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Introduction to Fingerpicking Guitar : Level 1/2

Movable Shapes in Fingerpicking Guitar : Level 2/3

Ernie Hawkins: Music Of Bix Beiderbecke Arranged For Fingerstyle Guitar

Celtic Melodies And Open Tunings

Stefan Grossman: Fingerpicking Blues Guitar Arrangements In Vestapol Tuning

Stefan Grossman: Fingerpicking Blues Guitar Arrangements In Vestapol Tuning

The Open D Tuning (D A D F# A D), also referred to as the Vestapol tuning, is a powerful and evocative tuning that was widely used by guitarists in the 1920s to play country blues, ballads, rags and folk tunes. In this lesson I focus on arranging five of my favorite blues melodies in Vestapol plus an original instrumental.The religious tune When I Lay My Burden Down was in the repertoire of both Black and White traditional guitarists. I have arranged it in an Elizabeth Cotten/Mississippi John Hurt style. The beautiful blues Goin' To Germany was recorded by the Cannon's Jug Stompers in the 1920s. I have always wanted to find the right setting for this melodic country blues and the Vestapol tuning gave me the feel and textures that I was looking for. Sam McGee played guitar behind Uncle Dave Macon when he recorded, I've Got The Morning Blues in Vestapol. This is a fun tune to play and leads nicely in to Hesitation Blues, a song recorded by many artists. My arrangement tries to combine a sliding jug sound with some funky blues licks. Peg Leg Howell's Skin Game Blues is a rare example of an early blues song with three distinct sections. Peg Leg played this with a bottleneck but for our arrangement we will rely on our fingers to make the notes sing out.We finish the lesson with Innocence Abroard. An original instrumental that ties together the right and left hand techniques we have studied.A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen. Bonus audio tracks of the original 1920s recordings are included. These are the records I first heard that influenced me to rearrange the melodies to the Vestapol tuning. Stefan Grossman

SEK 301.00
1

Holy Blues Of Rev. Gary Davis

Stefan Grossman: My Creole Belle

Country Blues Guitar in Spanish & Vestapol Tunings

Country Blues Guitar in Spanish & Vestapol Tunings

The use of open tunings on the guitar to accompany singing is one of the hallmark sounds of the Country Blues. Unquestionably, the two open tunings that have been used most commonly in the Country Blues have been Spanish tuning, often called Open G tuning and Vestapol tuning, quite often called Open D tuning. For this 2-DVD lesson, we've chosen the names Spanish and Vestapol to designate these tunings, because in practice, Spanish tuning was not always tuned exactly to an open G chord and Vestapol tuning was not always tuned to an open D chord.Each one of these tunings represents its own sort of sound universe, but what is really interesting to hear is the different approaches that different players took to the same tunings, and the different sounds that resulted. In each of these tunings, you'll encounter players whose approach was so melody-driven that it ends up sounding almost like slide guitar played without a slide, and at the opposite end of the spectrum, high concept, chordally sophisticated arrangements. We've purposely chosen the songs that are taught on the lesson to encompass as much of that sound spectrum as possible.On Disc 1, the Spanish tuning lesson, we start by presenting an overview to the tuning, how it is set up, and where the foundational chord positions needed to play Country Blues in that tuning are located. Then we launch into the repertoire: Elizabeth Cotten's serene rendition of the hymn When I Get Home, Mississippi John Hurt's danceable Boys, You're Welcome, Teddy Darby's hypnotic Built Right On The Ground, Clifford Gibson's uptown Bad Luck Dice, Mance Lipscomb's ancient-sounding Willie Poor Boy and Kenny Baker's haunting Legend of the Whistling Brakeman.On Disc 2, the Vestapol tuning lesson, we begin with the an overview that provides the sound of the tuning, the approach that is best suited to it, and the chordal positions needed to play Country Blues in it. Then we go to the songs: Tarheel Slim's instrumental No Time At All, Jimmy Lee Williams' churning locomotive Have You Ever Seen Peaches?, John Byrd's Old Timbrook Blues, Memphis Willie B.'s eerie Brownsville Blues, Blind Boy Fuller's driving Little Woman You're So Sweet, and Jesse Thomas' mind-bender Another Friend Like Me.Instruction is offered with the kind of patient attention to detail for which John Miller's lessons have been acclaimed, and all of the original performances of the songs are included on the discs, as well as tab and standard notation and the lyrics to the songs. Learn the songs on these lessons and you'll be equipped not only to continue learning more songs in these tunings on your own, but perhaps even to create your own arrangements and songs in the tunings.

SEK 382.00
1

Fred Sokolow: The Music Of Bessie Smith

Duck Baker: The Music of Thelonious Monk

Dix Bruce: Basic Swing Guitar

Rockabilly Guitar

John Miller: Texas Blues Guitar

Fred Sokolow: Beginner's Rock Guitar

Fred Sokolow: Jamming The Blues

Buster B. Jones: Fingerstyle Guitar From The Ground Up Volume 2

Dix Bruce: Basic Country Flatpicking Guitar

Beginner's Fingerpicking Guitar

John Miller: Hillbilly Blues Guitar

John Miller: Hillbilly Blues Guitar

As the Country Blues began to be recorded, in the mid-1920s, it soon became apparent that the music was being played and appreciated not only by African-American musicians and audiences, but by white musicians and audiences as well. Many of these white musicians played with and learned from black musicians, for even in the Jim Crow Era there was always a good deal of musical interaction and exchange. So it is that the term "Hillbilly Blues" can be used to describe the music made by white musicians of that era in the Country Blues style. Included on this DVD are songs from Clarence Greene, known mostly as a fiddler, but an ace guitarist, Dick Justice, who in his one day in the recording studio waxed ten masterful performances, Frank Hutchison who excelled at lap slide, harmonica on a rack and conventional blues picking, Sam McGee, a banjo and guitar master who went on to star on the Grand Ole Opry, Hobart Smith, a musical powerhouse, Maybelle Carter, a rocksteady and beautifully lyrical player who may have been the most influential of the bunch and Emry Arthur, a soulful singer and player who recorded one of the earliest versions of Man Of Constant Sorrow.The songs selected for inclusion on the DVD have been chosen to introduce you to a variety of different keys and playing positions, as well as a host of different right hand techniques.A PDF included on the DVD offers not only detailed transcriptions of the songs, but the songs' lyrics, too. All of the original performances by the musicians are included on the DVD as bonus tracks, both as references and for your listening enjoyment.

SEK 301.00
1