DIGITAL MARKETING

Nux AC-60 acoustic Amp

Natural sound for acoustic guitar and vocal The Stageman II AC-60 has 2 channels and both are optimized for acoustic guitar and microphone inputs respectively. The dual-input channels, on the NUX Stageman II AC-60 acoustic guitar amplifier, provide you with even more options for gigs or studio recording. Equipped with NUX's latest DSP technology, the Stageman II AC-60 delivers pure, rich acoustic sound with projection far beyond its size. The Stageman II AC-60 has flexible outputs for both stage and recording applications, and is designed for your interface needs. XLR DI output and Line output jack can be used as an analog audio-out for recording or sending to a monitor. To accentuate your customized sound, Send/Return FX Loop inputs interface with any of your essential effects gear. High-sensitivity speaker system for playing on stage It's never easy to find the ideal speakers for instrument amplifiers, especially for the acoustic instruments. After hundreds of times of trying speakers from different suppliers, we eventually decided to customize our own speakers to capture the exact sound we wanted. We triumphed by combining two refined speakers ( one: 1 inch tweeter and one: 6.5 inch woofer ) into Stageman's cabinet. Equipped with this creative 2-way high-sensitivity speaker system, the Stageman II delivers incredible sound dynamics. To top it off, our cabinet design features a beveled-angle carefully calculated to provide optimal live sound monitoring. Impulse Response(IR) Function Creates legendary guitar sounds The Stageman II AC-60 is loaded with 8 impulse response files. Each impulse response file is optimized for the guitar type and the pickup type. The IR file names are included in the guitar profile, optimized guitar type, and the pickup type. Connect the Stageman II AC-60 with your mobile phone(app) to activate/deactivate the IR function. Stageman II AC-60 Mobile App 12 effects, 8 IRs, and 6 signal block routings We also developed a mobile App for you to control the Stageman II AC-60 amplifier with your smart phone. You can switch the amp's channels and choose to your favorite signal block routing for the instrument input. There are 12 effects including Chorus, Delay, Tape Echo, Modulation, Reverb, etc. There are 8 IRs truly simulating many legendary guitar sounds. You can control everything, choose any effect you want and adjust the parameters, and there are more functions including some application exclusive features. The Stageman II AC-60 provides the musical sound that will keep you playing for countless of hours. Also, you can connect your mobile phone with Stageman II AC-60 via the Bluetooth, and play along with your favorite music.       Specifications 60 watts rich warm sound acoustic amp with 6.5” premium speaker and 1” tweeter   2 independent channels with routing adjustable post-effects   Acoustic Impulse Response   Drum & Loop (60s phrase loop)   Bluetooth Audio Stream   Free APP controller   USB firmware update   Dimensions: 310(L)mm * 280(W)mm * 328(H)mm   Weight: 9.2 kg   What's in the Box: NMP-2 Dual Lite FootSwitch, TRS Cable (for NMP-2), Power Adaptor, User Manual    

6 Concertos Op. 2 H. 56-60

Psyche op. 60 : Concert Piece for Soloists, Choir and Orchestra

Choral Works : Béla Bartók Complete Critical Edition Volume 9

Contents: Choral Works Evening BB 30 Four Old Hungarian Folk Songs BB 60 Four Slovak Folk Songs BB 77 Slovak Folk Songs BB 78 Hungarian Folk Songs BB 99 Székely Folk Songs BB 106 Twenty-Seven Two- and Three-Part Choruses BB 111aFrom Olden Times BB 112 Appendix: Two Romanian Folk Songs BB 57 Early version of Four Old Hungarian Folk Songs BB 60 Simplified version of nos. 3-6 of Székely Folk Songs with German words BB 106 4 + 7 Choruses from Twenty-SevenTwo- and Three-Part Choruses with English words BB 111a

Der Kodex des Magister Nicolaus Leopold. : Nr. 60-99. 40 auch mehrteilige Kompositionen, überwiegend zwei- bis vierstimmig

Daphnis and Chloe : Symphonic Fragments - 2nd Suite

Ravel's ballet, Daphnis and Chloé, was commissioned by Sergei Diaghilev and premiered with the Ballets Russes in Paris in 1912. The ballet is now rarely performed, but its Suite No. 2 remains popular. It consists of three movements, Lever du jour, Pantomime and Danse générale, that are played without interruption. Tohru Takahashi makes no compromises in his transcription, which calls for at least 60 musicians and an optional mixed chorus!

The Golden Age of the Xylophone

Premiered by Randy Eyles and The United States Air Force Band, this ragtime novelty xylophone solo with band accompaniment has been performed around the world. In 1987 it was performed during a live radio broadcast in China to anestimated audience of 60 million! Golden Age is a medley of eight tunes that were favorites of the 1900's. A true “Show Stopper,” The Golden Age of the Xylophone is sure to become a popular favorite with bands aroundthe world. Standard instrumentation, medium (band), difficult (solo).

The Graces of Love : Le Gratie d'Amore

“The Graces of Love” (Le Gratie d’Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milan court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune Il bianco fior (The White Flower) on which the first movement of my piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune Vaghe bellezze ... (Veiled Beauty …). Widely spaced melodic parts surround two solos during which the tune is varied anddeveloped. Finally, the third movement contains a Saltarello based on a tune by Vincenzo Galilei, the father of the famous astronomer, Galileo Galilei. It brings the work to a close with a hypnotic rhythm which is noble and virtuosic at the same time. “The Graces of Love” (Le Gratie d’Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milanese court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune 'Il bianco fior' (The White Flower) on which the first movement of Oliver Waespi's piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune 'Vaghe bellezze ...' (Veiled Beauty …). Widely spaced melodic parts surround two solos during which the tune is varied anddeveloped. Finally, the third movement contains a Saltarello based on a tune by Vincenzo Galilei, the father of the famous astronomer, Galileo Galilei. It brings the work to a close with a hypnotic rhythm which is noble and virtuosic at the same time.

1834 : Machera Impressions

The twofold title of this concert work is directly connected with the band who commissioned it. The ‘Harmonie Municipale Grevenmacher’ from the town of the same name, by the river Moselle in the Grand Duchy of Luxembourg was founded in the year1834. The name Machera is derived from the word machara, which in turn originated from maceries (old wall). Later, Machera evolved into Machern, Grafenmachern, and finally Grevenmacher.In 2009, this music society the third oldest still in existence in the country celebrated its 175th anniversary. And after all these years the society still flourishes! The dynamic committee, led by Georges May, fully supports and inspires themusical leader of the band, Claude Weiland, as well as his 60-strong ensemble. This well-functioning team took the initiative to ask Jan Van der Roost to write an anniversary composition, inspired, on the one hand, by the rural character ofGrevenmacher and its surroundings (where the famous Moselle wine growing dominates the countryside), and on the other hand, by the dynamics, creativity and joie de vivre the band exudes. All of this resulted in a twofold work with alternating peaceand excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages. The première, on 10 January 2010, was conducted by the composer himself at a successful gala concert which brought a fine year full of musicalfestivities to a close. The ‘Harmonie Municipale Grevenmacher’ faces the future with confidence, and will now prepare for its next milestone: the 200th anniversary!

Ballet Music

This volume is the second of three planned volumes of ballet music composed between 1759 and 1769 in Vienna. They represent only a small portion of Viennese ballet music attributed to Gluck for which musical sources have been preserved. The volumes form a compendium that offers comprehensive editorial coverage of Gluck’s activities as “Compositore von der Music zu denen Balletten” (composer of the music to the ballets). The present volume contains compositions from the years 1759 and 1760 (and, accordingly, the 1759/60 and 1760/61 seasons).The ballets have been passed down only as sets of parts. They were commissioned by Count Joseph Adam Prince of Schwarzenberg andoriginated around the time of the premiere performances from the workshops of Viennese copyists. Today, they are housed in the State Regional Archive Ceský Krumlov (with the exception of the sinfonia for “Le Prix de la Danse”, which has also been handed down as a composition by Ignaz Holzbauer.)The ballet music works consist of a series of mostly short but occasionally lengthier movements that can be repeated or joined into larger musical units. “Les Corsaires” and “Le Prix de la Danse” were both premiered in December 1759 at the Kärntnertortheater in Vienna with choreographies by Charles Bernardi, while Gasparo Angioloni most likely created the choreographies for “Le Berger magicien”, “Les Miquelets espagnols”, and “Le Naufrage” (premiered in 1759 at the Burgtheater), as well as those for “Les Faunes” and “Les Trois Couleurs” (premiered in 1760 at the same venue).The two Bernardi ballets are the only examples for which scenic descriptions have been recorded in the chronicle of theatrical performances by court dancer and ballet master Philipp Gumpenhuber. However, telling titles and works with similar contents help to reconstruct the thematic orientation of the respective ballets.

Pro Tools Ultimate Annual Subscription Renewal - Education digital download

This licence renewal renews an educational subscription to Pro Tools Flex for 1 year. A great option for short-term use at a low cost. It also includes 12 months of AVID’s Support and Updates plan. This means that for a full year after activating your software, you’ll have access to support directly from AVID, and will be able to upgrade to the latest versions via download as soon as they are released. ABOUT PRO TOOLS Pro Tools® redefined the music, film, and TV industry, providing everything you need to compose, record, edit,and mix music and audio. And it keeps getting better, with new MIDI features that enable you to create at the speed of your imagination, tons of timesaving tools, and more flexible licensing. Working with music and sound has never been so easy or fun. CREATE AT THE SPEED OF YOUR IMAGINATION From numerous new MIDI editing enhancements and retrospective MIDI recording, to the ability to save your favourite effects chains and instrument sounds as track presets, Pro Tools enables you to keep your creativity flowing. That’s why top artists, musicians, producers, mixers, engineers, sound designers, freelancers, recording studios, and post facilities choose Pro Tools for everything they do. Because when you need to sound your best, nothing delivers like Pro Tools can. WORK SMARTER AND FASTER When deadlines are looming and timing is critical, Pro Tools offers tons of new timesaving and creativity-enabling tools to streamline your work ow. Whether you’re making music or producing soundtracks for picture—on your own or collaboratively with others in the cloud or in the studio—Pro Tools maximises your efficiency, so you can stay inspired and focused to deliver your best work possible. GET EVERYTHING YOU NEED Pro Tools comes with everything you need to compose, record, edit, and mix audio. Record and mix huge sessions with the highest production values. Compose music with virtual instruments, MIDI tools, and a built-in Score Editor. Improve and polish tracks with access to over 60 effects, sound-processing, and utility

Pro Tools 1-Year Subscription : Boxed

Note: This product is a boxed version and will be physically delivered. 1-Year Subscription licence version. This licence grants full access to all features for 1-Year. It can then be renewed. A great option for short-term use at a low cost. It also includes 12 months of AVID’s Support and Updates plan. This means that for a full year after activating your software, you’ll have access to support directly from AVID, and will be able to upgrade to the latest versions via download as soon as they are released. ABOUT PRO TOOLS Pro Tools® redefined the music, film, and TV industry, providing everything you need to compose,record, edit, and mix music and audio. And it keeps getting better, with new MIDI features that enable you to create at the speed of your imagination, tons of timesaving tools, and more flexible licensing. Working with music and sound has never been so easy or fun. CREATE AT THE SPEED OF YOUR IMAGINATION From numerous new MIDI editing enhancements and retrospective MIDI recording, to the ability to save your favourite effects chains and instrument sounds as track presets, Pro Tools enables you to keep your creativity flowing. That’s why top artists, musicians, producers, mixers, engineers, sound designers, freelancers, recording studios, and post facilities choose Pro Tools for everything they do. Because when you need to sound your best, nothing delivers like Pro Tools can. WORK SMARTER AND FASTER When deadlines are looming and timing is critical, Pro Tools offers tons of new timesaving and creativity-enabling tools to streamline your work ow. Whether you’re making music or producing soundtracks for picture—on your own or collaboratively with others in the cloud or in the studio—Pro Tools maximises your efficiency, so you can stay inspired and focused to deliver your best work possible. GET EVERYTHING YOU NEED Pro Tools comes with everything you need to compose, record, edit, and mix audio. Record and mix huge sessions with the highest production values. Compose music with virtual instruments, MIDI tools, and a built-in Score Editor. Improve and polish tracks with access to over 60 effects,

Pro Tools 1-Year Subscription digital : ESD

Note: This product is delivered electronically. There is no box. 1-Year Subscription licence version. This licence grants full access to all features for 1-Year. It can then be renewed. A great option for short-term use at a low cost. It also includes 12 months of AVID’s Support and Updates plan. This means that for a full year after activating your software, you’ll have access to support directly from AVID, and will be able to upgrade to the latest versions via download as soon as they are released. ABOUT PRO TOOLS Pro Tools® redefined the music, film, and TV industry, providing everything you need to compose, record, edit,and mix music and audio. And it keeps getting better, with new MIDI features that enable you to create at the speed of your imagination, tons of timesaving tools, and more flexible licensing. Working with music and sound has never been so easy or fun. CREATE AT THE SPEED OF YOUR IMAGINATION From numerous new MIDI editing enhancements and retrospective MIDI recording, to the ability to save your favourite effects chains and instrument sounds as track presets, Pro Tools enables you to keep your creativity flowing. That’s why top artists, musicians, producers, mixers, engineers, sound designers, freelancers, recording studios, and post facilities choose Pro Tools for everything they do. Because when you need to sound your best, nothing delivers like Pro Tools can. WORK SMARTER AND FASTER When deadlines are looming and timing is critical, Pro Tools offers tons of new timesaving and creativity-enabling tools to streamline your work ow. Whether you’re making music or producing soundtracks for picture—on your own or collaboratively with others in the cloud or in the studio—Pro Tools maximises your efficiency, so you can stay inspired and focused to deliver your best work possible. GET EVERYTHING YOU NEED Pro Tools comes with everything you need to compose, record, edit, and mix audio. Record and mix huge sessions with the highest production values. Compose music with virtual instruments, MIDI tools, and a built-in Score Editor. Improve and polish tracks with access to over 60 effects, sound-processing, and utility

Pro Tools | Ultimate Annual Subscription - Education NEW : digital download

This educational licence grants full access to Pro Tools Flex for 1 year. It can then be renewed. A great option for short-term use at a low cost. It also includes 12 months of AVID’s Support and Updates plan. This means that for a full year after activating your software, you’ll have access to support directly from AVID, and will be able to upgrade to the latest versions via download as soon as they are released. ABOUT PRO TOOLS Pro Tools® redefined the music, film, and TV industry, providing everything you need to compose, record, edit,and mix music and audio. And it keeps getting better, with new MIDI features that enable you to create at the speed of your imagination, tons of timesaving tools, and more flexible licensing. Working with music and sound has never been so easy or fun. CREATE AT THE SPEED OF YOUR IMAGINATION From numerous new MIDI editing enhancements and retrospective MIDI recording, to the ability to save your favourite effects chains and instrument sounds as track presets, Pro Tools enables you to keep your creativity flowing. That’s why top artists, musicians, producers, mixers, engineers, sound designers, freelancers, recording studios, and post facilities choose Pro Tools for everything they do. Because when you need to sound your best, nothing delivers like Pro Tools can. WORK SMARTER AND FASTER When deadlines are looming and timing is critical, Pro Tools offers tons of new timesaving and creativity-enabling tools to streamline your work ow. Whether you’re making music or producing soundtracks for picture—on your own or collaboratively with others in the cloud or in the studio—Pro Tools maximises your efficiency, so you can stay inspired and focused to deliver your best work possible. GET EVERYTHING YOU NEED Pro Tools comes with everything you need to compose, record, edit, and mix audio. Record and mix huge sessions with the highest production values. Compose music with virtual instruments, MIDI tools, and a built-in Score Editor. Improve and polish tracks with access to over 60 effects, sound-processing, and utility

Works for piano for four hands : Serie VII: Klaviermusik Band 4

Carl Maria von Weber‘s fame rests mainly on ‚Der Freischütz‘. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ‚Preciosa‘, ‚Oberon‘, and ‚Euryanthe‘, the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber‘s influential and substantial oeuvre was wasted in the 1920s, when a complete edition begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Weber‘s works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber’s work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6 8 vols.) are edited in Berlin and the letters (8 10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber‘s music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. The present volume brings together Weber’s autonomous works for piano duet. These compositions include the Six petites pièces faciles op. 3 (1803), the Six pièces op. 10 (1809), as well as the Huit pieces op. 60 completed in 1819.