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Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : Score

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : Score

Lobet den Herrn, alle Heiden BWV 230 - Motet for four-part mixed choir.In Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the200 or so surviving cantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.- Urtext of the New Bach Edition

SEK 120.00
1

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : 1. Violin, Oboe

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : 1. Violin, Oboe

Lobet den Herrn, alle Heiden BWV 230 - Motet for four-part mixed choir.In Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the200 or so surviving cantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.- Urtext of the New Bach Edition

SEK 122.00
1

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : Organ, Basso Continuo

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : Organ, Basso Continuo

Lobet den Herrn, alle Heiden BWV 230 - Motet for four-part mixed choir.In Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the200 or so surviving cantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.- Urtext of the New Bach Edition

SEK 165.00
1

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : 1. Cor Anglais

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : 1. Cor Anglais

Lobet den Herrn, alle Heiden BWV 230 - Motet for four-part mixed choir.In Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the200 or so surviving cantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.- Urtext of the New Bach Edition

SEK 133.00
1

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : 2. Cor Anglais

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : 2. Cor Anglais

Lobet den Herrn, alle Heiden BWV 230 - Motet for four-part mixed choir.In Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the200 or so surviving cantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.- Urtext of the New Bach Edition

SEK 133.00
1

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : Violoncello, Bassoon

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : Violoncello, Bassoon

Lobet den Herrn, alle Heiden BWV 230 - Motet for four-part mixed choir.In Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the200 or so surviving cantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.- Urtext of the New Bach Edition

SEK 122.00
1

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : 2. Violin

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : 2. Violin

Lobet den Herrn, alle Heiden BWV 230 - Motet for four-part mixed choir.In Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the200 or so surviving cantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.- Urtext of the New Bach Edition

SEK 125.00
1

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : Viola

Motet No.6 Lobet Den Herrn, Alle Heiden BWV 230 : Viola

Lobet den Herrn, alle Heiden BWV 230 - Motet for four-part mixed choir.In Bach’s voluminous output of music the motets form a small group of modest proportions, particularly as compared to the200 or so surviving cantatas. In historical perspective, however, the corpus of motets is especially distinguished, being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the presentday.- Urtext of the New Bach Edition

SEK 125.00
1

Cumulus

Cumulus

The clarinet’s melody accompanies the passing clouds and announces good weather… The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions for the most diverse instrumentations. He wrote Cumulus for clarinettists at the level of approximately oneyear’s study and paid special attention to an easy-to-follow, attractive musical style. As a result, Cumulus is an ideal performance or competition work for young musicians.

SEK 206.00
1

Cornelius Gurlitt: Little Flowers Op.205

Cornelius Gurlitt: Little Flowers Op.205

Cornelius Gurlitt was a German organist, pianist and composer who wrote many instructional pieces and studies. He obviously composed at speed with considerable facility and it is not surprising that some of his output lacks individuality. Kleine Blumen , however, is one of his works which displays particular charm and character. No titles were originally given to the twelve pieces of Op.205, but in an Augener edition of 1936 names of flowers were used.

SEK 141.00
1

Heitor Villa-Lobos: Modinha (Secreta No.5) For Guitar

Heitor Villa-Lobos: Modinha (Secreta No.5) For Guitar

Heitor Villa-Lobos was born in Rio de Janeiro in 1887, and has, by virtue of both his immense output and colorful and accessible musical language, become the most celebrated Brazilian composer of all time. His work not only richly typifies the diverse and kaleidoscopic Brazilian scene butalso, in its abundance, originality, and vitality, provided the key which unlocked Brazilian art music once and for all from the shackles of European late-Romanticism.

SEK 167.00
1

Choral Anthology 1

Choral Anthology 1

Vytautas Miškinis (b.1954) is a composer, choir conductor and educator. His output encompasses over 400 secular, and around 150 sacred, works; in addition to over 100 folk song arrangements. Miškinis was Artistic Director of Ažuoliukas youth choir, and music for children constitutes a large part of his work. His music is characterised by polyphonic and melodic material, as well as aleatoric and sonoristic effects. His works have become popular both in Lithuania and abroad.

SEK 165.00
1