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The Great Wall

Strong modal melodies and harmonies, clear tempoªchanges, and melodic sections for all players, The Great Wall is teachingªandªprogram material at its best for developing groups. Your students willªlove itsªbold, dramaticsonorities that makesthem sound strong and confident.

Over The Garden Wall : Children's Songs and Games from England

Over the Garden Wall is a one-of-a-kind collection of thirty-eight traditional children's songs, rhymes and games from England, beautifully illustrated with rare photos from the past, along with the freshfaces of children from today. The enclosed CD contains authentic field recordings collected in the 1940s, 50s and 60s, along with new recordings of children from schools in villages, towns and cities throughout the UK.Second in a series of volumes designed to bring scholarly research and practical application together in one anthology, this book is perfect for use in both home and school. Parents and children will enjoy exploring past, presentand future through England's rich heritage of musical play, while teachers will find activities for the classroom. Over the Garden Wall includes historical references for each song, pedagogical indices andsuggestions for developing a literacy-based music curriculum. Ideally suited for teaching musical skills, this collection provides a “vocabulary” of music and play from which children can draw today. Available:Book/CD. Suggested for grades 1-6.

Vallum Hadriani (Hadrian's Wall)

K&M LED piano lamp - black

Pianolampa med elegant design. Toppmodern LED-teknik säkerställer behagligt varmvitt ljus (3000 K, 12 lysdioder, 2500 Lux), lång livslängd och låg energiförbrukning. En variabel dimmerknapp justerar ljusstyrkan. Optimal positionering tack vare en lång och flexibel svanhals (415 mm längd). Den tunga basen säkerställer ett stabilt stativ. Strömförsörjning ingår. Anslutning: elkabel 3 m EAN: 4016842109654 Elanslutningsdata: 230 V AC 50Hz Intensitet: ~2500 lux Lampskärmens längd: 300 mm Lätt positionering av: svanhals Belysningsapparat: 12 lysdioder Material: Grundgjuten zink, svanhalsstål, lampskärm i plast Strömförsörjning: endast nätdrift Specialfunktioner: inkluderar strömadapter; ljusstyrka dimbar; varmvitt ljus (3000 K), Flux: 230 Lumen Typ: svart Vikt: 1 633 kg

K&M LED piano lamp - white

Pianolampa med elegant design i hvid. Toppmodern LED-teknik säkerställer behagligt varmvitt ljus (3000 K, 12 lysdioder, 2500 Lux), lång livslängd och låg energiförbrukning. En variabel dimmerknapp justerar ljusstyrkan. Optimal positionering tack vare en lång och flexibel svanhals (415 mm längd). Den tunga basen säkerställer ett stabilt stativ. Strömförsörjning ingår. Anslutning: elkabel 3 m EAN: 4016842109654 Elanslutningsdata: 230 V AC 50Hz Intensitet: ~2500 lux Lampskärmens längd: 300 mm Lätt positionering av: svanhals Belysningsapparat: 12 lysdioder Material: Grundgjuten zink, svanhalsstål, lampskärm i plast Strömförsörjning: endast nätdrift Specialfunktioner: inkluderar strömadapter; ljusstyrka dimbar; varmvitt ljus (3000 K), Flux: 230 Lumen Typ: white Vikt: 1 633 kg

K&M LED piano lamp - silver

Pianolampa med elegant design i hvid. Toppmodern LED-teknik säkerställer behagligt varmvitt ljus (3000 K, 12 lysdioder, 2500 Lux), lång livslängd och låg energiförbrukning. En variabel dimmerknapp justerar ljusstyrkan. Optimal positionering tack vare en lång och flexibel svanhals (415 mm längd). Den tunga basen säkerställer ett stabilt stativ. Strömförsörjning ingår. Anslutning: elkabel 3 m EAN: 4016842109654 Elanslutningsdata: 230 V AC 50Hz Intensitet: ~2500 lux Lampskärmens längd: 300 mm Lätt positionering av: svanhals Belysningsapparat: 12 lysdioder Material: Grundgjuten zink, svanhalsstål, lampskärm i plast Strömförsörjning: endast nätdrift Specialfunktioner: inkluderar strömadapter; ljusstyrka dimbar; varmvitt ljus (3000 K), Flux: 230 Lumen Typ: white Vikt: 1 633 kg

K&M LED piano lamp - gold

Pianolampa med elegant design. Toppmodern LED-teknik säkerställer behagligt varmvitt ljus (3000 K, 12 lysdioder, 2500 Lux), lång livslängd och låg energiförbrukning. En variabel dimmerknapp justerar ljusstyrkan. Optimal positionering tack vare en lång och flexibel svanhals (415 mm längd). Den tunga basen säkerställer ett stabilt stativ. Strömförsörjning ingår. Anslutning: elkabel 3 m EAN: 4016842109654 Elanslutningsdata: 230 V AC 50Hz Intensitet: ~2500 lux Lampskärmens längd: 300 mm Lätt positionering av: svanhals Belysningsapparat: 12 lysdioder Material: Grundgjuten zink, svanhalsstål, lampskärm i plast Strömförsörjning: endast nätdrift Specialfunktioner: inkluderar strömadapter; ljusstyrka dimbar; varmvitt ljus (3000 K), Flux: 230 Lumen Typ: guld Vikt: 1 633 kg

Writing's On the Wall : from the film Spectre

James Bond movies always seem to inspire terrific music and this latest installment is no exception. Sam Smith's memorable ballad features sweeping melodies and haunting harmonies. Nicely adapted for band by Michael Brown.

12-Space Ukulele Rack - GS5012

On the floor or off the wall, The On-Stage GS5012 Ukulele Rack gives teachers, students, and dealers the ultimate in safe, secure and spotlight-ready access to today's hottest selling/trending stringed instrument. Complete with 12 EVA coated yokes for instrument protection, black powder-coated finish for spotlight-ready optics, non-slip feet for secure placement and wall-mounting brackets for display versatility, The On-Stage GS5012 delivers solid, maximized, out-sized support for the mini but mighty ukulele.   Holds up to 12 ukuleles Included brackets accommodate wall mounting EVA foam protects your instrument Non-slip rubber feet  

Writing's On The Wall : Main theme from the James Bond

Writing's On The Wall : Main theme from the James Bond

Writing's On The Wall : Main theme from the James Bond

Bent Sørensen: It Is Pain Flowing Down Slowly On A White Wall

For Accordion and Strings.

Longthorpe Tower

Longthorpe Tower was a medieval castle of the Thorpe family and contains some of the most well-preserved and complete medieval wall paintings in Northern Europe. This piece represents the music of this period in English history.

Rock With You

From the acclaimed album Off the Wall, this familiar rock hit was tops on the charts for four weeks in 1979 and helped establish Michael Jackson as a creative force in pop music. This arrangement features a great groove anddistinctive horn riffs, along with brief solos for trumpet and tenor.

The King of Pop

The world continues to pay tribute to Michael Jackson's legacy and his impact on music, dance, and entertainment. Here's your chance to perform some of his most memorable songs, in a superb showcase for string orchestra. Includes:Thriller, Rock with You, Off the Wall, Man in the Mirror and I'll Be There.

I Can't Help It

Written by Stevie Wonder and recorded by Michael Jackson on his 1979 album Off the Wall, this familiar hit is treated here in a creative version for jazz ensemble. Incorporating the jazz-influenced harmonies of the originalalong with a lightsamba groove, this is sure to become a favorite with your players and audience alike.

LOL (Laugh Out Loud)

LOL (Laugh Out Loud) is a wacky, fast-and-furious barn-burner reminiscent of a circus march or screamer. It was written for the Naden Band of the Royal Canadian Navy in celebration of their 75th anniversary as an opportunity to display their dazzling technical facility and humor. Cartoon-like trombone glissandi, flying woodwinds, dizzying brass and laughing rhythms create a zany and thrilling off the wall highlight to any occasion. Dur: c. 2:50

Singer's Musical Theatre Anthology - Teen's Ed. : Baritone/Bass

MeSanta FeStarsWhen She Loved MeI Wanna Be A ProducerJet SongI'm Not Wearing Underwear TodayC'Est MoiCamelotAll That's KnownComedy TonightCoolDo I Love You Because You'Re Beautiful?EdelweissEmpty Chairs At Empty TablesGastonThe Girl That I MarryGonna Build A MountainGood Thing GoingIf Ever I Would Leave YouIt Only Takes A MomentLeaning On A Lamp PostLes PoissonsLuck Be A LadyMy Defenses Are DownMy Time Of DayOh, What A Beautiful Mornin'Put On A Happy FacePuttin' On The RitzReal Live GirlTen Minutes AgoThey Call The Wind MariaTry To RememberWaitin' For The Light To ShineWhere Was I When They Passed Out The Luck?A Wonderful Day Like TodayGreased Lightnin'

Guitar Recorded Versions: Mammoth Metal Guitar Tab Anthology

Shred your axe and thrash your big hair through the air with this jam-packed collection of 45 metal faves in note-for-note guitar trancriptions with tab. Songs include: Ace of Spades • Bark at the Moon • Breaking the Law • Crazy Train • Dying in Your Arms • Enter Sandman • Hail to the King • Iron Man • Master of Puppets • No More Tears • Painkiller • Redneck • Symphony of Destruction • Toxicity • War Pigs (Interpolating Luke's Wall) • Your Betrayal • and more. 430 pages of awesomeness!

Sea of Clouds : 3rd Movement of The Seas of the Moon

The third movement of Robert Buckley's grandly cinematic suite describing impressions of the seas of the moon, Sea of Clouds was inspired by a series of paintings done by Claude Monet in the London fog. Monet captured the gradations of light as it was affected by fog with ghostly images sifting through. This movement is mostly subdued and dreamlike, the music ebbing and flowing and eventually building to a vast wall of sound and then dissolving into silence. Dur: 5:05

Cityscapes

For Cityscapes, the composer used the metropolis of New York, the largest city of the United States, as a source of inspiration. The first movement mirrors the skyline of the ‘Big Apple’. In movement two, Central Park is introduced and in the closing movement of this triptych, the ever-sparkling Manhattan, known for its many skyscrapers, and its financial centre Wall Street, is the focal point. Not only are the busy city traffic and the chaotic hustle and bustle expressed in the music, but also the impressive buildings, including the famous Empire State Building. Let the magic of New York shine with this dramatic new item for brass band.

Piano Concerto No. 3 HPS 1801

Commissioned by China National Centre for The Performing Arts, San Francisco Symphony, Toronto Symphony Orchestra, Philharmonie de Paris – Orchestre de Paris, NDR Elbphilharmonie Orchester, and the New York Philharmonic, this work was composed in 2022 and first performed that year at Davies Symphony Hall, San Francisco, CA, by Yuja Wang (piano) and the San Francisco Symphony, conducted by Esa-Pekka Salonen. The Wall Street Journal commented, “Mr Lindberg’s work, in three distinct movements, teases music lovers with homages to Ravel and Debussy, Prokofiev and Rachmaninoff, Liszt and, in the finale, Gershwin. But in doing so, the composer achieves that rarest of admixtures, a work that recalls the greatness of others while creating a sound world entirely his own.”

The Bruce Swedien Recording Method

The Bruce Swedien Recording Method is an incredibly timely and timeless reference for anyone interested in capturing and mixing the best possible music recordings. From the Michael Jackson albums (Off the Wall, Thriller, Bad, Dangerous, Invincible, and HIStory), to many Quincy Jones hits (The Dude, Back on the Block, Q's Jook Joint, and many more), to classic greats from Count Basie, Duke Ellington, the Brothers Johnson, and Natalie Cole, Bruce Swedien's impact on popular music has been undeniable. Engineers at all levels still use Swedien's recordings as a standard by which they judge the sonic validity of their own work.In The Bruce Swedien Recording Method, Swedien explains many of the techniques he has used to get award-winning Drum, Bass, Guitar, Keyboard, Vocal, String, and Brass sounds. On the accompanying DVD-ROM, he further reveals what he looks for in a recording and the steps he takes to imprint his characteristic world-class sonic signature on the music he mixes.Throughout this book, Swedien consistently pinpoints the most important considerations in the recording process, with such insights as "You don't listen to the equipment, you listen through the equipment"... "Nobody ever walked out of the studio whistling the console..." - the list goes on and on.

Poul Ruders: Nightshade (Full Score)

Ruders writes: NIGHTSHADE is an instrumental dark-room, a grave-yard of low-pitched, tight-knitted, crawling chords sliced asunder by the cold extremely high positioned movements of the oboe and violin in particular: tones sustained to near-immobility and then scared into startling velocity, like geckoes on a Southern garden wall. Shades in the night are pale and gloomy phenomenons to behold; treacherous beauties in the mighty realm of invisibility and blackness. Belladonna (beautiful lady) is the morbid christening of that fearsome variety of flora: the deadly nightshade. The piece is, on one hand, a study in extreme sonorities; the infrequently used contrabass clarinet is being employed along with the contra-bassoon, forming the ultra-low foundation of the score and the bottom-register of the French horn and the trombone is set against the serene clarity of high violin and oboe. On the other hand, the piece is a tone-poem of sorts, on the various associations as they form within the mind of the individual listener when confronted with the very word NIGHTSHADE. Personally, I come to think of pale moonlight, tombstones, the compelling as well as frightening spell of a dark forest. A Study in black the piece has been called.