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How To Play Blues Guitar - Lesson 3

How To Play Blues Guitar - Lesson 3

In the third lesson Delta blues guitar techniques are taught with songs and ideas by Son House, Willie Brown, Charlie Patton, Tommy Johnson and Skip James, featuring a wide variety of fingerpicking blues styles and techniques played in the keys of A and E. As in each previous lessons, the final aim is to give you a freedom to improvise playing a blues in these keys.Each tune is taught phrase by phrase and played slowly on a split-screen. As a bonus feature, audio tracks are included featuring rare recordings of the songs and styles presented on the DVD.A detailed tab/music booklet is included as a PDF file on the DVD, which includes lyrics to the songs as well as tab/music transcriptions of the guitar playing.

SEK 301.00
1

Recorder From The Beginning - Omnibus Edition (Books 1+2+3)

Recorder From The Beginning - Omnibus Edition (Books 1+2+3)

John Pitts' classic three-part introduction to the recorder for 7-11 year olds, Recorder from the Beginning, now in one handy omnibus edition! Your child doesn?t need to be able to read music or play a note. Just follow the simple instructions!Topics covered include:Holding the recorderBeginning to playDeveloping skills & techniquesDesigned for solo playing or with live accompaniment on piano or guitar.Recorder from the Beginning: a great introduction to music.

SEK 171.00
1

Rolly Brown: A Nuts & Bolts Approach - Waste Not Thy Time

Rolly Brown: A Nuts & Bolts Approach - Waste Not Thy Time

Rolly Brown has been practicing the Guitar for 50 years, and, in that time, he’s developed a large armamentarium of tools to aid and motivate himself and his students. In this two hour DVD, starting with his rule of “half work, half play”, he shares many of these ideas, interspersed with teachings to help you better enjoy and understand music and the guitar from a simple “nuts and bolts” point of view. Whatever style of music you play, you want ways of practicing rhythm, harmony, and melody, the 3 building blocks of music. Whether you flatpick or fingerpick, play bluegrass, jazz, or folk music; whether you’re trying to learn your first F chord, or looking for a method of practicing arpeggios to inform your jazz solos, this video offers tools and advice to improve your playing. The topics covered include: On Creativity and Structuring Your Time Scales and Modes How To Rapidly Master New Chords Arpeggios: Bridging the Gap Between Chords and Melody Right Hand Technique Using a Metronome Practicing with Rhythm Tracks Sample Practice Routines

SEK 301.00
1

Fernando Perez: West African Music For Fingerstyle Guitar

Fernando Perez: West African Music For Fingerstyle Guitar

In this lesson Fernando Perez presents several tunes from West Africa. Directly learnt from African Jalis (Griots) these are traditional as well as original compositions specially arranged for Guitar. Imitating the sound of West African instruments such as Kora, Ngoni or Balafon, Perez demonstrates unique techniques on the Guitar in order to perform the grooves and melodies in a faithful way. All the tunes can be played on nylon or acoustic steel string Guitars. In this lesson you will learn: Understanding the sound and techniques of African instruments in order to apply them to the guitar. Different techniques imitating Kora scale runs, Balafon breaks, etc. Several grooves from Mali, Senegal, Gambia. How to properly keep these grooves counting, tapping, and feeling. Kora picking style with thumb and index. Main scales used in West African music. How West African music connects with Blues styles. Combining West African styles with your own Blues licks. Explanations on how to further develop this music style. A West African repertoire full of variety. Each tune is taught phrase by phrase and played slowly on a split-screen. Titles include: The Mandinka Song, Massina Madou, Fatoudiob, Sanu, Mali Blues and Kulanjan . 107 minutes Level 3 Detailed tab/music PDF booklet on the DVD

SEK 301.00
1

John Dingwall: Emeli Sandé - Read All About It

John Dingwall: Emeli Sandé - Read All About It

Emeli Sandé is an English-born Scottish recording artist and songwriter. In 2012 she was named Critics' Choice at the Brit Awards for Our Version of Events , which went on to become the biggest selling UK album in 2012. The album sold over 3 million copies and spent 7 consecutive weeks at number one in the UK album charts. Emeli Sandé has written for a number of other artists, including Alicia Keys, Gabrielle, Leona Lewis, Alesha Dixon, and Cheryl Cole. She performed at both the Opening and Closing ceremonies of the London 2012 Olympic Games. In 2013 Sandé won the Best British Female and Best British Album award at the Brits, and received two Ivor Novello Awards for her single Next To Me . In this biography author John Dingwall talks to Emeli, her parents, her sister, schoolteachers and those who have been involved in her career. He details her childhood, her first record deal and how she was initially rejected by Gary Barlow - who told her she was never going to be a star. Emeli Sandé - Read All About It tells of how the singer eventually landed a deal with Virgin, and talks about her early collaborations with other artists, including Wiley, Tinie Tempah, Susan Boyle and Professor Green, before making it as an artist in her own right.

SEK 231.00
1

Johnson Robert Guitar (Feldman) 3dvd

Johnson Robert Guitar (Feldman) 3dvd

' Robert Johnson is the most important blues musician who ever lived. I have never found anything more deeply soulful. His music remains the most powerful cry that I think you can find in the human voice .' – Eric Clapton ' Robert Johnson's music sent me reeling. I couldn't even imagine how someone could play the guitar the way he did and sing at the same time .' – Bonnie Raitt Robert Johnson is arguably the most well known figure in the history of the blues. Though the 29 songs Johnson recorded from 1936-1937 had little impact during his lifetime, a collection of his singles, entitled King of the Delta Blues Singers was released in 1961 and found widespread recognition. Then, 30 years later, The Complete Recordings of Robert Johnson was released selling over one million copies. The first blues recording to do so, winning a Grammy in the process. Since that 1961 LP, players from all different musical backgrounds have sought to learn Robert Johnson's techniques and in this 3 DVD set, with over 5 hours and 52 minutes of instruction, Tom Feldmann covers every aspect of Johnson's playing. Each song is performed by Feldmann before he dissects the arrangement verse-by-verse and ends with a split screen segment where the song is played slowly with close up shots of both the left and right hands. This is the most expansive look into the guitar playing of Robert Johnson produced in video form.

SEK 497.00
1

Fingerpicking Blues Guitar In The Key Of A

Fingerpicking Blues Guitar In The Key Of A

Fingerpicking Blues Guitar is a never ending study full of surprises and discoveries. Each key of the Guitar offers new sounds and textures. A blues played in the key of C sounds world's apart from a blues played in the keys of A, G, D or E. This series focuses on a single key for each lesson. The key of A can be very down home and tough. It can be rough and tumble. It can be driving and it can be lyrical. This lesson explores playing ideas, licks and techniques from a host of legendary bluesmen: Son House, Lightnin' Hopkins, Blind Boy Fuller, Rev. Gary Davis, Big Bill Broonzy, Mississippi John Hurt, Blind Lemon Jefferson. Playing styles from the delta of Mississippi to the streets of Durham, North Carolina to the juke joints of Dallas, Texas. You will learn to play a blues in A minor. First we set up a fingerstyle melody and then we play off this with improvised lead lines. All in all, a deep exploration of fingerstyle blues Guitar in the key of A. A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen. Titles include: Blues For Son, Blues For Lightnin', Blues For the Carolinas, Big Bill Blues in A, Monday Morning Blues, Hop Scotch Blues and Hitting the Road With Jack . 103 minutes • Level 2/3 • Detailed tab/music PDF file on the DVD.

SEK 301.00
1

Fernando Perez: World Music For Fingerstyle Guitar

Fernando Perez: World Music For Fingerstyle Guitar

In this lesson, Fernando Perez teaches several evocative instrumentals from different world music styles. The tunes are performed in standard as well as alternative tunings. Fingerstyle techniques are used throughout the lesson. Two tunes are arranged for slide Guitar. Perez takes you on a globetrotting voyage where you will explore: How to understand the sound and techniques found in the music of the Balkans, Japan, Brazil, Hawaii, Malawi and Argentina and how to apply theses to the Guitar. Cool and unusual rhythms applied to the guitar in a way that goes further than just strumming chords, but also how to make guitar arrangements with these rhythms. Origins and relations between world music styles in order to better understand and perform them. Many interesting fingerstyle Guitar tricks and techniques. Main scales used in these instrumentals. Understanding grooves, how to feel and apply them as you play the music. How to further develop these tunes as well as creating new ones. New musical approaches coming from other cultures which will open up your vision as a player. New simple and easy Guitar tunings which will offer you a broader sound spectrum in your Guitar arrangements. Unusual slide techniques, ie. how to play behind the slide, uncommon chords and special tricks. A dynamic World Music repertoire full of variety. Each tune is taught phrase by phrase and played slowly on a split-screen. Titles include: Into the Balkans (Balkans), Samba para Ti (Brazil), Ame (Japan), Malawi Dance (Malawi), Kalani (Hawaii) and Tango/ Habanera (Argentina/Cuba). 120 minutes • Level 3 • Detailed tab/music PDF file on the DVD

SEK 301.00
1

Watson Doc Guitar Artistry Gtr Dvd

Watson Doc Guitar Artistry Gtr Dvd

Doc Watson was a legendary performer who blended his traditional Appalachian musical roots with bluegrass, country, gospel and blues to create a unique style and an expansive repertoire. His flatpicking style elevated the acoustic guitar to solo status in bluegrass and country music, and whose interpretations of traditional American music profoundly influenced generations of folk and rock guitarists. Doc was born in Deep Gap, North Carolina on March 3, 1923, into a family already rich in musical tradition. His mother, Annie Watson, sang traditional secular and religious songs, and his father, General Watson, played the banjo, which was Doc's first instrument as well. In 1953 Doc met Jack Williams, a local piano player, and played rockabilly/swing music for seven years, a period and a style that he later revisited in the album Docabilly. But he also continued to play acoustic traditional music with his family and with his banjo playing neighbor, Clarence Tom Ashley. In 1960, spurred by the growing folk revival, folklorists Ralph Rinzler and Eugene Earle came south to record Ashley, and heard Doc Watson in the process. These sessions resulted in Doc's first recordings, Old-Time Music at Clarence Ashley's. In 1961 the Friends of Old-Time Music invited Doc, Ashley, Clint Howard and Fred Price to perform at a now-legendary concert in New York City, and one year later Doc gave his first solo performance at Gerde's Folk City in Greenwich Village. From then on, he was a full-time professional, playing a wide range of concerts, clubs, colleges and festivals, including the Newport Folk Festival and Carnegie Hall. In the late 1960s, Doc was joined on the road by his son Merle, who provided both musical and emotional companionship; with Merle playing guitar and banjo and serving as partner and driver, the father-son team expanded their audience nationwide. Sadly, Merle died in 1985 from a tractor accident. A series of over 50 remarkable recordings, including collaborations with Flatt & Scruggs, Chet Atkins and the Nitty Gritty Dirt Band, helped make Doc the gold standard among traditional pickers. Doc passed away in 2012. He was 89.

SEK 267.00
1

Fingerpicking Blues Guitar In The Key Of G

Fingerpicking Blues Guitar In The Key Of G

Fingerpicking Blues Guitar is a never ending study full of surprises and discoveries. Each key of the Guitar offers new sounds and textures. A blues played in the key of C sounds world's apart from a blues played in the keys of A, G, D or E. This series focuses on a single key for each lesson. The key of G offers specific advantages. It is ideal for the alternating bass technique i.e. Mississippi John Hurt's style of playing.   In this lesson, we start by learning an arrangement of Marshall Owens' 1930s recording of Try Me One More Time . This was originally played in an Open G tuning but is here arranged in standard tuning using a John Hurt approach. Not all blues from the 1920s and 1930s were fingerpicked. Jim Jackson was a popular Memphis songster who basically strummed his Guitar. But his repertoire was full of wonderful songs. Stefan Grossman has taken his Wild About My Loving and has tried to keep the original feel by combining a strum approach intermingled with fingerpicking the melody. Little Hat Jones was an amazing fingerstyle bluesman.   His Bye Bye Baby Blues was played in the key of G. Here his version is fully transcribed note for note. Blind Boy Fuller recorded many blues in the key of G. In this lesson we'll tackle three of his arrangements: Baby Let Me Lay It On You, Baby Quit Your Low Down Ways and I Crave My Pigmeat . We study his playing note for note but also explore variations. By the end of this lesson you will know six great tunes and have an insight in to fingerpicking blues in the key of G.   A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen. As well, the original old recordings are included in the Bonus Audio section. Titles include: Try Me One More Time, Wild About My Loving, Bye Bye Baby Blues, Baby Let Me Lay It On You, Baby Quit Your Low Down Ways and I Crave My Pigmeat . 100 minutes • Level 2/3 • Detailed tab/music PDF file on the DVD.

SEK 301.00
1