DIGITAL MARKETING

Gaude et laetare

for SSATB and organ An exciting setting of the Christmas text 'Rejoice and be glad, Jerusalem, behold your King comes'.

In ieiunio et fletu

for SAATB and optional organ

Pulchra es et decora

How Do I Love Thee?

How Do I Love Thee? by Gabriel Jackson for SATB (with divisions) unaccompanied.This is an appealing setting of the popular Elizabeth Barrett Browning poem 'How do I love thee?'. Bearing all the hallmarks of Jackson's unique style, this piece is a welcome addition to the musical repertoire for weddings.

I carry your heart

Toby Young's I carry your heart for SSATBB unaccompanied  Skilfully set to the tender words of the poet E. E. Cummings, 'I carry your heart' is an unaccompanied secular workoriginally for men's voices, but rescored by the composer in this version for women and men. The piece was commissioned by the acclaimed close-harmony group, The King's Men, and was recorded on their album Love fromKing's.

I remember

for SABar and piano I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flowing piano accompaniment. Also available in a version for SA and piano.

I remember

for unison voices and piano I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flowingpiano accompaniment. Also available in versions for SA, SABar, and solo voice (high/low).

I Saw Him Standing

for SATB, baritone solo, and organ I Saw Him Standing sets a text by Archbishop of Canterbury, Rowan Williams, who was inspired by the poetry of Ann Griffiths. The poem is full of rich imagery, prompting a correspondingly imaginative musical treatment from O'Regan.

Filii et filiae (An Easter Celebration) : Paperback

for SATB and piano duet or woodwinds (piccolo, flute, oboe, clarinet, bassoon) and percussion The rhythmic power of 'Videntes Stellam Magi' is echoed in this jubilant finale. Instrumental material is available on hire.

I Sing Of A Maiden

I sing of a Maiden combines flowing lines with rhythmic irregularity, and ends with an airy weightlessness which, in the words of the composer, echoes the vernal flavour of the words. Although rhythmically challenging, thisbeautiful carol is hugely rewarding and perfect for any experienced choir.

Fierce Tears I and II

Both of these works for oboe and piano explore the emotions of grief and anger following loss or bereavement. Fierce Tears I and Fierce Tears II both use a melodic line taken from Berkeley's Oboe Concerto, but it is developedin different ways in each work.

I Will Sing And Raise A Psalm

I will sing and raise a psalm has a text from St Francis of Assisi and works well as a concert piece or as an anthem. The music is rewarding for organist and choir alike. The conclusion, with its evocative radiance, isespecially attractive.

As I Sat On A Sunny Bank

As I Sat On A Sunny Bank by Malcolm Archer for SATB and Organ.Archer's innovative setting of this traditional text swings energetically between 7/8 and 6/8, presenting a fresh take on the original tune. This piece offers a dash of cheerful festivity in any Christmas concert or service.

O holy and glorious Trinity : O beata et gloriosa Trinitas

for unaccompanied SSATB

The Baroque Violin & Viola, vol. I : A Fifty-Lesson Course

A groundbreaking pedagogical work, The Baroque Violin & Viola, Volume I: A Fifty-Lesson Course blends Walter Reiter's experience as a renowned teacher and performer to guide the reader through the techniques and interpretivecomplexities of the Baroque violin repertory.

The Baroque Violin & Viola, vol. I : A Fifty-Lesson Course

A groundbreaking pedagogical work, The Baroque Violin & Viola, Volume I: A Fifty-Lesson Course blends Walter Reiter's experience as a renowned teacher and performer to guide the reader through the techniques and interpretivecomplexities of the Baroque violin repertory.

Yes, I Am Your Angel

Yes, I Am Your Angel by Gabriel Jackson for SATB unaccompanied.The text for this imaginative and effective piece by Gabriel Jackson is a response to Allen Ginsberg's A Supermarket in California by Latvian poet K rlis V rdi š, translated here by Ieva Lešinska. As in Ginsberg's poem, the initial setting is a supermarket, depicted with vivid imagery such as 'a weary, shrivelled apple', before the angel protagonist expounds on their observations about contemporary society. Pleasingly alliterative lines such as 'he'd babble boozily about tanks' are artfully given rhythmic emphasis by Jackson, who fullyexploits the dramatic intent of the poem, giving space for the text to come through by homophonic setting, a pure harmonic language, and often sparse textures.

Shall I Compare Thee To A Summer's Day?

John Rutter's Shall I Compare Thee To A Summer's Day? for SATB unaccompanied.  This secular work is set to the text of Shakespeare's famous Sonnet No. 18. Throughout the work,Rutter skilfully weaves the figurative language of the sonnet within the lyrical melodic lines of the music. Shakespeare's expressive text is passed between the voices, with the warm, verdant harmonies envelopingthe sonnet's use of imagery and the work's central metaphor of comparing love to a summer's day.

I remember

Duduk I

This work is based on the traditional modes/scales of Armenia. 'Duduk' is the name of the Armenian oboe that is normally accompanied by drones. Erkoreka cleverly creates the illusion of the drone's presence and uses techniquesto match the saxophone's timbre as close to that of the mellow and mournful duduk as possible.

I will celebrate

for SATB and organ A festive anthem with a lively organ part, this piece is not difficult, and an exhilarating work to perform. It is particularly appropriate for services of praise and thanksgiving.

I Will Rejoice

With words and music by the composer, this upbeat anthem features a compelling recurring melodic motif that is passed around the voice parts, underpinned by a spirited accompaniment for piano.

Duduk I-b

I Saw Three Ships