma, a Frisian officer who fought in the armies of the Princes of Orange Maurice and Frederick Henry during the Eighty Years’ War. This little piece of history was the starting point for this composition. As a leitmotif, the hymn ‘Ach wie flüchtig, ach wie nichtig ist der Menschen Leben’ (‘Ah, how fleeting, ah how insignificant’) has been used. This 17th century melody by Michel Franck, inan arrangement by Johann Sebastian Bach, initially appears only in fragments, but grows to full stature toward the end of the work. An ideal contest piece with lots of challenges for your band.

SEK 2754.00
1