DIGITAL MARKETING

SCHNEIDER ORGELSKOLE 2

SCHNEIDER ORGELSKOLE 2

SCHNEIDER ORGELSKOLE 1

SCHNEIDER ORGELSKOLE 1

SCHNEIDER ORGELSKOLE 3

SCHNEIDER ORGELSKOLE 3

Sonata - Schneider, Friedrich

for Flute and Piano Performance score, part(s) Fl/piano Hæftet udgave E minor

Sonata - Schneider, Friedrich

for Flute and Piano Performance score, part(s) Fl/piano Hæftet udgave G major

Schneider: Funny Sticks

Schneider, Ga: 3 Quartets

Der Sänger und Schneider : Ouvertüre

Old Grandmothers Tales Op.31

Serge Prokofieff's Old Grandmother's Tales Op.31 (contes de la vieille grand'mere Op.31) for Piano Solo. Edited by F.H. Schneider.

Eleven Sonatas - Händel, Georg Friedrich

for Flute and Basso Continuo Realization of the Continuo by Max Schneider Performance score, set of parts, Urtext edition, Anthology Fl/recorder-A/Bc Paperback

Schneider, Ga: Quartet F Major Op 72

Neue Klarinettenschule 1 : W. Schneider (rev. G. Aegler)

Handbuch des Musikunterrichts - Helms, Siegmund / Schneider, Reinhard / Weber, Rudolf

Primarstufe book Paperback

Handbuch des Musikunterrichts - Helms, Siegmund / Schneider, Reinhard / Weber, Rudolf

Sekundarstufe II book Paperback

Der Hobbit. Drei Arrangements für Schulchor : SSA von Enjott Schneider

Der Hobbit. Drei Arrangements für Schulchor : SATB von Enjott Schneider

Song Album

Contents: My Lagan Love (Harty) · O Mary Dear (Schneider) · Down by the Salley Gardens (Hughes) · My Love's an Arbutus (Stanford) · Kitty, My Love, Will You Marry Me? (Hughes) · I Hear You Calling Me (Marshall) · Macushla(Macmurrough) · Love's old Sweet Song (Molloy) · The Kerry Dance (Molloy).

Dunkel oder Licht. Ausgewählte Lieder

Under the title “Darkness or Light” Cornelius Hauptmann and Eric Schneider present selected lieder by Franz Schubert which move between the poles of transitoriness and becoming in life. In addition to well known lieder such as Der Tod und das Mädchen or Wanderers Nachtlied, less well known compositions have been recorded on the present CD.

Music Minus One - Ludwig Van Beethoven: Piano Trio No.8 In E-Flat And Trio No.11 In G Op.121a

Beethoven's Trio No. 8 is an excellent and beautiful piano trio, beautifully composed in the great composer's inimitable style. Its companion on this MMO edition are the beautiful chamber-trio variations on ?Ich bin ein Schneider Kakadu? are justly renowned.Includes complete printed music score; and a compact disc containing a complete performance with soloist, then performed again minus the soloist.

Music Minus One - Ludwig Van Beethoven: Piano Trio No.8 In E-Flat And Trio No.11 In G Op.121a

Beethoven's Trio No. 8 is an excellent and beautiful piano trio, beautifully composed in the great composer's inimitable style. Its companion on this MMO edition are the beautiful chamber-trio variations on ?Ich bin ein Schneider Kakadu? are justly renowned.Includes complete printed music score; and a compact disc containing a complete performance with soloist, then performed again minus the soloist.

Music Minus One - Ludwig Van Beethoven: Piano Trio No.8 In E-Flat And No.11 In G Major Op.121a

Beethoven's Trio No. 8 is an excellent and beautiful piano trio, beautifully composed in the great composer's inimitable style. Its companion on this MMO edition are the beautiful chamber-trio variations on 'Ich bin ein Schneider Kakadu' are justly renowned.Includes a complete, high-quality printed music score; and a compact disc containing a complete performance with soloist, then performed again minus the soloist.

John Thomas: Trumpet Secrets Revealed

This sensational DVD covers all the essential topics that will make you a better Trumpet player! Techniques include forming your embouchure, warming up, the three kinds of air, how and what to practice, singing through your horn, mutes, cleaning and much more. Also features interviews with Snooky Young, Maria Schneider, Wayne Bergeron, Ingrid Jensen and Bob Reeves, plus a tour of the Calicchio Trumpet Factory.

The Schulwerk

Volume 3 of Documentation, His Life and Works, an eight-volume autobiography of Carl Orff, published by Hans Schneider, Tutzing, Germany. A unique personal history of Schulwerk, from the early days in 1923 when Carl Orff cameunder the influence of Daorothee Günther, Mary Wigman and Gunild Keetman, to the 'Symposium Orff-Schulwerk 1975' in Salzburg which crowned a lifetime devoted to Schulwerk · 'an idea that went around the world'. Carl Orff'sfascinating reminiscences on people and events concerned with Schulwerk, the evolution of his instrumentarium, early publications, and the development of Schulwerk on an international basis are accompanied by music examples andmany historical photographs.

Concerto For Violoncello String And BC A Minor

Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangement of Antonio Vivaldi’s concerto Op.3 No.8 from L’Estro Armonico for two solo Violins, Strings and Basso Continuo. This edition, in turn,is an arrangement of this Organ concerto and has been scored for Violoncello solo, Strings and Basso Continuo. It was commissioned for the renowned cellist Sol Gabetta who premiered it at the 2013 Bachwoche in Ansbach - a famousmusic festival in southern Germany. The composer and arranger Joachim F. W. Schneider provides an idiomatic arrangement and cellists will welcome this addition to their repertoire.Idiomatic arrangementforcellists.

Rumänischer Tanz für Orchester

'Bartók wrote 'Two Rumanian Dances' for piano, op.8a in 1909-1910 and arranged the first of the pair for orchestra in time for a concert on 12 February 1911. The highly positive reviews of the premiere describe the dance as brilliantly orchestrated, bizarre in its harmonies, and orgiastic in its conclusion. The A sections of its ABA form insistently repeat a four-bar theme that is itself composed of internal repetitions. Bartók maintains interest in the material by varying the orchestration, and, in the final section, with sudden breaks and changes in tempo. The slow middle section has a more vocal and impassioned emotional quality than the mechanistic dance that surroundsit. Bartók wrote in 1931 that although the work was inspired by Rumanian folk music, the themes were entirely his own.' (HCD 32506 Bartók New Series Vol. 6, David E. Schneider)