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Sibelius Artist Perpetual License + 12 mdr. updates og support digital download : ESD

Sibelius Artist Perpetual License + 12 mdr. updates og support digital download : ESD

Note: This product is delivered electronically. There is no box. Perpetual licence version. This is a one-time purchase that grants you access to the software licence forever. It also includes 12 months of AVID’s Support and Updates plan. This means that for a full year after activating your software, you’ll have access to support directly from AVID, and will be able to upgrade to the latest versions via download as soon as they are released. After the initial 12 months you can renew the Support and Updates plan, and there is also an option to re-start a plan after it has expired. ABOUT SIBELIUS From concert halls andscoring stages, to sheet music stores and classrooms, more composers, arrangers, publishers, and educators use Sibelius®—the world’s best selling notation software—than any other notation software. It’s the fastest, smartest, easiest way to write music. EXPERIENCE THE EASIEST WAY TO WRITE MUSIC Whether you’re composing for a live performance, for picture, or for fun, nothing empowers you to write music like Sibelius (formerly the ""paid"" version of Sibelius First—learn more) provides the core tools you need to create professional-quality scores easily. The software offers unique features that drive your creativity, make you sound better, and enable you to compose beautifully rendered scores quickly. SHARE SCORES WITH ANYONE, ANYWHERE With Sibelius Cloud Sharing, you can share scores to your own personal cloud space, or embed scores in a webpage, and invite anyone to flip through pages and play your compositions using any computer, laptop, or mobile device. STREAMLINE YOUR WORKFLOW Sibelius enables composers to connect with others in more powerful, efficient, and profitable ways. It seamlessly integrates into any media production workflow, including Pro Tools, to compose music for picture easily. And easily deliver scores to music publishers for worldwide sale. • Compose quickly and easily with a task- oriented interface that leads you through your entire score creation • Supercharge your workflow with multi-edit capabilities and direct task

SEK 2758.00
1

Per Nørgård: Symphony No. 6 (Score)

Per Nørgård: Symphony No. 6 (Score)

Per NørgårdSYMPHONY NO. 6AT THE END OF THE DAYfor orchestra, 1997-99Preface / Programme Note?? with the Lord a day is like a thousand years, and a thousand years is like a day?(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean ?when all is added up?. However, in my opinion, nothing ever quite adds up, there is always ?something? missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still ?something?, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of ?other worlds?, is revealed ....The symphony is dedicated to Helle, my wife.Per Nørgård

SEK 2134.00
1

Reger-Werkausgabe, Bd. I/6: Orgelstücke II

Rhinegold: AQA GCSE Teacher Pack 2