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El Matador

El Matador

El Matador is composed in the style of a Spanish paso doble. In this dance, the man plays the role of a matador, and the woman is, literally, a red rag to a bull! This work is written for a four-part variable instrumentation. The crucial aspect for the performance is that the parts are equally shared among the available instruments. In the percussion part, the castanets (wood block ad lib.) play an important role. El Matador is composed in the style of a Spanish paso doble. In this dance, the man plays the role of a matador, and the woman is, literally, a red rag to a bull! This work is written for a four-part variable instrumentation. The crucial aspect for the performance is that the parts are equally shared among the available instruments. In the percussion part, the castanets (wood block ad lib.) play an important role.

SEK 831.00
1

Manuel De Falla: El Retablo De Maese Pedro (Study Score)

Manuel De Falla: El Retablo De Maese Pedro (Study Score)

Regarded as the greatest Spanish composer of the 20th century, Manuel De Falla (1876-1946) had a distinctive nationalistic style. His 1923 puppet opera El Retablo De Maese Pedro marks the point at which he broadens his influences away from Andalusian music, and finds inspiration from other Spanish folk genres. His “Play within a Play” sets a scene from Don Quixote which is actually about a puppet theatre. Scored for Treble, Tenor, Baritone, and Chamber Orchestra, this 30-minute opera was immediately praised by the musical establishment of the time, and paved the way for De Falla to achieve global recognition.

SEK 608.00
1