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String quartet

String quartet No. 2

String Quartet No. 1

String Quartet No. 2 : The Cemetery

Two Maronite Carols : for string quartet

String trio E Minor op. 14/1

Ave Maria : for voice and string quartet

The Fruit of Silence : for string quartet

Rondo' C Major After String Quartet G 310

Prayer : Fragment of the string quartet Silent Walls for organ

O Mensch, bewein' dein' Sünde Groß : arrangement for string quartet

Après Un Rêve : Fragment of the string quartet Silent Walls

Fauré's beloved melody arranged for solo instrument with piano accompaniment.

Serenade op. 3/5 Hob. III:17 : from String quartet F Major

Sicilienne Op.78

Fauré initially wrote the Sicilienne as incidental music to Molière's Bourgeois gentilhomme for small-scale string orchestra. In 1898 he wrote an arrangement for cello and piano which enjoys great popularity and belongs to thestandard Romantic cello repertoire. This new edition contains fingerings and bowings by Maria Kliegel.

Allegro G major

Joseph-Hector Fiocco (1703-1741) is regarded as one of the most important Belgian composers of the late Baroque era. The Allegro in G major was originally a movement from the Harpsichord Suites (Pièces de clavecin, Op. 1, 1730).The arrangement for violin and piano by A.Bent and N.O'Neill in 1910 made the piece very popular, particularly among violinists. The piece makes demands on the player's left hand with its fast passages and virtuoso ornamentationsand requires knowledge of all fingering patterns in first position. Occasionally, it is advisable to use third position to avoid major string changes. The passage work consists mostly of scale excerpts, triads, arpeggiation inthirds and sequences. The greatest challenge to master is the large number of string changes in a fast détaché, which requires a flexible bow hand. This edition is part of the new Schott Student Edition series which offers variedliterature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons.

Alt-Wiener Tanzweisen : No. 1: Liebesfreud

Contents: Canzonetta (D'Ambrosio) · Air on the G String (Bach) · Menuet from Quintet in E (Boccherini) · La Serenata (Braga) · Cradle-Song (Brahms) · Kol Nidrei (Bruch) · Beau Soir (Debussy) · Souvenir (Drdla) · Valse-Bluette(Drigo)· Aurore (Fauré) · Chanson (Friml) · La Cinquantaine (Gabriel-Marie) · Loin du Bal (Gillet) · Berceuse from Jocelyn (Godard) · Largo (Handel) · Serenade (Haydn) · Canzonetta (Herbert) · Hejre Kati (Jubay) · The Son of thePuszta (Kéler-Béla) · Mazurka (Mlynarski) · Serenata (Moszkowski) · Belle Nuit (Offenbach) · Melody (Paderewski) · Sérénade (Pierné) · Spanish Dance (Rehfeld) · Le Cygne (Saint-Saëns) · L'Abeille (Schubert, François) · Ave Maria,Serenade (Schubert, Franz) · Madrigale (Simonetti) · Romance (Svendsen) · Canzonetta (Tchaikovsky) · Réverie (Vieuxtemps) · Träume (Wagner) · Walther's Prize-Song (Wagner) · Obertass (Wieniawski).

Canon D

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The three violin parts form anextensive canon with entries of two bars distance. To this, a ground bass (basso ostinato) has been added repeating its two-bar tone formula 28 times. The technical mastery of the piece can be ad-mired just as much as its effectlies in the melodic and sensuous power of its string tones. The modest technical demands on the musicians are diametrically opposed to the compositional level: they do not go beyond the third position.