DIGITAL MARKETING

Storia Montana

Storia Montana is an easy work which takes the audience on a scenic tour though the Austrian mountains. The journey begins on a dark drizzly morning, gradually reaching its musical climax with the final ascent to the summit. Creative special effects, conjuring up images of wind, rain, birds and cowbells, all help accentuate the realism of the work.

Volver a La Montana : from Islas y Montanas

Volver A La Montana (Return to the Mountain) is based on several folk tunes of the Quechua (Inca) people of Ecuador, Peru, and Bolivia. Near the end of the movement, the folk song Sepracion (Separation) is quoted briefly. The words are My mother told me no to cry, though I'm leaving the mountains forever. Over the past century, many of the Quechua people have had to leave their villages forever because of the economic difficulty of trying to maintain their traditional mountain lifestyle. The movement opens with a stately processional, followed by a fast dance that uses the characteristic Latin American alternation or simultaneous appearance of two- and three-beat patterns. Inthe return to the processional theme near the end of the movement, muted trumpets echo the flutes, as sound would echo in the mountains.

Montana

From the first bars the stately character of this solemn, yet celebratory, march is clearly heard. The introduction of the main theme takes place in the medium register, immediately resulting in a noble tone. A lyrical trio melody provides contrast, but the march closes in a festive and imposing mood. A march worthy of any concert program.

Montana

Montana Fanfare

This piece was composed as a birthday present for the Austrian conductor Walter Rescheneder to acknowledge the strong support he has given to the composer, Thomas Doss. Doss drew the inspiration for this fanfare from a mountain hike in the Salzkammergut. A powerful fanfare reveals enthusiasm and triumph. It is an exulting feeling and gives boundless freedom to look down into the depths from high up giving a view of the stunning landscape. The main melodic theme represents the feeling of vastness one experiences by taking just one quick glance into the distance. A musical treat!

Sant Guitars AC-84 BK western-guitar sort

Sant AC-84 är vår mest populära och bästsäljande westerngitarr i full storlek med stålsträngar (41''). Sant Guitars AC-84 är en rejäl gitarr med ett fint och stort ljud, som samtidigt är mycket prisvärd med ett exceptionellt bra förhållande mellan pris och kvalitet. Gitarren är väldigt komplett, och har fina bindningar runt kroppen och halsen, samt bra stämskruvar, så den är enkel och okomplicerad att stämma. Täcke: gran Rygg och sidor: Lindträ Gripbräda: Svart valnöt Bro: Svart valnöt Stränglängd: 64,8 cm Gitarren kommer försedd med stålsträngar Full storlek västerländsk gitarr (41 tum) Gedigen gitarr med ett fint och stort ljud Färdig gitarr med fina bindningar runt kropp och hals, samt bra mekanik Rekommenderas för nybörjare Väska, hackor och rem ingår Inkluderade varor Gigbag, Picks, rem Antal strängar    6 Skriv    Dreadnought Cutaway    Nr Topp    Gran Solid topp    Nr Sidor    Lime tree Solida sidor nr Tillbaka    lind Solid rygg nr Gripbräda Svart valnöt Bro (bro) Svart valnöt Finish    Högblank Skala 648 mm (25,50") Rosett    Ja Pickguard nr Stämhuvuden    Die Cast Inbyggd förförstärkare nr Tuner nr Fodral    Gigbag

DB25-XLR M+F AES/EBU DigiSnake 12' : Pro Tools HD

The DB25-XLR M+F AES/EBU DigiSnake (12-Foot) from Avid is a 12-foot AES/EBU input/output snake that is used to connect external equipment to an Avid HD peripheral (such as the 192 I/O or 96 I/O). The snake features a DB25 connector to 4 XLR female and 4 XLR male connectors, and is color coded specifically for Pro Tools systems. DB25 to to 4 XLR male and 4 XLR female   Below 192kHz, AES/EBU carries 2 channels per line, so this snake transmits 8 out and 8 in channels of digital audio via the 8 XLR connectors At 192kHz sample rate, the 192 I/O is using dual wire transmission and this AES snake transmits 4 out and 4 in at 192kHz   Comprised of 110Ω "digital grade" cable The 4 XLRF wire jackets are yellow, the 4 XLRM jackets are black, all with appropriate labeling

Apollo : Osakan

Like previous marches by Jan Van der Roost (Mercury, Arsenal, Helios, Minerva, Artemis, Montana...) the overall character of Apollo is rather stately and noble. Broad themes and a lyrical trio melody offer the opportunity for variousregisters to shine and to display their qualities, making this concert march a captivating experience for players and audience alike! Starting in a minor key, the march soon turns towards the major, reflecting the festive character of a true'jubilee march'.

Toccata e Fantasia

Toccata e Fantasia was inspired by the composers’ love of Anton Bruckner’s fantastic wind instrument scoring in his symphonies. Within Toccata e Fantasia Thomas Doss has used several of Bruckner’s motifs. In addition to these obvious references you will also find hints of Eastern music with the small motifs being repeated again and again in a sort of Indian guru’s mantra, and an improvised blues section with a Big Band feel! A unique concert work that will thrill your audience.

45's Bluetooth Headphones - Black

Something cool, different and exciting. Encapsulating the spirit of Soho itself, the 45’s are the number 1 headphone for touch and swipe control and have amazing hybrid noise cancellation. Also, the outer shell of the 45’s has incorporated a record deck look from the future. Look at the specification, if you like that sort of thing, and compare it to other brands, it just sounds good. Gesture controls Up to 60-hour battery life Exceptional Noise cancelling Comfortable memory foam earcups USB-C type Charging cable included

K&M Orchestra Music Stand med svart skrivbord i trä - 118/4

Dessa orkester stativer från K&M i professionell kvalitet är klippfasta tacket vara den støbte basen och foldbare ben. Et prismatisk »V-blok«-stik fastgør den aftagelige pult til stativet. Pultene fås i en rad premium träsorter och andra material. Tilslutningsstativ/plade: prismatisk »V-blok«-stik EAN: 4016842107209 Höjd: från 740 till 1,635 mm Benkonstruktion: fatning med foldbare ben Material: stålstativ, träpult Musikbords mål: 550 x 355 mm Produktkategori: Överlinje Stangkombination: 3-delt vikdesign Särskilda egenskaber: extra hög Typ: krom stativ, sort pult i træ. Vikt: 4,5 kg

Yee-Haw! : A Rollicking Western Adventure

Come on, dudes and dudettes! Join us for a rollicking western adventure - ride the open range, have a rough 'n' tumble hootenanny, share a tale and a song or two, and sleep under the stars. This 35-minute musical adventure features seven songs with rhyming narration and 39 speaking parts adaptable to various cast sizes. The Teacher Edition includes piano/vocal arrangements with choreography, script, helpful production guide and digital access to PDFs of singer songsheets, lyric sheets and narrations. To perform with recordings, there are 2 options. For cost-saving value, the Performance Kit/Audio Access includes the Teacher Edition w/singer PDFs and digital access toperformance/accompaniment audio recordings. The dialog is not recorded. Songs include: Yee-Haw, Home on the Range in Montana, Giddy-Up, The Cowboy Code, Billy the Bad, Under the Stars, Until We Meet Again. Approx. 35 minutes. Suggested for grades 1-5 (with opportunities for all grade levels).

From the Highlands

Enjoying his travels in Scotland, Marco Pütz decided to compose a piece for wind band, based on Scottish folk songs. While in the airport at Glasgow, shortly before boarding his plane, Pütz bought a collection of folk melodies from all over Scotland that had been arranged for flute. At first he harmonized several melodies in his own style, then he began to alter the resulting pieces (especially rhythmically). Eventually Pütz added passages here and there and orchestrated the piece for wind band. Pütz’s resulting composition is an educational work that is both enjoyable and appealing to players of all ages, although it was written with young bands in mind. From theHighlands is part of a project to increase the repertoire available to youth and school bands, both in quantity and quality; an important personal and musical goal for the composer. This is Pütz’s third contribution of this sort to be added to the De Haske catalogue, following his successful Arrows of Lightning and Four Sketches for Band.

I Vespri Siciliani : Ouverture

In 1854, Verdi was in Paris to compose I vespri siciliani (1855), a commission from the Theatre of the Opera. The composer soon became intolerant to the requests of the French “Grand Opéra” as he considered them too restrictive and cunning. “I’ll be very happy when I have finished I vespri siciliani. An opera at the Opéra is as tiring as killing a bull. Five hours of music?…Hauf!” Verdi declared. Following the first performance, the French composer Hector Berlioz wrote in the “Journal des Débats” an article that read “We have to admit that in I vespri siciliani, the penetrating intensity of the melodic expression, the sumptuous variety of theinstrumentation, the fullness, the poetical sonority of the whole, the warm vivacity that shines everywhere and the passionate strength, although slow in disclosing (a characteristic feature of Verdi’s talent), give the entire work a mark of greatness, a sort of majestic sovereignty more underlined than in Verdi’s previous theatre productions.”