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Philip Cashian: Caprichos

Philip Cashian: Caprichos

Caprichos was commissioned by Bromsgrove Concerts for CHROMA who gave the first performance at the Guesten Hall, Bromsgrove, 9 April, 2003. Caprichos takes it's name from Goya's Los Caprichos, a set of eighty aquatints which depict the bizarre, mischievous and often grotesque world of 18th century Spain. The music isn't a literal depiction of Goya's work, but takes it as a starting point for a set of musical portraits that explore the possibilities of clarinet, piano, violin and cello.

SEK 583.00
1

English Dances, Set 1, Op. 27: No. 1 : Andantino

English Dances, Set 1, Op. 27: No. 1 : Andantino

English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvo ák’s Slavonic Dances and Bartók’s Romanian Folk Dances. The première took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr. English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvo ák’s Slavonic Dances and Bartók’s Romanian Folk Dances. The première took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.

SEK 980.00
1