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Bernhard Henrik Crusell: Clarinet Concerto B Flat Op. 11

Bernhard Henrik Crusell: Clarinet Concerto B Flat Op. 11

Following the Henle edition of the Grand Concerto In F Minor Op. 5 (HN 1209), the series of Crusell ’s Clarinet concertos has been expanded to include the one in B flat major op. 11. The Swedish composer was himself a prominent Clarinet virtuoso and the concertos were tailor-made for himself so to speak. Despite being technically very demanding, the Concerto In B Flat Major avoids being overly virtuosic and wins us over with its melodic ingenuity. It is a very welcome addition to the early Romantic repertoire for the Clarinet. The clarinettist Nicolai Pfeffer edited the edition in an exemplary manner, consulting the sole surviving source, the first edition of 1829. Johannes Umbreit was responsible for the study score, which wonderfully fits the hands.

SEK 287.00
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Wolfgang Amadeus Mozart: Piano Sonata B flat major KV 570

Wolfgang Amadeus Mozart: Piano Sonata B flat major KV 570

Those wishing to get to know Mozart’s gentle, slightly elegiac side should play the opening movement of this lesser-known piano sonata K. 570. The second movement, too, marries the calm strains of horns with a somber melody in C minor. Only in the spirited B-flat major finale (“Allegretto”, in alla breve meter) does the mood shift to restrained gaiety. Strangely enough, this sonata was initially published (posthumously in 1796) as a violin sonata, a version that is not at all hard on the ears. If we didn’t have Mozart’s autograph manuscript of the piano sonata (albeit only in fragments), along with his entry in his own catalogue of works (Vienna, February 1789: “A sonata forpiano solo.”), one might presume that this sonata in B-flat major existed as a genuine pair of twins (with and without violin accompaniment).

SEK 128.00
1

W.A. Mozart: Piano Sonata E Flat Major KV 282

W.A. Mozart: Piano Sonata E Flat Major KV 282

Mozart’s only piano sonata in E-flat major was probably written during his stay in Munich in early 1775. Its first movement an Adagio, unconventionally is one of those pieces by the young genius that are immediately and profoundly touching. Two minuets follow, inspired by the timbre of woodwinds, and a quick finale in 2/4 with a striking opening motive concludes this masterwork of medium difficulty. Mozart’s clean manuscript copy is the only editorially relevant source, all the early print editions having proved flawed.

SEK 128.00
1

Frederic Chopin: Berceuse D Flat Major Op. 57

Frederic Chopin: Berceuse D Flat Major Op. 57

Berceuse in D Flat Major was written in the summer of 1843, and is one of Chopin’s most mature and delicate works. It consists of a series of variations on a tender lullaby theme from the composer’s childhood. Somewhat unusually, the variations are uninterrupted; they flow seamlessly from one into the next, sustained by an unchanging Bass ostinato. Frédéric Chopin (1710-1849) was a Polish composer and virtuoso pianist, whose compositional career was spent mostly in Paris. He only wrote music for the Piano, and is best known today for his 12 Etudes and 24 Preludes , a key part of any pianist’s repertoire.

SEK 128.00
1

Johannes Brahms: Clarinet Sonatas Op. 120 (Clarinet in B Flat)

Johannes Brahms: Clarinet Sonatas Op. 120 (Clarinet in B Flat)

In 1894 Johannes Brahms asked the clarinettist Richard Mühlfeld to visit him during his beloved summer sojourn in Ischl, adding ?It would be really wonderful if you brought your B flat Clarinet with you, and if you were in no great hurry? ? for the two Sonatas Op. 120 were waiting to be rehearsed. The first performances were given privately directly afterwards and the press enthusiastically reported: ?The sonatas [...] are wonderful and will cause a great sensation?. These were the last chamber pieces Brahms wrote before his death and are considered two of the great masterpieces in the Clarinet repertoire.

SEK 319.00
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Frederic Chopin: Piano Sonata B Flat Minor Op.35

Frederic Chopin: Piano Sonata B Flat Minor Op.35

The early piano trio, the two piano concertos, the three piano sonatas and the late cello sonata op. 65 comprise Chopin’s few contributions to sonata form, the principal form of the Classical era. Especially the two Piano Sonatas opp. 35 and 58 fully deserve their reputation as two of Chopin’s most distinctive creations. The b flat minor Sonata was written in 1839, but the funeral march that made it famous had seen the light of day two years earlier. Its combination of free and structured form, of passion and clarity, gave birth to a work of incomparable mastery crowned with a highly original final movement: 75 measures of surging, unison eighth-note triplets.

SEK 229.00
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