50 resultat (0,15744 sekunder)

Visa alla filter

Märke

Visa alla

Butik

Pris (EUR)

Nollställ filter

Produkter
Från
Butiker

Motet No.5 Komm, Jesu, komm BWV 235 : Motet for two four-part mixed choirs

Motet No.5 Komm, Jesu, komm BWV 235 : Motet for two four-part mixed choirs

Komm, Jesu, komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the 200 or so survivingcantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90), choral score (BA5193)

SEK 90.00
1

Ennio Morricone: Declare Your Maker's Praise! (Arr. Larson) (SATB)

Ennio Morricone: Declare Your Maker's Praise! (Arr. Larson) (SATB)

One of the most celebrated tunes of recent cinematic musical output introduces the spirit and pace of this special offering. Walking with simple dignity, the piece moves into an engaging setting of the beloved “This Is My Fathers World.” Fulfilling for each section of the choir, the arranger has ensured success with careful part-writing and solid accompaniment support. This universal message of gratitude is at home in every season. Score and Parts (ob, vn 1-2, va, vc, db, keybd strings) available as a digital download.

SEK 73.00
1

Motet No.5 Komm, Jesu, komm BWV 235 : Motet for two four-part mixed choirs

Motet No.5 Komm, Jesu, komm BWV 235 : Motet for two four-part mixed choirs

Komm, Jesu, komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the 200 or so survivingcantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90), choral score (BA5193)

SEK 90.00
1

Motet No.5 Komm, Jesu, komm BWV 233 : Motet for two four-part mixed choirs

Motet No.5 Komm, Jesu, komm BWV 233 : Motet for two four-part mixed choirs

Komm, Jesu, komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the 200 or so survivingcantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90), choral score (BA5193)

SEK 88.00
1

Motet No.5 Komm, Jesu, komm BWV 232 : Motet for two four-part mixed choirs

Motet No.5 Komm, Jesu, komm BWV 232 : Motet for two four-part mixed choirs

Komm, Jesu, komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the 200 or so survivingcantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90), choral score (BA5193)

SEK 90.00
1

Motet No.5 Komm, Jesu, komm BWV 234 : Motet for two four-part mixed choirs

Motet No.5 Komm, Jesu, komm BWV 234 : Motet for two four-part mixed choirs

Komm, Jesu, komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the 200 or so survivingcantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90), choral score (BA5193)

SEK 88.00
1

Stanley Dickson: Thanks Be To God

Stanley Dickson: Thanks Be To God

Thanks be to God is traditional in style and lends itself well to this four-part arrangement with stately chordal accompaniment. Few people know that ‘Stanley Dickson’ did not write this internationally renowned song of thanks. There was no ‘Stanley Dickson.’ It was a pseudonym, one of several used by Australian composer May Brahe to allow publishers to print more of her prodigious output. The only Australian woman composer of international renown in the first part of the 20th century, May Brahe also penned Bless This House and nearly 500 others.

SEK 73.00
1

Purcell, H Thou Knowest, Lord Sab

Purcell, H Thou Knowest, Lord Sab

Henry Purcell (1659-1695) held numerous appointments at the Royal Court and Westminster Abbey, and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral, ecclesiastical, operatic, theatrical, incidental, and chamber music were all enriched by his output. The evocative anthem Thou Knowest, Lord (Z 58) was written in 1687, and later included in William Croft's setting of the Burial Service "for reasons obvious to every artist". It has been sung at every British State Funeral since. This arrangement by Vincent Knight is for SAB Choir and Organ.

SEK 73.00
1

Singet dem Herrn ein neues Lied : Op. 45,2

Singet dem Herrn ein neues Lied : Op. 45,2

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SEK 61.00
1

Kommet her zu mir alle : Op. 45,7

Kommet her zu mir alle : Op. 45,7

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SEK 75.00
1

Bittet, so wird euch gegeben : Op. 45,3

Bittet, so wird euch gegeben : Op. 45,3

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SEK 75.00
1

Siehe, spricht der Herr : Op. 45,5

Siehe, spricht der Herr : Op. 45,5

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SEK 61.00
1

Ei, du frommer und getreuer Knecht : Op. 45,6

Ei, du frommer und getreuer Knecht : Op. 45,6

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SEK 61.00
1

Christus ist aufgefahren : Op. 45,4

Christus ist aufgefahren : Op. 45,4

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SEK 61.00
1

Francis Jackson: Magnificat And Nunc Dimittis Satb/Organ

Francis Jackson: Magnificat And Nunc Dimittis Satb/Organ

Francis Jackson is a British organist and composer. He was the organist and director of music at York Minster for 36 years. Both nationally and internationally acclaimed, Jackson has given recitals and concerts all over the world, and made numerous recordings of solo Organ music and of choral music with the choir of York Minster. He has written extensively for the Church, and his output includes anthems, Organ solos, Organ sonatas, monodramas, a concerto, a symphony and some solo songs. Magnificat And Nunc Dimittis In G Minor are two magnificent pieces of sacred choral music arranged for SATB Voices and Organ. Total performance time is approximately 8 minutes and 10 seconds.

SEK 75.00
1

Edward German: Rolling Down To Rio (Unison And Piano)

Edward German: Rolling Down To Rio (Unison And Piano)

Rolling Down To Rio first appeared in The Beginning of the Armadillos, one of the Just So stories by Rudyard Kipling . It was set to music in 1903 by Edward German, arranged for unison or solo Voice with Piano accompaniment. The arrangement has remained highly popular ever since. Edward German was an English musician and composer of Welsh descent, best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of English comic opera. While French influences are clearly apparent in his music, all in all his style is usually considered to be ‘quintessentially English’.

SEK 87.00
1