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Crowded Table

Crowded Table

BARAT AUTOUR D'UNE TABLE PIANO

BARAT AUTOUR D'UNE TABLE PIANO

BALLARD WELCOMING TABLE, THE SATB ACAP

BALLARD WELCOMING TABLE, THE SATB ACAP

PRICE HERE AT THIS TABLE SATB FLUTE

PRICE HERE AT THIS TABLE SATB FLUTE

Manhasset LED Music Lamp II : European Adapter

The MANHASSET LED Lamp II is unparalleled with the features it offers. Made of durable black ABS plastic, our new Lamp has 15" of clearance for taller scores of music. 15 LED bulbs with high/low settings of 80 Lumens and 45 Lumens providesfull-width, audience-shielded illumination, and offers the ultimate in attractive design and simplicity. The lamp head can be pivoted to vary the position of the LED light bar for optimum light coverage.   Euro AC adapter cord included. Uses 3 AAbatteries (not included) and works with rechargeable AA batteries (not included).  

ANGERMAN COME TO THE TABLE OF GRACE SATB

ANGERMAN COME TO THE TABLE OF GRACE SATB

The Shepherd's Lamp Carol

This simple strophic carol connects the light from the shepherd's lamp at the stable door to the light that Jesus shines on the pathway of the believer. On the final verse, it grows to a glorious high point, then fades to a prayerful conclusion.

The Blitz! Key Signature Table

The Blitz! Key Signature Table is the absolutely foolproof way to memorise key signatures. There are many different key signature tables out there but The Blitz! Key Signature Table prides itself on being both simple to write down and easy to understand. Alongside the table itself, this book is filled with exercises that have been specially developed to help you memorise the table. An introductory note and quick quiz are also included. The Blitz! Key Signature Table works in conjunction with the blitzbooks.com website, where you can download all sorts of free resources to help you with your study, including games, manuscript, test papers and materials to help with practical exam preparation. Written by renowned educator and author Samantha Coates, the BlitzBooks series has brought fun and laughter to the areas of music theory, instrumental technique and sight reading. Coates' engaging approach to theory and sight reading has already made BlitzBooks the most popular range of theory and sight reading books in Australia and they are now finally available in the UK.

Quien Fuera Como El Jazmin (Who Cld Be Like/Jsmn)#2,Indianas

Quien Fuera Como El Jazmin (Who Could Be Like the Jasmine...) - Indianas suite, no. 2 composed by Carlos Guastavino (1912-2000).

Give Me Oil In My Lamp

This driving arrangement mashes up two iconic melodies: Give Me Oil in My Lamp and Swing Low. Written for SAB choir, this work is accessible while still being meaningful and fun to sing. A message of joy and peace that is appropriate for any season.

Latin Gold! : Medley incl. La Bamba, Tequila, Oye Como Va

With Latin favorites from the past, Paul Lavender has put together a crowd-pleasing medley that's nothing but fun. This exciting medley includes: La Bamba, Tequila, and Oye Como Va.

Latin Gold! : Medley incl. La Bamba, Tequila, Oye Como Va

With Latin favorites from the past, Paul Lavender has put together a crowd-pleasing medley that's nothing but fun. This exciting medley includes: La Bamba, Tequila, and Oye Como Va.

Philip Glass: 1+1 One Player And Amplified Table-top

This piece was composed by Philip Glass in 1968. Within it the player performs '1+1' by tapping the table top with his fingers or knuckles.

The Table of Peace

With a pristine quote from the classic hymn tune BREAD OF LIFE, this piece raises the curtain on a winsome invitation to the Lord's Supper. Mercy and forgiveness draw the seeker in lovely melodic strains that rise and fall like aprayer as the anthem unfolds. A lush and satisfying chorus showcases the timbre of the choir while passionately calling the faithful to Bring every burden, bring every need... to the table of peace. Highly recommended!

David Angerman/Joseph M. Martin: At The Table Of The Lord

Written in a slow gospel style, this soulful song invites the seeker to the table to find joy, hope, and love - an unusual alternative for Communion processions for mixed chorus.

The Welcome Table (with Sweet By and By) : Voice-Dominant SA/TB Rehearsal CD-Reproducible

This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491. This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491.

Simon Holt: A Table Of Noises (Percussion Part)

The solo percussion part, orchestral score available separately.Note for Performance.In table top, the unpitched solo percussion part in the 9th movement, the scoringwas initially left open. The present score shows a suggested instrumentation whichwas devised by Colin Currie in conjunction with the composer. Soloists shouldattempt to match the timbres used, but should not feel constrained by the exactchoice of instruments.

Simon Holt: A Table Of Noises (Full Score)

Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchestra and the Borletti-Buitoni Trust. First performance on 14th May 2008, at Symphony Hall, Birmingham, by Colin Currie (percussion) and the City of Birmingham Symphony Orchestra conducted by Martyn Brabbins.NOTE FOR PERFORMANCEIn table top, the unpitched solo percussion part in the 9th movement, the scoring was initially left open. The present full score shows a suggested instrumentation  which was devised by Colin Currie in conjunction with the composer. Soloists  should attempt to match the timbres used, but should not feel constrained by the  exact choice of instruments.COMPOSER?S NOTEThe percussion instruments used in a table of noises in some ways represent the odd things that were on my great uncle Ash?s parlour table that fascinated me as a child. There is even a bottle; there was always a milk bottle with the silver top pushed in surrounded by other essentials for his life. From birth he was quite severely handicapped in one of his legs and couldn?t walk too far without his trusty crutch. He kept everything he needed within arm?s length. In the list of instruments for the solo part there?s everything from deep log drum sounds to very high metallic chime sounds. Wood, glass, metal and a whistle. Mostly small-scale things with a large gong behind, used sparingly. I think that we managed to keep below 30 instruments in all, which I was keen to do. I didn?t want scores of things that are only played once, they have to earn their keep. I didn?t want to use a marimba but thought that trying to make the xylophone sound in a more expressive way would be more of a challenge. The percussionist sits for much of the time on a Cajon, a flamenco instrument which is essentially a wooden box. The player hits the front of the box in various ways, rather as you play a conga. There are guitar strings inside and bells to add to the overall colour. I would like to thank Colin Currie for the extraordinary 3 hours or so that we spent in his percussion studio trying to find potential instruments for table top. I had fully notated the rhythms for the movement, which functions as a cadenza, and knew the kinds of sounds that I wanted, but as I don?t know all the instruments available we were able to collaborate in a very constructive way and make the cadenza what it is now. I see the chosen instruments as being the yardstick for all future performances.

Kabalevsky: 4 Piezas para Violín y Piano, Op.27a

Contiene: Como un vals - Danza antigua - Estudio - Payaso

Crowded Table