DIGITAL MARKETING

Granados Mazurka (mazurka All Polacca) Op.2 Pf

Alberto Iglesias: Cautiva (Parts)

Composed for the dancer/choreographer Nacho Duato and his National Dance Company in Spain, Cautiva has been performed worldwide. Includes all necessary parts: Violin, Viola and Cello.

Jose Maria Legaza: El Gran Maestro

A collection of works by the prolific Granada song composer Jose Maria Legaza, all presented for Voice and Piano.Includes a biography of the maestro in Spanish and English.

Heitor Villa-Lobos: Modinha (Secreta No.5) For Guitar

Heitor Villa-Lobos was born in Rio de Janeiro in 1887, and has, by virtue of both his immense output and colorful and accessible musical language, become the most celebrated Brazilian composer of all time. His work not only richly typifies the diverse and kaleidoscopic Brazilian scene butalso, in its abundance, originality, and vitality, provided the key which unlocked Brazilian art music once and for all from the shackles of European late-Romanticism.

Etude No. 1 - We Are The Forthcoming Past

The name came from the thought that unless all of us make something to help to build a better world, we will be remembered only as dust. Now all of us have access to what in the world is happening. Don’t be quiet. Don’t be silent.This work cycles around only two notes to show you how with a little thing you can give the most to others. It is also an etude to relax the arms when playing with octaves.

Rodrigo: Concierto Serenata Para Arpa Y Orquesta (Miniature Score)

Written in 1952 for the distinguished harpist Nicanor Zabaleta, this is the fifth of Rodrigo's eleven concertos. With its numerous melodies and delicate but brilliant writing for the soloist and orchestra, it is one of the most attractive of all Rodrigo's works.

Joaquin Turina: Trio En Fa (Score/Parts)

This work for Piano Trio was first performed in 1999 to coincide with the fiftieth anniversary of the composer's death. The work was composed in 1904, but like all of his works pre-1907, Turina treated it with disdain and never encouraged a performance.

E. Arrieta: Coleccion De Solfeo II

A Collection of all Arrieta's theory lessons. Arrieta was Director of the Conservatorio de Musica y Declamacion (Madrid) from 1868, and these lessons have been used to sight read in exams and contests of this music conservatory. These lessons are presented in five hand written notebooks this being the second one.

Federico Mompou: Musica Para Piano

Federico Mompou is considered by everyone to be one of the most important Catalan and Spanish composers of the 20th Century. His work for piano has crossed all borders and is placed next to that of Albeniz, Granados, Falla and Turina as an indispensable part of contemporary European music. This book offers a beautiful collection of piano solos for intermediate grades.

Federico Moreno Torroba: Musica Para Guitarra

This album presents some of the best examples of the Madrid born composers prolific output that spanned his long career. While his most celebrated work is 'Madronos', all pieces in this album are testimony to the fact that his inspiration is rooted in popular music, to which he adds a vocal style of melodic invention which reminds of his love of vocal music.

Graciano Tarrago: Canciones Populares Espanolas Volume 1 (Vce/Gtr)

The Unión Musical Española and Unión Musical Ediciones have continually fostered the development of Spanish music. They have published works by all the major 20th-century Spanish composers, Graciano Tarragó being a very notable among these. This is the first volume of popular songs from around Spain and contains 15 terrific pieces set for Guitar Voice and Guitar or Voice and Piano with both options included here.

Jesus Guridi: Diez Melodias Vascas

Though little known to outsiders, Basque composer Jesús Guridi (1886-1961) is as much beloved in Spain as in his homeland. He is a nationalist composer in the same deep sense as Vaughan Williams was in England, rooted in folk idioms, a generous melodist, approachable but never chauvinistic, above all imbued with a strong sense of the spiritual.This is one of his orchestral works written in 1941 for orchestra.

Eduardo Toldra: Vistas Al Mar (Score)

Eduardo Toldra (1895-1962) was a forefront figure of Catalan music and an all-round complete artist - he was a composer, a violinist and a conductor. His emblematic work Vistas Al Mar is a masterpiece for strings. A noteworthy feature of the work is the transparent luminosity of the outer movements and the contemplative nocturne second movement which depicts a warm, calm atmosphere, and must be one of the high points of this composer's output.This is the score for this work.

Eduardo Toldra: Vistas Al Mar (Parts)

Eduardo Toldra (1895-1962) was a forefront figure of Catalan music and an all-round complete artist - he was a composer, a violinist and a conductor. His emblematic work Vistas Al Mar is a masterpiece for strings. A noteworthy feature of the work is the transparent luminosity of the outer movements and the contemplative nocturne second movement which depicts a warm, calm atmosphere, and must be one of the high points of this composer's output.This is the set of parts for this work.

Eslava: Metodo De Solfeo I

Hilarion Eslava (1807-1878) was a Spanish priest, musician, and pedagogue. Although he was a prolific and well-known composer in his own time, today he is primarily remembered for his 1846 work, Metodo De Solfeo , a successful Solfège Method which has been in constant use all over the world for more than 150 years. Having been a choirboy at Pamplona, the method was published while Eslava was choirmaster at the Royal Chapel in Madrid, and he undoubtedly used it as he was training the choristers there.

Joaquin Turina: Musica Para Piano Book 2

A unique collection for piano solo by the celebrated Spanish composer. Turina was a prolific composer, with a catalogue of more than 100 works, covering all the main musical genres: Piano, vocal, ballet, chamber and symphonic... His Pianistic output is very large and this was greatly assisted by the important contract signed with UME in 1929. At the end of the 20th century he continues to be one of the favourite Spanish composers amongst the great performers and is featured in a large discography.

Serrano: Cancion De Marinela No.2 De La Cancion Del Olvido

Spanish composer José Serrano was a native of Valencia and had a successful career through the early decades of the 20th century as a theatre composer, eventually becoming considered one of the greatest zarzuela composers of all time. His work is melodic, sensuous, and full of life, as in this song La Canción Del Olvidó for Voice and Piano, excerpted from one of his many theatre works, Canción de Marinela, written in 1916.In La Canción Del Olvidó, it is clear why Serrano was such a beloved and treasured composer.

White Sonata

This work is called White Sonata because it is played on the piano only on the white keys (C major - A minor). The subtitle refers to the child in all of us, regardless of age, who never wanted to grow up, but was forced to do so.With reference to the title of Peter Pan, the theme has to do with the shattered innocence of children who are subjected to abuse and decide to take refuge in themselves. Written around a lullaby, it refers to how to build aninner world to survive.

Romero Metodo Completo Para Clarinete (menendez) Part 3

Spanish clarinettist, composer, and teacher Antonio Romero y Andia was born in 1815 in Madrid. He made his debut at 14, and later became solo clarinettist and music director of the Royal Court Orchestra. He is now remembered primarily for the Clarinet key system that bears his name, as his compositional works, though high quality, were few in number. From 1849-1876, Romero was the Clarinet Professor at the Madrid Conservatory, where he wrote his Complete Clarinet Method . Over 150 years later, it is still in popular use by schools and conservatories all over the world.

Romero Metodo Completo Para Clarinete (menendez) Part 2

Spanish clarinettist, composer, and teacher Antonio Romero y Andia was born in 1815 in Madrid. He made his debut at 14, and later became solo clarinettist and music director of the Royal Court Orchestra. He is now remembered primarily for the Clarinet key system that bears his name, as his compositional works, though high quality, were few in number. From 1849-1876, Romero was the Clarinet Professor at the Madrid Conservatory, where he wrote several his Complete Clarinet Method . Over 150 years later, it is still in popular use by schools and conservatories all over the world.

Joaquin Turina: Homenaje A Lope De Vega

The Homenaje (Tribute) a Lope de Vega sets extracts from three of the sixteenth century writer’s many works, all on the theme of romantic desire. The Vocal work is demanding and the Piano part more than mere accompaniment, which keep these songs alive in the recital repertoire.Composer, pianist, writer and educator Joaquin Turina was born in Seville in 1882 and was active mainly in Spain until his death in 1949. His work is influenced by traditional Andalusian idioms and he was particularly generous in his attention to songs, dwarfed only by his output of solo Piano music.

Sanz: Danzas Cervantinas (R Sainz De La Maza) for Guitar

The Spanish composer, guitarist, teacher and priest Gaspar Sanz (1640-1710) was one of the leading proponents of the Baroque Guitar. He is best known for his three pedagogical works for the instrument that are still used today by scholars and academics. The collection of four  Danzas Cervantinas was written in 1674 in homage to the Spanish writer Miguel de Cervantes (1547-1616), who is famed across the world as the writer of Don Quixote . They have been edited and arranged for the modern instrument by Regino Sainz de la Maza (1896-1981), a virtuosic guitarist and composer, who toured all across the world.

Segui: Teoria Musical Vol 2

Salvador Segui Perez (1939-2004) was a Spanish musician, academic and composer, who studied in Spain, Italy and France. For many years he was the professor of music theory, and later director, at the Valencia conservatory. Teoria Musical - Volume 2 is suitable for any musician of grade 4 or 5 standard, and covers all aspects of musical theory, including the following: musical syntax, acoustic theory, sound production, instrumental families and ensembles, keys and scales (including tetrachords and modulations), intervals, enharmonics, and more! There are also sections on various eras of musical history, from ancient Greece and the Gregorian chants of the Middle Ages, to modern atonal music and electronic music. A comprehensive volume, this book is ideal for any inquisitive music student.

Beethoven: Adagio De La Sonata Patetica

Ludwig van Beethoven (1770 – 1827) was a German composer and pianist, and arguably the most famous composer of all time. He was the last great figure of the Classical era, and helped pave the way for the Romantic style that followed. His compositions include 9 Symphonies, 5 Piano Concertos, 1 Violin Concerto, 32 Piano Sonatas, and 16 String Quartets. Beethoven’s Adagio from his Piano Sonata No. 8 in C minor, “Pathetique” (Op. 13) is one of his most celebrated compositions. It has been arranged for the Guitar by the Spanish guitarist, pianist and composer Francisco Tárrega (1852-1909). Tárrega is known for revolutionising classical Guitar technique, and also for transcribing many keyboard works for Guitar from the great classical composers, including Beethoven, Mendelssohn, and Chopin.

Seven Haikus

The Seven Haikus, lasting some 8 minutes, were written for the Composers Portrait that closed the author's two-season residency at L’Auditori de Barcelona (2015). The work is inspired by the conciseness and essentiality of theJapanese poetic form, which aspires to capture the epiphanic moment with the immediacy of a calligraphic stroke. The Haikus are compact statements, with an expressive range that belies their miniature timespan. The author conjuresin them a wealth of atmospheres, textures and colors from the ensemble of only six players. For all their reduced scale each piece presents a fully-composed argument. Some are calm, lyrical, others more playful, brilliant andwitty, without excluding the most dramatic or elegiac moods, as in the sixth of the collection, written “In memoriam Maria del Carme Casablancas”.