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Rumble On High Plains

Rumble On High Plains

Unleash your percussion section and let the full ensemble do some rumbling themselves on this masterful and unusual work from Michael Sweeney. Commissioned by the Pratt, Kansas High School Band, the composition explores thatstate's tumultuous storms across the plains, as well as emotional and civil storms from the early days of statehood. Filled with bold statements and unparalleled rhythmic vitality (including a percussion “duel”), thefinal dramatic and uplifting segment is a tribute to the perseverance and triumph of the human spirit. Dur: 7:00 (Includes Full Performance CD)

SEK 1079.00
1

Coast to Coast: An American Musical Road Trip

Coast to Coast: An American Musical Road Trip

Travel across the country from New York to San Francisco and points in between, as this medley drives you through some of the best-known songs about U.S. cities and states in just a few minutes! Just be sure to hold onto your seat. Though the ride begins with a smooth cruise, there are a few tricky curves in the road ahead, and maybe even an Easter egg or two. Featuring: The Sidewalks of New York · My Kind of Town (Chicago Is) · Kansas City, Here I Come · The Yellow Rose of Texas · Viva Las Vegas · I Left My Heart in San Francisco.

SEK 1207.00
1

Commemoration

Commemoration

Commemoration was commissioned by the members of the Northwest North Carolina Bandmasters Association to recognize the distinguished career of Dr. William A. Gora, the longtime Director of Bands at Appalachian State University, who passed away in 2015. Bill was loved by his students, respected by his peers and cherised by his many friends. A brilliant musician, a fine conductor and a warm human being with a marvelous sense of humor, Bill has been sorely missed by all. Gora was friends with composer James Barnes for over 40 years. They met when Barnes was still in graduate school at Kansas and Gora had just finished his DMA at the University of Florida. When the NNCBDA askedBarnes to compose a work in Bill's honor, he was honored to do so. He decided to write a cheerful work for Bill, full of energy, color and melody, because he knew this is what he would have wanted: no funeral dirges for Bill Gora. The soft middle portion of the work, a hymn-like tune scored in saxophone choir, was included because Bill was a fine saxophonist and, for many years, the saxophone teacher at ASU.

SEK 1079.00
1