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Magnus Lindberg: Twine

Magnus Lindberg: Twine

This work shows the composer's need to move in another musical direction away from the Urban Jungle style he had sought in previous works such as Kraft and UR. The piece is based upon the composer's interest in the musical confrontation between serial and spectral thinking as if it is the conflict between different views of organisation that create interesting and unforseen constellations of musical material.Twine took over a year and a half to complete, a fairly long time for a piece which is only 7 minutes long. Although wonderful in its own right, Lindberg now considers it a study for his orchestral piece Kinetics which was written between 1988-89. Arranged for Solo Piano.

SEK 340.00
1

Magnus Lindberg: Marea (Score)

Magnus Lindberg: Marea (Score)

The harmonic model for this piece is based on a subdivision of pitches in primary and secondary notes, in principle any chord can be viewed from it's structural qualities including interval content and symmetry, but it might also be conceived from a more acoustical point of view.The parallel basis for this work is a sequence of 12-tone chords repeated as a chaconne, every chord has it's Alter-Ego, an overtone series the fundamentals of which together form a bass line. By articulating the cycle differently, with always varied diagonal paths between two layers Lindberg has aimed to give the music some direction despite it's vague repetitive structure.Work for Orchestra premiered at the Queen Elizabeth Hall, London, by the London Sinfonietta under the direction of Esa-Pekka Salonen, April 1990.

SEK 981.00
1

Nux Masamune booster & kompressor guitar-effekt-pedal

Nux Masamune booster & kompressor guitar-effekt-pedal

Nux Masamune är en kombinerad booster- och kompressorpedal för elgitarr. Booster- och kompressorpedaler köps ofta och används tillsammans och sitter vanligtvis bredvid varandra på en pedalbräda. Det är därför både praktiskt och ekonomiskt att placera dessa två effekter i en och samma pedal. Masume har två separata omkopplare där du kan slå på och av effekterna individuellt, och effekterna har också var sin uppsättning kontroller. Boost har Boost Level, Drive och Hi-Cut, medan Compressor har Comp Level, Sustain, Blend och Clip kontroller. Boostern formar din signal genom att lägga till mer förstärkning utan att ändra din grundton och förbättrar därmed ditt ljud innan du skickar signalen vidare till en förstärkare eller resten av dina pedaler. Boostern låter dig också klippa diskanten efter att du har justerat boost och körning med Hi-Cut Toggle Switch. Masamunes kompressor styr och förstärker din signal med Comp Level, som justerar kompressorns utgångsnivå och balanserar dina in- och utgångssignaler. Sustain-kontrollen justerar kompressionsförhållandet och ökar sustainen av din gitarrton. Där högre Sustain-nivåer kommer att pressa signalen hårdare när du slår på strängarna och skapar en längre varaktig och mer ihållande ton. Med blandningsknappen kan du justera kompressorns transparens från 50 % till 100 %, så att du kan justera till förhållandet mellan torr signal och komprimerad signal som du föredrar. Booster och kompressorpedal för elgitarr Två klipplägen och blandningskontroll Med separata och individuellt styrbara strömbrytare och reglage Effekttyp    Booster Effekter    Boost, kompressor Ingång    1 x uttag Utgångar    1 x jack Kontroller    Blend, Boost level, Drive, Comp. nivå, Sustain Switchar    Boost, Comp Bypass-läge    True Bypass USB nr Analog/Digital    Analog Bluetooth nr Strömförsörjning ingår? Nej Typ av strömförsörjning 9V DC, mittnegativ Batterier Ej möjligt

SEK 1323.00
1

Magnus Lindberg: Kinetics (Score)

Magnus Lindberg: Kinetics (Score)

This work was written with a mix between computer technology and the more traditional orchestra, the piece was composed in such a way that it would support it's own acoustics. Lindberg worked with amplification of instruments and electronically transformed sounds thus producing greater possibilities to abandon acoustic limits. In order for the piece to be supported by it's own acoustics, the piece had to be written in terms of foreground and background harmony, every foreground chord would always have it's background, a shadow existing without it's main chord.Another theme to the piece is that of textural motion as rapid gestures and motions are a big part of the composer's interest. Static repitions seemed to limit the piece however so they were compensated for on another level, so with a repetitive rhythmic pattern, the harmonic material changes rapidly or when a chain of chords is static the rhythmic and timbral qualities vary frequently. Work for Orchestra commissioned by the Finnish Broadcasting Company.

SEK 981.00
1

Magnus Lindberg: Arena For Orchestra

Magnus Lindberg: Arena For Orchestra

Commissioned by the first Sibelius Conductor's Competition held in Helsinki in May 1995, as an obligatory piece to be rehearsed by all the competitors, Arena was performed in its totality at the annual Avanti! Chamber Orchestra's festival in Porvoo (Finland). Thematic thinking has never been a main feature in Lindberg's music, but here horizontal lines (one would not yet dare to call them melodies) gain some independence, for example in ornamental figures and in the intense cello solo around the middle of the piece. Arena also reveals some clearly new material - Lindberg has talked about Beethoven-like formal thinking, referring to a passage where the sense of movement seems to accelerate to an extreme so that finally one perceives only a motionless surface. Another new element - which was already used to some extent at the warmly hovering ending of Aura - is the almost romantic sound world and the suspension of the harmonies in the final climax, which can make one think of Mahler and Berg, or Lindberg's grand predecessor and compatriot, Sibelius.This is the Score, published by Chester Music; the duration of the pieces is approximately 16 minutes.

SEK 811.00
1

Magnus Lindberg: Quintet For Clarinet And Strings (Parts)

Magnus Lindberg: Quintet For Clarinet And Strings (Parts)

By the age of forty, Finnish composer Magnus Lindberg was one of the busiest concert composers in the world. His music avails itself of all manner of modern innovations, but there is a Neo-Classical orientation in his harmonies and formal design that makes his works appealing to a wide audience. The Quintet for Clarinet and Strings was comissioned by Kuhmo Chamber Music Festival and first performed in this festival in Finland in 1992. In the composer's own words: 'Despite its rather extended duration (almost 20 minutes) the work is in one continuous movement. Sections are based on either a static material composed of different scales giving the music an 'insect like' appereance, or on directional processes forcing the music to gradually change character or even physically pushing the music to extreme registers or speed.' This edition contains all the Parts.

SEK 608.00
1

Magnus Lindberg: Quintet For Clarinet And Strings (Score)

Magnus Lindberg: Quintet For Clarinet And Strings (Score)

By the age of forty, Finnish composer Magnus Lindberg was one of the busiest concert composers in the world. His music avails itself of all manner of modern innovations, but there is a Neo-Classical orientation in his harmonies and formal design that makes his works appealing to a wide audience. The Quintet for Clarinet and Strings was comissioned by Kuhmo Chamber Music Festival and first performed in this festival in Finland in 1992. In the composer's own words: 'Despite its rather extended duration (almost 20 minutes) the work is in one continuous movement. Sections are based on either a static material composed of different scales giving the music an 'insect like' appereance, or on directional processes forcing the music to gradually change character or even physically pushing the music to extreme registers or speed.' This is the Score.

SEK 385.00
1