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Alain Weber: 15 Etudes rythmiques et mélodiques (Double Bass solo)

Alain Weber: 15 Etudes rythmiques et mélodiques (Double Bass solo)

French composer, Alain Weber (b. 1930) writes 15 Rhythmic And Melodic Studies for Double Bass with much experience and expertise in the field of pedagogy. Following graduation from the Paris Conservatoire, Weber spent time in Italy to develop his own musical style. However, he soon returned to the institution as a professor of theory and counterpoint. 15 Rhythmic And Melodic Studies addresses a range of advanced techniques, including chromaticism, complex rhythms, varying time signatures, articulation, bowings and double stops, amongst other aspects. Weber is a significant contributor to important teaching materials and 15 Rhythmic And Melodic Studies is no exception.

SEK 405.00
1

Carl Maria Von Weber: Great Overtures In Full Score

Carl Maria Von Weber: Great Overtures In Full Score

This convenient playing and study edition marks the first single-volume publication of five great staples of the orchestral repertoire: Jubilee Overture, overture to the play Preciosa, and overtures to the operas Der Freischütz, Euryanthe, and Oberon.One of the Romantic school's first composers of note, Carl Maria von Weber devised novel conceptions of orchestration and subject matter that helped to lay the foundations for nineteenth-century opera. Marschner, Meyerbeer, and Wagner were influenced by Weber's works, as well as latter-day composers such as Hindemith, Mahler, Stravinsky, and Debussy, who remarked that the sound of the Weber orchestra derived from the composer's scrutiny of the soul of each instrument.Reprint of "Preciosa" from a Breitkopf and Härtel, Leipzig, n.d. edition. All others from Overtüren für Orchester von C.M. von Weber, C. F. Peters, Leipzig, n.d.

SEK 315.00
1

Carl Maria von Weber: Selected Piano Works (Concert Pieces, Variations)

Carl Maria von Weber: Selected Piano Works (Concert Pieces, Variations)

Carl Maria von Weber is best-known as a master of Romantic opera, but he was originally a virtuoso pianist who created a substantial amount of piano music for concert use. Next to his four piano sonatas, the five large and brilliant concert pieces brought together in this book, and two final variation cycles, are certainly his most important piano solo pieces. From the early Momento capriccioso op. 12 of 1808 to the dazzling Aufforderung zum Tanz op. 65 and Polacca brillante op. 72, it is possible to trace by these technically-demanding works the composer/pianist’s development of a very mature and impressive formal compositional mastery. In the extensive preface to thisthoroughly-researched Urtext edition one can read, among other things, the underlying programme that Weber came up with for the Aufforderung zum Tanz.

SEK 377.00
1

Carl Maria Von Weber: Concertino Op. 45 For Horn And Orchestra

Carl Maria Von Weber: Concertino Op. 45 For Horn And Orchestra

The horn is surely the most “romantic” of instruments, and it is a well-known fact that it plays a prominent role in Weber’s oeuvre. Der Freischütz and Oberon would be unthinkable without their horn calls, whether to signify yearning or the clarion call of the hunt. But Weber did more than give the instrument important solo parts in his operas; he also wrote a virtuoso concert piece that to this day is regarded as one of the most difficult in the whole horn repertoire – not least because the soloist has to play three-part chords (!) in the cadenza. This Henle Urtext edition is based on the autograph, the engraver’s copy (checked by Weber himself) and the first edition, and so offers the best possible musical text for those wishing to learn this highly effective virtuoso piece. The Preface also for the first time provides biographical details of Sebastian Rauch, the Munich horn player who commissioned this Concertino.

SEK 239.00
1

Carl Maria Von Weber: Der Freischutz (Vocal Score)

Carl Maria Von Weber: Der Freischutz (Vocal Score)

Ten years after Weber composed the highly successful 'Abu Hassan', he found a libretto he felt he could use effectively. He had always been attracted to the common Central European tale of the 'free-shooter.' It concerns the man who makes a pact with the devil in order to obtain magic bullets or arrows that will always find their target. No one is safe from them, not even the evil one from whom they came. The free-shooter is a damned soul, avoided by his fellows, unhappy, and his end is always violent. This is the Schirmer edition of the Vocal Score, in the original German with an English translation by Natalia Macfarren.

SEK 350.00
1

Carl Maria Von Weber: Clarinet Concerto No.1 In F Minor Op.73 (Clarinet/Piano)

Carl Maria Von Weber: Clarinet Concerto No.1 In F Minor Op.73 (Clarinet/Piano)

Weber?s Concerto No.1 In F Minor Op.73 for Clarinet and Orchestra is a fantastic work and remains ever popular in the instrument's repertoire today. This is an exciting and demanding piece that will provide an enjoyable challenge for the accomplished clarinetist.This version is for Clarinet with Piano Accompaniment and has been revised and edited by Carl Barmann. The solo clarinet part has also been included on a separate insert.

SEK 257.00
1

Carl Maria von Weber: 6 Sonatas for Piano and Violin op. 10 (b)

Carl Maria von Weber: 6 Sonatas for Piano and Violin op. 10 (b)

Weber composed an incredible array of compositions in his rather short but at the same time tireless life. Many of them have still to be discovered. The Six Violin Sonatas op. 10 (b) , composed in Darmstadt in 1810, are most certainly amongst them. The individual movements are rather short and also not particularly difficult technically. The music is, on the other hand, all the more compelling, which is partly due to the various integrated dance forms: “ Carattere Espagnuolo ” and “ Air Polonais ” in Sonata No. 2, “ Air Russe ” in No. 3, “ Siciliano ” in No. 5 and a “ Polacca ” in No. 6.

SEK 283.00
1

Carl Maria Von Weber: Piano Sonata In C Op.24

Carl Maria Von Weber: Piano Sonata In C Op.24

Carl Maria von Weber’s four piano sonatas, all composed in the decade 1812-1822, are considered the pillars of his not very extensive piano oeuvre. In these sonatas, Weber, who was one of the most renowned pianists of his era and often also improvised in his concerts, fully satisfied the expectations of the audiences of his time. Brilliant playing technique combines here with catchy melodies. The technically very demanding Sonata op. 24 in C major from 1812 brings together four different moods in its four movements. A gem is the E major Trio of the Minuet, which seems to anticipate the poetry of Mendelssohn’s “Midsummer Night’s Dream”. Besides the first edition, Weber’sautograph has been consulted for this Urtext edition. In her preface to this Urtext, editor Wiltrud Haug-Freienstein discusses interesting details concerning the sources, individual readings of the musical text and Weber’s compositional style.

SEK 292.00
1