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Small Stationery Kit - Black Keyboard Design

This small keyboard design stationery kit contains a notebook, clutch pencil and eraser. Part of the comprehensive range of music stationery gifts from Music Sales.

Hercules gs415b-plus gitarrställ

HERCULES Triple Guitar Stand GS432B PLUS passer til en række forskellige instrumenter og kommer med det opgraderede foldbare Auto Grip System (AGS) åg, Instant Height Adjustment Clutch, Specially Formulated Foam (SFF) gummikontakter og de justerbare ryglæn. Upgraded Auto Grip System yoke Komfort greb Specielt formuleret skum Højde: 960 mm til 1.150 mm Vægt: 2 kg Basisradius: 320 mm Bæreevne: 15 kg Foldet Størrelse: 685 mm x 110 mm x 100 mm

Hercules bs301b notställ

Music Stand. Orchestra model. Aluminum folding desk with page retainers and frictioning EZ Angle Roller and EZ Retainer. EZ Clutch Tilting Base and Swivel Legs 2 peg holes on the legs keep your instruments close by without using extra floorspace (see available pegs) Desk size: 480 mm x 345 mm (18.9" x 13.6") Height: 680 mm - 1150 mm (26.8" - 45.3") Weight: 3.1 kg (6.8 lbs) Base radius: 390 mm (15.4 lbs.) Folded size: 920 mm x 120 mm x 215 mm (36" x 4.7" x 8.5")

Hercules gs432b-plus gitarrställ för 3 gitarrer

Guitar Stand with upgraded Auto Grip function. For 3 guitars. The HERCULES Triple Guitar Stand GS432B PLUS accommodates three instruments and features the upgraded foldable Auto Grip System (AGS) yokes, Instant Height Adjustment Clutch, Specially Formulated Foam (SFF) rubber contacts and the adjustable back rests. Three folding built-in Auto Grip Systems safely lock the instrument(s) in place. The AGS yoke is designed to accommodate more guitar neck sizes from 40 mm – 52 mm (1.57” - 2.05”) including classic, acoustic, electric and bass guitars. The 1 pair of N.I.N.A. (Narrow Instrument Neck Adjustment, HA301) included, are specially designed to increase the thickness of AGS arms to accommodate narrow neck instruments from min. 28 mm (1.10”) like banjos and mandolins. The Instant Height Adjustment Clutch with Locking Pin adjusts stand height quickly, easily and securely. The Folding Back Rests with multi-angle position adjustment support the instrument securely and fold up securely for travel. 3 folding and upgraded Auto Grip System yokes Comfort Grip Folding Backrests Specially Formulated Foam Height: 905 mm to 1,130 mm Weight: 2.98 kg Base Radius: 430mm Load Capacity: 30 kg Folded Size: 780 mm x 150 mm x 150 mm Accessory: 1 pair N.I.N.A included

Hercules gs422b-plus gitarrställ - för 2 gitarr

Guitar Stand with upgraded Auto Grip function. For two guitars. The HERCULES Double Guitar Stand GS422B PLUS accommodates two instruments and features the upgraded foldable Auto Grip System (AGS) yokes, Instant Height Adjustment Clutch, Specially Formulated Foam (SFF) rubber contacts and the adjustable back rests. Two folding built-in Auto Grip Systems safely lock the instrument(s) in place. The AGS yoke is designed to accommodate more guitar neck sizes from 40 mm – 52 mm (1.57” - 2.05”) including classic, acoustic, electric and bass guitars. The 1 pair of N.I.N.A. (Narrow Instrument Neck Adjustment, HA301) included, are specially designed to increase the thickness of AGS arms to accommodate narrow neck instruments from min. 28 mm (1.10”) like banjos and mandolins. The Instant Height Adjustment Clutch with Locking Pin adjusts stand height quickly, easily and securely. The Folding Back Rests with multi-angle position adjustment support the instrument securely and fold up securely for travel. 2 folding and upgraded Auto Grip System yokes Comfort Grip Folding Backrests Specially Formulated Foam Height: 905 mm to 1,130 mm Weight: 2.6 kg Base Radius: 430mm Load Capacity: 20 kg Folded Size: 780 mm x 130 mm x 115 mm Accessory: 1 pair N.I.N.A included  

Francis Rocco Prestia: Live At Bass Day

A very special chance to not only witness the talents of this superb bass guitarist, but also to recieve a thirty-minute intimate lesson with the man himself. Joined with co-members of the band Tower Of Power, Prestia performs an outjstanding set at the Bass Day event, before breaking his style down before your very eyes. Learn his techniques and nuances including ghosting and muting, along with a clutch of great basslines. Prestia then discusses the difficult subject of grooves and how to play effectively against a drummer.

Big Book Of 70s Songs (PVG)

The 1970s were a rich time for music. The charts were dominated by Abba, with their distinctive dress sense and catchy pop hits. Blondie brought some New York punk energy to a clutch of lively numbers and Dylan gave us his anthemic Knockin? On Heaven?s Door .The 1970s also saw the release of John Lennon's eternally relevant piece Imagine , and the arrival of new kid Elvis Costello with his hit Oliver?s Army . The Big Book Of 70s Songs features 26 hits from this exciting era, arranged for Piano, Voice and Guitar.

Pure Tone: Choir folder / Choral folder - Large

This feature packed, large-sized choir folder provides all the functionality choral singers need, and more! A hand strap on the back ensures a comfortable and secure grip during lengthy rehearsals and performances, while a fabric strip ensures the covers stay open at the optimal angle for reading and turning pages. Six elasticated retaining strings are provided for vocal scores, while each cover features pockets for extra loose sheets and notes. As an added bonus, each folder comes with a clutch pencil and pencil pocket for quick and easy note-making. A must-have item for every choral singer. Dimensions: 25cm x 32cm x 4cm

Peter Maxwell Davies: Strathclyde Concerto No. 2 (Miniature Score)

If Davies's Cello Concerto has already evoked comparisons with Elgar's, that is perhaps an indication not only of its wealth of solo melody (there is hardly a page where the cello is not singing, or if not that, then dancing), and of its predominantly slow tempos, but also of its musical stature. This second Strathclyde concerto is a virtuoso piece for the entire ensemble, which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue, especially in the opening Moderato and the slow movement; and though the finale is more extrovert, the work ends back in quietness and rumination.

Manhasset Microphone Stand MHS3000

The features of this Microphone Stand make it the right choice for musicians and vocalists. It includes a connecting adapter made for the most popular mic holder's thread size. The height adjustment ranges from 38" to 64" - providing the ideal height for virtually all applications. Portability of this Microphone Stand is unbeatable.   Instead of using a heavy base, it utilizes a collapsible tripod base for amazing stability. Weighing less than 2.7 lbs., it can be easily transported and stored. Also, with the same Magic Finger Clutch used in our music stands, the height adjustment can be easily made with just one hand. In addition, by using the same look as our music stands,it conveniently blends and fits with Manhasset music stands.

OSS SM7212B CONDUCTOR STAND

All-steel; midpoint clutch; 2 shaft system. 34 cm x 48.3 cm bookplate w/ 5 cm return lip and tilting feature. Black finish. This revolutionary stand incorporates all of the features demanded by today’s orchestra musician, including a folding tripod base for convenient storage and travel. The angle adjustment tension knob makes for easy removal from the upper shaft. The stand also features high impact plastic leg housing, friction locking knobs, leg support straps and non-slip rubber feet. Color: Black Diameter: 2.20 cm Specifications: Folding tripod base for convenient storage and travel Specifications II: Tension locking knob adjusts the angle of the bookplate Specifications III: High impact plastic leg housing Features: Tripod folding base for convenient storage and travel Features II: Non-slip rubber feet Width: Book Plate 48.26 cm Height: Height Adj. 60.96 cm-114.3 cm Depth: Book Plate 34.29 cm

Speakings : for large orchestra and electronics

Speakings for orchestra and electronics is undoubtably one of Jonathan Harvey’s most important and ambitious works. Composed in 2008, it utilises a unique process of electronic transformation developed at IRCAM to explore the possibility that an orchestra could be made to ‘speak’. Winner of the prestigious Monaco Prize, the 25-minute work belongs to a fascinating clutch of works composed around the time of Harvey’s final opera, Wagner Dream, which contain musical allusions to Wagner, in this case Parsifal. Unfolding over three continuous movements, the music moves from the babbling of a baby and the frenetic chatter of human life in all its expressions, to music of unity, ahymn which is close to Gregorian chant in which, in Harvey’s words ‘the paradise of the sounding temple is imagined’. Typeset, and with input from Gilbert Nouno who collaborated with Harvey on the electronic element, this longawaited new edition makes this stunning piece even more accessible to conductors and enthusiasts. Speakings for orchestra and electronics is undoubtably one of Jonathan Harvey’s most important and ambitious works. Composed in 2008, it utilises a unique process of electronic transformation developed at IRCAM to explore the possibility that an orchestra could be made to ‘speak’. Winner of the prestigious Monaco Prize, the 25-minute work belongs to a fascinating clutch of works composed around the time of Harvey’s final opera, Wagner Dream, which contain musical allusions to Wagner, in this case Parsifal. Unfolding over three continuous movements, the music moves from the babbling of a baby and the frenetic chatter of human life in all its expressions, to music of unity, ahymn which is close to Gregorian chant in which, in Harvey’s words ‘the paradise of the sounding temple is imagined’. Typeset, and with input from Gilbert Nouno who collaborated with Harvey on the electronic element, this longawaited new edition makes this stunning piece even more accessible to conductors and enthusiasts.

Peter Maxwell Davies: Strathclyde Concerto No. 2

This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. The first performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra, conducted by the composer.If Davies's Cello Concerto has already evoked comparisons with Elgar's, that is perhaps an indication not only of its wealth of solo melody (there is hardly a page where the cello is not singing, or if not that, then dancing), and of its predominantly slow tempos, but also of its musical stature. This second Strathclyde concerto is a virtuoso piece for the entire ensemble, which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue, especially in the opening Moderato and the slow movement; and though the finale is more extrovert, the work ends back in quietness and rumination.This book contains the solo cello part and a piano reduction of the orchestral score.