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Jimi Hendrix Bust

EXQUISITE CRAFTSMANSHIP - Resin cast with hand-painted mahogany finish.BUST DIMENSIONS - Height 8” x Width 3.5” (approx) • Weight 2 lbs 4 ozPERFECT SIZE FOR SHELF DISPLAY - Complete your music studio or man-cave with this beautiful tribute to the world’s ultimate guitarist. UNIQUE PRESENT - Ideal gift for that person in your life who loves Jimi Hendrix.BOLD STATEMENT - Answer Jimi’s ultimate question “Are you experienced?” with a resounding “Yes!”EXQUISITE CRAFTSMANSHIP - Resin cast with hand-painted mahogany finish.BUST DIMENSIONS - Height 8” x Width 3.5” (approx) • Weight 2 lbs 4 ozPERFECT SIZE FOR SHELF DISPLAY - Complete your music studio or man-cave with this beautiful tribute to the world’s ultimate guitarist. UNIQUE PRESENT - Ideal gift for that person in your life who loves Jimi Hendrix.BOLD STATEMENT - Answer Jimi’s ultimate question “Are you experienced?” with a resounding “Yes!”

Sounding the Gallery : Video and the Rise of Art-Music

Philip Glass: String Quartet No.4 'Buczak' (Parts)

Philip Glass's String Quartet No.4 was composed as part of the Memorial concert for the artist Brian Buczak. Commissioned by Geoffrey Hendricks, it received its first performance on 4 July 1989 at the Emily Harvey Gallery, New York City.

John Tavener: Ultimos Ritos

This massive work for orchestra and four choirs was commissioned by Mario di Bonaventura for the Hopkins Centre, Dartmouth College, Hanover, USA. It was first performed by the BBC singers and the Dutch Radio Orchestra, conducted by John Poole, as part of the Holland Festival 1974. This performance was recorded by the BBC an subsequently broadcast on radio and television.Ideally, Ultimos Ritos should be performed in a cathedral or large church with gallery space.

Fantasia Di Pasqua : Easter Fantasy

Fantasia di Pasqua is a fantasy in which traditional Easter melodies have been used. The work is written for brass band with a separate brass quartet which, since this music is often performed in churches, the composer suggests should be positioned on a gallery. This creates a double choir effect and perfectly fits the Renaissance-like style. Each of the melodies is played in various dance-like cadences that, partly because of the double choir effect, will result in a very lively and original performance.

Joseph E. Spann: Spann's Guide To Gibson 1902-1941

Centerstream presents Spann's Guide To Gibson 1902-1941, a detailed look at the inner workings of the famous musical instrument manufacturer of Kalamazoo, Michigan before World War II. For the first time, Gibson fans can learn about the employees who built the instruments, exactly where the raw materials came from, the identity of parts vendors, and how the production was carried out. The book explains Gibson's pre-World War II factory order number and serial number systems, and corrects longstanding chronological errors. Previously unknown information about every aspect of the operation is covered in-depth. Noted historian Joe Spann gathered firsthand info from pre-war employees, and had access to major Gibson document collections around the world. Long time Gibson experts, as well as casual collectors, will find this volume an indispensable addition to their reference shelf.

Missa Brevis

Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass, there are many performance possibilities depending on the musicians available. In addition to the standard orchestration ofchoir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is heard. It is alsopossible to perform the work with brass band and organ. A truly flexible religious masterpiece. Choral parts available separately.

Carl Humphries: The Piano Handbook

A Complete Guide for Mastering Piano. With clear and easy-to-understand exercises, The Piano Handbook is perfect for anyone interested in learning the piano or improving their skills. It provides fresh material and techniques in styles ranging from classical to jazz, rock, bebop and fusion, and gives new players everything they need to learn and enjoy the piano. This book's innovative tutorial approach covers classical and contemporary music styles in an integrated way, and the companion CD brings the playing techniques and concepts to life. A full-color photo gallery illustrates the history of the piano and its essential recordings. This hardcover, deluxe edition also features semi-concealed spiral binding so the book stays open on the piano. The Piano Handbook prepares you not just to play, but to perform - and not just as a pianist, but as a complete musician.

J.S. Bach: The Well Tempered Clavier - Part 1 (Hardback)

Hardback edition. Set for the ABRSM Harpsichord examination grade 8. Published within the Signature Series , a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars including informative introductions and performance notes An unsurpassable scholarly reference... a rightly-lauded triumph of scholarship, it should be on the shelf of every musician.’ Music Teacher ‘... this will be the standard text in the UK and worldwide, alongside all the other marvellous Bach, Schubert and Brahms editions already in Signature volumes.’ Classical Piano ‘Whatever your chosen instrument, this is not only a fine editorial achievement, but also a compendium of both wisdom and pleasure virtually without equal.’ Harpsichord and Fortepiano ‘... beautifully engraved and edited with the needs of the performer in mind.’ Music Business ‘Well presented and informative, this represents a valuable addition to the piano (keyboard) library.’ Sheet Music Latest ‘The best English-language edition so far. Contains very useful material on manuscript sources, variants, and performance questions. A bonus is the inclusion of Donald Francis Tovey’s classic analyses of each prelude and fugue, along with the editor’s helpful caveats.’ Early Music America Winter 2000/1

Cantica de Sancto Benedicto : Saint Benedict Cantata

Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, where Benedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements of Cantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the other texts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the three movements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint’s day of the holy Benedict (11 July). Notes to the conductor: For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never sounds together with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensional performance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir could also sing from a gallery. With layouts like this, working with two conductors is advisable.

Cantica de Sancto Benedicto : Saint Benedict Cantata

Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint’s day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.

J.S Bach: The Well-Tempered Clavier - Part II (Hardback)

Hardback edition. Set for ABRSM Harpsichord examinitions grade 8. Published within the ‘Signature’ Series, a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars including informative introductions and performance notes ‘As a scholarly reference, this edition is probably unsurpassable ... a rightly-lauded triumph of scholarship, it should be on the shelf of every musician.’ Music Teacher ‘Whatever other publishers produce, it is likely that, in the UK, the best-selling edition of the 48 will be the one published by the Associated Board.’ Early Music News ‘... this will be the standard text in the UK and worldwide, alongside all the other marvellous Bach, Schubert and Brahms editions already in Signature volumes.’ Classical Piano ‘Whatever your chosen instrument, this is not only a fine editorial achievement, but also a compendium of both wisdom and pleasure virtually without equal.’ Harpsichord and Fortepiano ‘... beautifully engraved and edited with the needs of the performer in mind.’ Music Business ‘Well presented and informative, this represents a valuable addition to the piano (keyboard) library.’ Sheet Music Latest ‘The best English-language edition so far. Contains very useful material on manuscript sources, variants, and performance questions. A bonus is the inclusion of Donald Francis Tovey’s classic analyses of each prelude and fugue, along with the editor’s helpful caveats.’ Early Music America Winter 2000/1