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John Adams: Harmonielehre (Score)

John Adams: Harmonielehre (Score)

John Adams's creative output spans a wide range of media: works for orchestra, opera, video, film, and dance, as well as electronic and instrumental music. Such pieces as Harmonium, Harmonielehre, Shaker Loops, and The Chairman Dances are among the best known and most frequently performed of contemporary American music. In these works he has taken minimalism into a new and fresh terrain characterized by luminous sonorities and a powerful and dramatic approach to form.

SEK 1079.00
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Johannes-Passion (St. John Passion) BWV 245

Johannes-Passion (St. John Passion) BWV 245

The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he didnot leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724, 1725, around 1730 and during the last years of Bach's life. They oftencontain two or more readings for the same passage, or even different movements that on different occasions occupied the same place in the work.Barenreiter's edition uses the final version IV as its basis withalternativemovements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information.- Full score, performance material (BA5037), vocal score (BA5037-90)and study score (TP197) available for sale.

SEK 1714.00
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Harbison John Rubies (After Thelonious Monk Ruby My Dear) Sc/Pts

Harbison John Rubies (After Thelonious Monk Ruby My Dear) Sc/Pts

Composer John Harbison writes: ' Rubies is a version of Thelonious Monk's 'Ruby, My Dear', which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piece reflecting my first musical passions, my thoughts were of Bach and Monk. Since I had recently made some Bach-like chorale preludes, I chose to make a version of Monk's tune, first in a chamber-musical, contrapuntal manner, then in the grand orchestral style I had always heard lurking there .' Dur: 5:30 (Recorded live by the Rutgers Symphony Band - Peter Stanley Martin, guest conductor).

SEK 1455.00
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