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Missa sancta No. 1 E-flat major : WeV A.2

Missa sancta No. 1 E-flat major : WeV A.2

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname “Freischütz Mass” because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into accountliturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too “operatic” by critics, it was very well received by audiences and also pleased the King. • Practically oriented edition based on the sources, performance material available on sale for the first time • Easy to medium difficulty level • Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time

SEK 3793.00
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Incantation. Concerto for Piano & Orch. No.4 H358 : Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366

Incantation. Concerto for Piano & Orch. No.4 H358 : Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366

Martinu Concertos for Solo Instruments (Full Score, hardback) The fourth piano concerto of Bohuslav Martinu, Incantation (1955–1956), uses an uncommon two-movement structure. It was written for the composer’s friend RudolfFirkusny, who would perform the work from his manuscript copy until 1970, when the concerto received its first edition. Fantasia concertante. Concerto for Piano and Orchestra in B-flat (1957–1958) came about on the impetus of theSwiss pianist Margrit Weber: it is Martin ’s very last concert piece. Unlike Incantation, the composer took part in the publication of the work. This volume of The Bohuslav Martinu Complete Edition draws from the autographsand from period copies with Martinu’s direct interventions. The edition also unveils a number of previously unknown details about the genesis of the works. - The Bohuslav Martinu Complete Edition III/1/5 - Firstscholarly-critical edition - Foreword and Critical Report in English and Czech - New findings about the genesis of the works and the circumstances of their first publication - Assessment of early performance practice

SEK 3909.00
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Glorioso : Grand Overture

Glorioso : Grand Overture

Glorioso was commissioned by, and is dedicated to, the ‘Siena Wind Orchestra’. The work opens after a short aleatoric intro, with an energetic and brassy ‘one tone fanfare’. The note F acts as an omnipresent note, and is also used as a bridge into the second, rather static movement. A noble sounding theme leads to an impressive climax, shortly followed by the spectacular and virtuoso finale, which is built on the musical elements that have been heard before. Stylistically, this sparkling finale is clearly influenced by Dmitri Shostakovich, hence the use of the famous signature used by the Russian Master: C D E flat B (or C flat). A glorious finish to a special workthat highlights various facets of the modern concert band.

SEK 2952.00
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