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The Rose Led Us to Our Eyes

The Rose Led Us to Our Eyes is a setting of a text by poet Ghalib (1797 1869) as adapted by the composer. The music is relatively uncomplicated and mellifluous.

My World: Baron Wolman Greetings Card - Led Zeppelin Guitars

Baron Wolman is an American photo-journalist who began his professional photographic career in Berlin as the wall was being built. Returning from Germany in the mid-sixties, he was recruited by Rolling Stone magazine co-founder, Jann Wenner, to be the magazine's first chief photographer. In that position, he was granted unique photographic access to rock 'n' roll's most celebrated and iconic musicians, from Jimi Hendrix, Jim Morrison, Grateful Dead, Janis Joplin and The Rolling Stones to The Who and beyond. This Greetings Card features a colour image of Led Zeppelin ’s Guitars. An envelope is included and the inside of the card is left blank for your own message.

Led Zeppelin Para Tocar Sngbk

William Crotch: Lo! Star-led Chiefs (Palestine)

Anthem, suitable for Christmas use, for SATB Choir and Piano (or Organ).

All Who Are Led by the Spirit

Keychain Light, Pink

The compact Keychain LED Light fits conveniently on your key ring and features both tap button and constant-on switch.

They Led My Lord Away : No. 2 From Songs For The Journey

Mighty Bright: Xtraflex Music Light (Black)

Give your eyes a break so you can focus on the music. The Mighty Bright XtraFlex LED Music Stand Light is breathtakingly bright and also happens to be one of the lightest, most compact music lights in the Mighty Bright range. Affordably priced and travel-size, it?s ideal when you are on the move (and on a budget). With a bright white LED and long battery life, the budget-friendly XtraFlex is an incredible bargain. Clip it to any surface, use it freestanding, or carry it backstage in a pinch. You have full control over the gooseneck to illuminate music sheets, soundboards, and other surfaces. It may even help to shed light on ticket sales. Bright white, energy-efficient LED Durable LED lasts 100,000 hours - no replacement necessary Precisely engineered optical grade lens spreads light evenly Sturdy clip Small, stable base Flexible gooseneck holds the light firmly in place Powered by 3 AAA batteries (included) Optional cradle base (catalogue number MB80910) 12.5" x 1.5" x 1.75" (Length x Height x Width)

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

Basta, vincesti ... Ah non lasciarmi, no

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's concert aria Basta, vincesti … Ah non lasciarmi, no!

Basta, vincesti ... Ah non lasciarmi, no

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's concert aria Basta, vincesti … Ah non lasciarmi, no!

Basta, vincesti ... Ah non lasciarmi, no

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's concert aria Basta, vincesti … Ah non lasciarmi, no!

Basta, vincesti ... Ah non lasciarmi, no

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's concert aria Basta, vincesti … Ah non lasciarmi, no!

Basta, vincesti ... Ah non lasciarmi, no

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's concert aria Basta, vincesti … Ah non lasciarmi, no!

Giulio Caccini: Ave Maria - SATB/Piano

Caccini's Ave Maria is an exquisite setting of the traditional Latin text and its beauty and simplicity has led to performances by Andrea Bocelli, Katherine Jenkins, Hayley Westenra and many others. Here it has been arranged by Jonathan Wikeley for SATB choir and Piano accompaniment.

Magnificat a 4 : Warb E 22

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach’s church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Magnificat a 4 : Warb E 22

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach’s church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Magnificat a 4 : Warb E 22

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach’s church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Magnificat a 4 : Warb E 22

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach’s church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Magnificat a 4 : Warb E 22

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach’s church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Giulio Caccini: Ave Maria - 2-Part/Piano

Caccini's Ave Maria is an exquisite setting of the traditional Latin text and its beauty and simplicity has led to performances by Andrea Bocelli, Katherine Jenkins, Hayley Westenra and many others. Here it has been arranged by Jonathan Wikeley for 2-part choir and Piano accompaniment.