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All For Strings Book 1 String Bass

All For Strings Book 1 String Bass

The comprehensive string method that covers it all! A successful ensemble string method series for classroom or individual study. Provides the beginning string player with a solid foundation in all aspects of string playing with an emphasis on rhythmic strength. Topics include: Starting by rote Starting by note Instrument positions Bow grips Rhythm Theory Technique Major scales Duets/Trios/Rounds Shifting for string bass Instrument care and maintenance Glossary Detailed photographs and diagrams Special score supplements: Teaching tips Counting systems Selecting instruments for students Recruiting tips Bibliography

SEK 64.00
1

Meditation on the Old Czech Hymn St. Wenceslas : for String Quartet op. 35a

Meditation on the Old Czech Hymn St. Wenceslas : for String Quartet op. 35a

Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian “St. Wenceslas” hymn. The hymn’s message – a plea for the well-being of the Czech people, directed at their patron saint – was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year thepiece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass.

SEK 72.00
1

Meditation on the Old Czech Hymn St. Wenceslas : for String Quartet op. 35a

Meditation on the Old Czech Hymn St. Wenceslas : for String Quartet op. 35a

Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian “St. Wenceslas” hymn. The hymn’s message – a plea for the well-being of the Czech people, directed at their patron saint – was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year thepiece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass.

SEK 72.00
1

Meditation on the Old Czech Hymn St. Wenceslas : for String Quartet op. 35a

Meditation on the Old Czech Hymn St. Wenceslas : for String Quartet op. 35a

Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian “St. Wenceslas” hymn. The hymn’s message – a plea for the well-being of the Czech people, directed at their patron saint – was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year thepiece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass.

SEK 72.00
1

Meditation on the Old Czech Hymn St. Wenceslas : for String Quartet op. 35a

Meditation on the Old Czech Hymn St. Wenceslas : for String Quartet op. 35a

Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian “St. Wenceslas” hymn. The hymn’s message – a plea for the well-being of the Czech people, directed at their patron saint – was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year thepiece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass.

SEK 72.00
1

Meditation on the Old Czech Hymn St. Wenceslas : for String Quartet op. 35a

Meditation on the Old Czech Hymn St. Wenceslas : for String Quartet op. 35a

Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian “St. Wenceslas” hymn. The hymn’s message – a plea for the well-being of the Czech people, directed at their patron saint – was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year thepiece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass.

SEK 72.00
1

Techniques For The Contemporary String Player

Techniques For The Contemporary String Player

Whether you want to learn a new style, be ready for anything that comes up in a jam session, or meet the demands of new orchestral scores with ease, this DVD will help you develop the necessary right and left-hand skills. Julie Lyonn Liebermann has examined he technical demands of all the modern, alternative styles (such as blues, swing, rock, Celtic, Cajun, Flamenco and more), and organises the most essential skills, the fundamentals that you?ll need to progress, all onto one insightful DVD with both parts One and Two of her method guide. In part one: The Bow Hand Four essential bow control techniques, ten approaches to rhythmizing the bow, contemporary techniques you can use to navigate the bow so that each note speaks! Part Two: The Left Hand Basic Set-up Thumb Hinge, Trampoline Fingers, Chromatic Motion, Vibrato Ornaments (such as trills, slides, grace notes, turns, jazz embellishments and more) Double Stops (Unisons, octaves and chords), Playing on chord changes Walking bass lines, Slap and more. Overall, an interesting, insightful, comprehensive and enjoyable guide to contemporary string playing on this great value and brilliant DVD guide.

SEK 93.00
1

Serenade for String Orchestra E major op. 22

Serenade for String Orchestra E major op. 22

Dvo ák’s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875, when he had just experienced his first successes at theconductor’s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock, Berlin, in 1879.This Urtext edition is based on the composer’s autograph score. It corrects mistakes found inthe first edition and so, for the first time, the editor incorporates omitted passages from the autograph, marking them with Vi-de. This reconstruction makes it possible to clarify the piece’s structure. The author of theForeword,Kate ina Nová, is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autographscoreFull score & parts (BA10423) available for sale

SEK 96.00
1