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Jimi Hendrix Bust

A Catalog of Folk Song Settings for Wind Band

(Still A) Cool Yule (Arr. Brymer) (SATB)

Paul Balmer: Haynes Electric Guitar Manual

Piano Solos For All Occasions

(Still A) Cool Yule (Arr. Brymer) (SAB)

(Still A) Cool Yule (Arr. Brymer) (2-Part)

Alison Hedger: Hubble-Bubble (Teacher's Book)

A Celtic Tinwhistle Christmas

Celtic Flute Christmas

A Celtic Recorder Christmas

A Celtic Fiddle Christmas

Joseph E. Spann: Spann's Guide To Gibson 1902-1941

6 Trios Fur 2 Floten Und Basso Continuo 2

6 Trios Fur 2 Floten Und Basso Continuo 1

J.S. Bach: The Well Tempered Clavier - Part 1 (Hardback)

The Musicals Of Rodgers & Hammerstein: Musical Scene Study

J.S Bach: The Well-Tempered Clavier - Part II (Hardback)

J.S Bach: The Well-Tempered Clavier - Part II (Hardback)

Hardback edition. Set for ABRSM Harpsichord examinitions grade 8. Published within the ‘Signature’ Series, a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars including informative introductions and performance notes ‘As a scholarly reference, this edition is probably unsurpassable ... a rightly-lauded triumph of scholarship, it should be on the shelf of every musician.’ Music Teacher ‘Whatever other publishers produce, it is likely that, in the UK, the best-selling edition of the 48 will be the one published by the Associated Board.’ Early Music News ‘... this will be the standard text in the UK and worldwide, alongside all the other marvellous Bach, Schubert and Brahms editions already in Signature volumes.’ Classical Piano ‘Whatever your chosen instrument, this is not only a fine editorial achievement, but also a compendium of both wisdom and pleasure virtually without equal.’ Harpsichord and Fortepiano ‘... beautifully engraved and edited with the needs of the performer in mind.’ Music Business ‘Well presented and informative, this represents a valuable addition to the piano (keyboard) library.’ Sheet Music Latest ‘The best English-language edition so far. Contains very useful material on manuscript sources, variants, and performance questions. A bonus is the inclusion of Donald Francis Tovey’s classic analyses of each prelude and fugue, along with the editor’s helpful caveats.’ Early Music America Winter 2000/1

SEK 589.00
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Concerto for Harpsichord in D minor BWV 1052a : Based on Johann Sebastian Bach. First edition

Concerto for Harpsichord in D minor BWV 1052a : Based on Johann Sebastian Bach. First edition

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).When Johann Sebastian Bach created his six-part corpus of harpsichord concertos in 1738(BWV 1052-1057) he gave pride of place to the Concerto in D minor, BWV 1052. It has long been thought, for good reasons, that this piece was based on a lost violin concerto in the same key that he had already transcribed ontwoprevious occasions.The second 'forerunner' of BWV 1052 is the present harpsichord concerto. It was first published by Wilhelm Rust in volume 17 of the old Bach Society Gesamtausgabe (1869) and given the number BWV 1052ain the Schmieder catalogue. Rust felt that Johann Sebastian Bach himself wrote out the principal source, a set of orchestral parts preserved in the Berlin Staatsbibliothek under the shelf mark Mus. ms. St 350, and thereforetreated the piece as an authentic early version of BWV 1052. Today, however, we know that the scribe was Carl Philipp Emanuel Bach, who is generally also regarded as the work's author.Urtext of the New BachEditionParts (BA5231), two-keyboard reduction (BA5231-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 115.00
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