DIGITAL MARKETING

Michael John Trotta: I Shall See (SATB)

I Shall See for SATB a cappella by Michael John Trotta.

Michael John Trotta: Behold, How Good (SATB)

Behold, How Good by Michael John Trotta for SATB a cappella.

Michael John Trotta: Be Still And Know (SATB)

Be Still And Know by Michael John Trotta for SATB choir with Keyboard, Piano or Organ accompaniment.

The Passion of Our Lord Jesus Christ : According to John

This setting of the St. John Passion for Good Friday pairs the traditional chants for soloists with the Victoria choruses for choir. All parts are included in the full edition, and the choruses with lead-ins are in a separate choral edition. Charles Thatcher has skillfully adapted all to fit the Lectionary translation, including the choruses. Singing the Passion on Good Friday adds great solemnity to this Triduum liturgy. An alternate version is available as a digital download that replaces the chorus parts with a single-line part that may be sung by another soloist. Part of the Cathedral Series.

The Passion of Our Lord Jesus Christ : According to John

Hymns Of Promise : Three Settings For Organ

We are always being asked for settings of more recent hymn tunes, from the late twentieth century to more current ones. Jeremy Bankson has provided uplifting organ arrangements of John Bell's 'Kelvingrove', Natalie Sleeth's 'Hymn Of Promise', and Marty Haugen's 'Healer Of Our Every Ill'. Congregations everywhere sing these tried-and-true tunes, and organ versions are in short supply!

Let Us Go Rejoicing : Fanfare, Introit, and Procession for the Dedication of a Church

Peter Latona's setting of the Entrance Antiphon for the Dedication of a Church is a perfect balance of solemnity and festivity. It opens with a brass and organ fanfare (echoed later by organ alone) and a chant-like choral section. Then the antiphon unfolds—easily sung by the assembly, while the verses offer some "meat" for SATB choir. Brass Quintet is used well throughout, supporting the antiphons and decorating the verses. Appropriate also for church anniversaries, the Feast of the Dedication of St. John Lateran, Christ the King C, or other festive liturgies. Duration: 8:00 Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F, Trombone I and II, Timpani Part of the Cathedral Series.

So I Sent Them

John 17:17–18, from the High Priestly Prayer of Jesus, is the communion antiphon for Episcopal ordinations and a fitting text for other ordinations, installations, or commissioning. Composer Julian Revie has a flair for sensitivity to the text, and begins this prayer with hushed homophonic writing, gently supported by organ and French horn. The piece builds slowly but persistently, breaking into polyphonic, imitative writing, and reaches a dramatic fortissimo before tapering to the end.John 17:17–18, from the High Priestly Prayer of Jesus, is the communion antiphon for Episcopal ordinations and a fitting text for other ordinations, installations, or commissioning. Composer Julian Revie has a flair for sensitivity to the text, and begins this prayer with hushed homophonic writing, gently supported by organ and French horn. The piece builds slowly but persistently, breaking into polyphonic, imitative writing, and reaches a dramatic fortissimo before tapering to the end.