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School Of Ragtime: 10 Classic Rags For Guitar By Scott Joplin

David Laibman: Classic Ragtime Guitar

Fred Sokolow: The Music Of The Grateful Dead

Duck Baker: Classic American Folk Blues

David Laibman: Playing The Classic Rags Of Scott Joplin, James Scott & Joseph Lamb

David Laibman: Playing The Classic Rags Of Scott Joplin, James Scott & Joseph Lamb

The great ragtime pieces of the early 20th century were written mostly for Piano, but many translate superbly for the Guitar, and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar, and if they weren't player on the Guitar at all (until some of us started doing so half a century ago), then why do they work so will on Guitar?Well, thumb vs. three fingers on the right hand (we'll leave out the pinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed, from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive, with moods and tempers, hills and valley. You can capture some of this with left-hand notes (slides, hammer-ons, pull-offs), with right-hand brushes, rolls, nail strokes, with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano, or of a dixieland or jazz band. It is, simply - ragtime Guitar.In these lessons, I have tried, for the most part, to meet two goals. First, to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar, so when you play them you are working with the instrument, not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck, and to keep left hand gymnastics to a minimum. Second, I didn't want these arrangements to sound like 'student' arrangements, too elementary to be believable. It is all about striking a balance. I am generally pleased with the result, and I hope you will be too.While the focus of these lessons is on the 'greats' - Joplin, Lamb and Scott - I have also included one of my own recent compositions: Pandora's Rag. This version is simpler than the one I play on my recent CD, Adventures in Ragtime, in Em, G and E, rather than Am, C and A, and not so high up the neck. I hope you like it; I think it has some nice harmonies. No one will ever touch the ragtime masters, but I would not be doing them justice if I didn't try to use their inspiration to strike out on my own a bit.And that is what you should do too! It would be great is you learn to play these charming and challenging pieces. But even greater if you improve the arrangements, adapt them to your own tastes, see if you can apply the various techniques to other music - ragtime, and beyond - that can give pleasure to yourself and others, and enrich the treasure-house of fingerstyle Guitar. None of us has tapped even a fraction of its full potential - and that's what makes it fun!" - David Laibman

SEK 325.00
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Scott Joplin: The Entertainer - Classic Rags Arranged For Six String Guitar

Scott Joplin: The Entertainer - Classic Rags Arranged For Six String Guitar

The 1960s ragtime revival was the coming of age of a generation of fingerpicking guitarists. In ragtime, they found a music that was vastly challenging, great fun to play, and one that adapted well to the instrument. These were, for the most part, players who had taken up the guitar during the '60s folk revival and learned how to fingerpick Elizabeth Cotten or John Hurt tunes and were looking for more demanding material. Ragtime more than filled the bill - even 'easy' guitar ragtime is a workout.The first guitar ragtime recording, by Dave Laibman and Eric Schoenberg, was released in the late 60s and shows how high a level of skill young fingerpickers had reached in their attempts to master the idiom. This present collection features arrangements by a slightly younger Europeans inspired by Laibman, Schoenberg and Stefan Grossman. The Swedish team of Johansson and Palmqvist are possibly the most accomplished guitar duo to play ragtime. As with tennis, playing duos requires a particular skill.Two Dutch soloists are presented here - Ton Van Bergeyk and Leo Wijnkamp Jr. - two of the finest fingerpicking virtuosi of the day. The United Kingdom is represented by Welshman John James, who has gone on to a very active career on the British folk scene and Englishman Ton Engels, who has, like most of the performers here, gone off into other pursuits. This is also true of the fine Canadian guitarist, Jim McLennan. Dick Fegy has remained very much on the scene as David Bromberg's most dependable bandmember over the years, playing mandolin, fiddle, banjo, and acoustic and electric guitars. He is also a first-rate solo fingerpicker, as you will hear. He must toss off Paganini encores in his spare time!

SEK 152.00
1

Blues And Ragtime Fingerstyle Guitar

Jazz Classics For Fingerstyle Guitar - Volume 2

The Guitar Of Mance Lipscomb - Volume 2

Advanced Fingerpicking Guitar Techniques: Blues Guitar

Ton Van Bergeyk: Fingerstyle Jazz Guitar - Volume 2 (Book/3 CDs)

Ton Van Bergeyk: Fingerstyle Jazz Guitar - Volume 2 (Book/3 CDs)

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk 's renditions of Duke Ellington's Jubilee Stomp and Take It Easy , Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm .

SEK 385.00
1

Beginner's Blues Guitar

Ton Van Bergeyk: Fingerstyle Jazz Guitar - Volume 1 (Book/3 CDs)

Ton Van Bergeyk: Fingerstyle Jazz Guitar - Volume 1 (Book/3 CDs)

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This volume presents his renditions of Jelly Roll Morton's Kansas City Stomp and King Porter Stomp , the classic American Songbook tunes If I Had You, Moonlight Serenade and Somewhere Over The Rainbow and the Beatles' Lady Madonna .

SEK 385.00
1

Ragtime Guitar

El McMeen: Irish Guitar Encores

Guitar Artistry Of David Laibman

The Guitar Of Blind Boy Fuller

Fred Sokolow: Fingerpicking Guitar Solos

Pat Kirtley: Pickin' Like Chet - Chet Atkins' Vintage Classics (Volume One)

Rockabilly Guitar

Stefan Grossman/Ton Van Bergeyk: How To Play Ragtime Guitar

Happy Traum: American Stranger

Happy Traum: American Stranger

This collection brings together Happy Traum's second Kicking Mule album in an enhanced CD along with a separate DVD of Happy in a solo concert in 1981.Here's what Eric Andersen said about American Stranger: "Haunted and ancient. That's how Golden Bird sounded the first time Happy sang it to me. Catskill Rip Van Winkle poetry. And true. Nothing strange there. A wizard's hand appeared from the dark wood. Diamonds that glitter and gold that shines. Catskill magic. The strings weave through the trees and out again into our ears. Remember when neighbors lived far away and people were seldom seen? Our ancestors in Appalachia and the Smokies? Dulcimers, fiddles, and psalteries were our only telephones then. They made us less lonely, for the mountains possessed us in the dark. No other music quite ever retrieved like mountain music the irretrievable like love or life lost forever. The strings and wood were rubbed with rue as well as joy. So be it. Happy is a hero. He had me singing gospel songs one crazy night. He took my head over the Blue Ridge on another. He had me dreaming to the strains of his concertina and when I woke up I was lying somewhere on a shore in England. He's a walking campfire. He's got the Instincts of a rock and roller; he's a master of the groove. And these songs were made to travel. There's one about a stranger sailing toward his string of broken hearts and another trail churning in his wake. There are buckets of moonbeams and a dark road East Texas blues, Irish melodies and a Bahamian murder ballad. A lot of these songs could have written themselves. And maybe they did. Some call it the greatest irony of all and some call It folk music. Remember the cowboy's love for his horse? Can you hear the wind whistling through the rigging of a 3-masted ship heading out of Liverpool to someplace distant and mysterious? Nothing strange there except that the singer Is an American. So tune your ears through the murmurings of the soil and the waterfalls of mountains and hear those fiddles play! I'm sure his music will strike a chord In your ancient soul."

SEK 210.00
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