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J.S. Bach: Bourrees for String Orchestra

J.S. Bach?s wonderful composition arranged for String Orchestra by Christopher Bunting and is suitable for String quintet.

Geoffrey Bush: Consort Music for String Orchestra (Score)

A magnificent set of Six Victorian sketches for String orchestra by Geoffrey Bush. The Consort of the title refers to Prince Albert and these six movements display various styles popular in his time.

Renaissance Tunes - Duets For String Instruments - Set 3

A collection of short and relatively simple pieces for beginners on string instruments. This set contains duets for two Cellos and has been arranged by Marco Pallis. Beautiful and enchanting melodies will help the pupil develop their sense of phrasing and style.

Eric Wetherell: Bristol Quay Suite for String Orchestra

A magnificent suite, written in 1987 by Eric Wetherell, for String Orchestra. The first movement is based on the sea shanty Santiano, hinting at the danger as well as the romance of life at sea. The second is a gentle waltz; perhaps the eighteenth century sailor, putting into port, found an opportunity to show his gentler side. The Polish folk-song River Wisla is the theme of the third movement, and the finale is a fast 6/8 firmly rooted in the English musical tradition.

J.S. Bach: Bourrees (Violin 2 Part)

The Second Violin part of J.S. Bach?s wonderful composition, arranged for String Orchestra by Christopher Bunting and is suitable for String Quintet.

J.S. Bach: Bourrees (Double Bass Part)

The Double Bass part of J.S. Bach?s wonderful composition, arranged for String Orchestra by Christopher Bunting and is suitable for String Quintet.

J.S. Bach: Bourrees (Violin 1 Part)

The First Violin part of J.S. Bach?s wonderful composition, arranged for String Orchestra by Christopher Bunting and is suitable for String Quintet.

J.S. Bach: Bourrees (Cello Part)

The Cello part of J.S. Bach?s wonderful composition from Cello Suite No. 3, arranged for String Orchestra by Christopher Bunting and is suitable for String Quintet.

Peter Warlock: The Curlew (Parts)

For Tenor Voice, Flute, English Horn and String Quartet.

George Dyson: Three Rhapsodies Op.7

The study score of Three Rhapsodies for String Quartet by George Dyson.

Peter Warlock: The Curlew (Score)

Th score to Peter Warlock's The Curlew for Tenor Voice, Flute, English Horn and String Quartet.

Peter Warlock: Collected Vocal Music Volume 9

A collection of songs from the celebrated British composer Peter Warlock, written for Voice and String Quartet.

Renaissance Tunes Set 5 (String Quartet)

Renaissance Tunes Set 7 (String Quartet)

Renaissance Tunes Set 4 (String Quartet)

George Dyson: A Christmas Garland

A Christmas Garland is a wonderful cantata for Mezzo-Soprano Soli, SSA Chorus and Strings. This edition has a Piano reduction of the original String parts.

Marco Pallis: Renaissance Tunes (Set 6) String Instruments

Written for two violins, viola and cello or two treble viols, tenor viol and bass viol.

Betty Roe: Athenian Suite

A suite of dances derived from the incidental music written for a school production of A Midsummer Night's Dream. The music may be performed by Recorders, Pipes or a String Quartet.

Gustav Holst: Air And Variations Op.2 Oboe/String Quartet

Gustav Holst: Three Pieces Op.2 Oboe & String Quartet Score/Parts

Peter Warlock: The Curlew (Study Score)

Peter Warlock's The Curlew is a setting of the text by W.B. Yeats written for Voice, Flute, Cor Anglais and String Quartet. This study score features a two-stave reduction of the instrumental material. The setting was initially composed as a song-cyle for which the composer recieved a Carnegie Trust Award.

Charles Wilfred Orr: Cotswold Hill-Tune (Piano Duet)

Cotswold Hill-Tune, by Charles Wilfred Orr, is a wonderful pastoral tune for Piano 4-Hands, that evokes imagery of the English countryside where he spent most of his life. Originally a beautiful and effective piece for string orchestra, it has been wonderfully and authentically arranged for Piano Duet with the composers approval, by John Mitchell.

Ian Venables: Songs Of Eternity And Sorrow Op.36a

Ian Venables? setting of four poems of A.E. Housman originally scored for tenor solo, string quartet and piano, here arranged for tenor and piano. Lyrical pieces of intermediate difficulty, sometimes elegiac, sometimes angry. Written in 2004 but very much in the English song tradition of Finzi, Gurney and Warlock these are therefore ideal recital companions to those composers.

Peter Warlock: Hush My Child / Welcome The Spring

Two SATB arrangements of Pieds En L'Air from Warlock's Capriol, the first being a slumersome lullaby, and the second an optimistic springtime song.Tomlinson's first arrangement, Hush My Child, was intended to take advantage of Warlock's sumptuous harmonies in the original string orchestra version of Pieds En L'Air, but with voices. This setting was then shown to John Bishop, who responded by creating the text Welcome The Spring to provide a more optimistic and forward-looking interpretation of the same piece.Both versions are featured in this edition, leaving the choice to the singers and choral leaders themselves!

Lament

Bridge’s early works – those written before the first World War – were more late Romantic in style, warmly expansive, than his mature works. The Lament for Two Violas was written for himself and Lionel Tertis to perform at Wigmore Hall in March 1912. There were originally two pieces – Caprice and Lament – of which the first has been lost. Paul Hindmarsh has edited this sheet music from sketches and drafts.It is a deeply felt work, interweaving the near-human Voices of the Violas into a work that is more thoughtful than grief-stricken, yet no less effective for that.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor, violist and teacher – his sole composition student having been Benjamin Britten. Britten honoured his former teacher in his work Variations on a Theme of Frank Bridge, based on a theme from one of Bridge’s pieces for String quartet.