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Sonatinas For Piano Volume II Classical

Sonatinas For Piano Volume II Classical

Through the amiable genre of the sonatina, generations of piano pupils have slowly and cautiously approached its “big sister”, the sonata. With the aid of our three-volume selection of sonatinas from two centuries, intermediate piano pupils large and small can undertake an excursion through the development of piano music from the early 18th to the end of the 19th century. This second volume contains 21 sonatinas from the classical period by composers such as Clementi, Diabelli, Haydn, Kuhlau and Pleyel. Rhythmic elegance and melodic charm on the one hand, and Alberti basses and sometimes simple melodic structures on the other, are typical of the sonatinas of this era. Ourcollection offers a representative selection. Simple pieces at the beginning provide a way in, then the sonatinas follow in chronological order. A large body of literature for piano lessons!

SEK 335.00
1

Sonatinas For Piano Volume I Baroque to Pre-Classic

Sonatinas For Piano Volume I Baroque to Pre-Classic

Through the amiable genre of the sonatina, generations of piano pupils have slowly and cautiously approached its “big sister”, the sonata. With the aid of our three-volume selection of sonatinas from two centuries, intermediate piano pupils large and small can undertake an excursion through the development of piano music from the early 18th to the end of the 19th century. This first volume contains 26 easy to moderately difficult sonatinas from the time of the High Baroque and pre-classical periods by composers including C.P.E. and J.C.F. Bach, Handel, Georg Benda, Domenico Scarlatti and Antonio Soler. Since the term “sonatina” had quite diverse meanings at this time, the volumeoffers works of varied character. The simple pieces at the beginning provide a way in, then the sonatinas follow in chronological order. A table shows the most important embellishments and their correct execution according to the rules of the time. A large body of literature for piano lessons!

SEK 308.00
1

Wolfgang Amadeus Mozart: String Quartets, Volume IV

Wolfgang Amadeus Mozart: String Quartets, Volume IV

Over the next few years, all 26 of Wolfgang Amadeus Mozart 's String Quartets will be published by Henle in an Urtext Edition of both score and parts. All previous editions have left much to be desired, for example as concerns the correct placement of dynamic markings. Henle's edition, made with the artistic collaboration of the Armida Quartet, draws upon the large body of modern knowledge concerning Mozart philology and performance practice. We begin with what are, chronologically speaking, the final four quartets: the so-called "Hoffmeister" Quartet K. 499 , and the three "Prussian" Quartets K. 575, 589 and 590 .

SEK 261.00
1

Franz Joseph Haydn: Klaviersonate Es-Dur Hob.XVI:49

Franz Joseph Haydn: Klaviersonate Es-Dur Hob.XVI:49

The Sonata in E flat major Hob. XVI:49 is one of the masterpieces among Joseph Haydn's sixty-or-so piano sonatas. It epitomizes the Haydn sonata-type par excellence, with inner serenity and clarity, measured sobriety and - havingregard to its large and richly structured and opening movement - perfect form. For all that, Haydn did not neglect his feeling for individual special touches, seen here in the last movement, a graceful minuet in rococo style. Thedistinguished Haydn researcher Georg Feder has edited this Urtext edition - the fingerings by piano pedagogue Hans-Martin Theopold make it particularly valuable.

SEK 141.00
1

Franz Schubert: Klaviersonate A-Moll Op. 143 (Urtext)

Franz Schubert: Klaviersonate A-Moll Op. 143 (Urtext)

Franz Schubert’s Piano Sonata op. 143 in a minor was composed in 1823 after his large “Wanderer Fantasy”. With its formal cohesion and mature originality, this a-minor Sonata initiated a new phase in Schubert’s sonata oeuvre. The composer dispensed here with all pianistic brilliance. At the same time, a wealth of colour and of sonorities triumphs in such a manner that the work numbers among Schubert’s most frequently played sonatas. For this Urtext edition, we had at our disposal the composer’s autograph as the authoritative source, the posthumous first edition was consulted only by way of comparison.

SEK 149.00
1

Franz Liszt: Two Concert Etudes

Franz Liszt: Two Concert Etudes

The pianistically demanding studies “ Waldesrauschen ” and “ Gnomenreigen ” were written during the composer’s mature late phase, in which one does not necessarily expect such virtuosic pieces. Liszt composed them in 1862 in Rome for the Große theoretisch-praktische Klavierschule by Siegmund Lebert and Ludwig Stark. In so doing he honoured a pledge he had made some time before. Liszt was now teaching a large group of students. The two studies, published in 1863 and independent of the Klavierschule, were dedicated to his extremely gifted pupil Dionys Pruckner. He and other Liszt pupils often played them in concerts.

SEK 218.00
1

Johann Sebastian Bach: Suites, Sonatas, Capriccios, Variations

Johann Sebastian Bach: Suites, Sonatas, Capriccios, Variations

Apart from the major cycles (partitas, French and English suites), a whole series of separate keyboard suites by Bach have come down to us, including individual sonatas or sonata movements, variations, and fragments of various sorts called Capriccios. None of them reached the degree of popularity of the aforementioned large collections. Most of them go back to Bach’s youth and student years, to wit, to the years between 1700 and 1710, and do not yet reach the mastery of the later years. However, this is compensated by the enormous joy one derives in playing these works.

SEK 457.00
1

Franz Schubert: String Quartet In G Major Op. post. 161 D 887 - Study Score

Franz Schubert: String Quartet In G Major Op. post. 161 D 887 - Study Score

Schubert only took ten days to write his String Quartet in G major, one of his truly monumental chamber music works. With its almost symphonic dimensions, this late quartet is reminiscent of his great String Quintet in C major. As divulged in a letter, Schubert actually wanted to "pave the way for the large symphony" with this quartet and several other chamber music works that he composed around the same time. Written in 1826, the quartet was not performed in public during the composer?s lifetime; and it was only published long after his death. This Urtext edition with its accompanying study edition is therefore based on the surviving autograph.

SEK 165.00
1

Franz Joseph Haydn: Songs For Voice And Piano

Franz Joseph Haydn: Songs For Voice And Piano

Joseph Haydn composed a large number of songs that were pushed somewhat into the background in contrast to his other works, but are nevertheless of the highest quality. This volume contains all his verifiably authentic songs for voice and piano. Alongside his larger collections of German Lieder and English canzonettas, this volume also offers famous individual pieces such as “Gott, erhalte Franz den Kaiser!”, which later featured in many arrangements. For this Urtext edition, based on the Haydn Complete Edition, the Haydn scholar Marianne Helms was able to include newly discovered sources, so that the musical text here reflects the current state of research.

SEK 409.00
1

J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires. Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.

SEK 457.00
1

Franz Schubert: String Quartet In G Op. post. 161 D 887 - Henle Urtext

Franz Schubert: String Quartet In G Op. post. 161 D 887 - Henle Urtext

Schubert only took ten days to write his String Quartet in G major, one of his truly monumental chamber music works. With its almost symphonic dimensions, this late quartet is reminiscent of his great String Quintet in C major. As divulged in a letter, Schubert actually wanted to "pave the way for the large symphony" with this quartet and several other chamber music works that he composed around the same time. Written in 1826, the quartet was not performed in public during the composer?s lifetime; and it was only published long after his death. This Urtext edition with its accompanying study edition is therefore based on the surviving autograph.

SEK 308.00
1

Georg Friedrich Händel: Air with Variations From Suite in E major (The Harmonious Blacksmith)

Georg Friedrich Händel: Air with Variations From Suite in E major (The Harmonious Blacksmith)

G. F. Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. In addition to his well-known, large-scale works like the Water Music and Music for the Royal Fireworks , he wrote nearly 200 smaller works for keyboard instruments. The Harmonious Blacksmith is a popular name given to the final movement of Handel's Suite No. 5 in E major for Harpsichord, more properly known as Air and Variations (HWV 430). The work was published in 17620, but the name was added at some point in the 19th century, some 75 years after the composer’s death.

SEK 115.00
1

Ludwig Van Beethoven: Sonatas For Piano And Violoncello

Ludwig Van Beethoven: Sonatas For Piano And Violoncello

Alongside Bach?s Solo Suites, a further highlight for cellists are Beethoven?s five Cello Sonatas. They were published between 1797 and 1817 and thus cover a large part of Beethoven?s compositional lifetime, mirroring important stages of his musical development. This revised edition incorporates the findings contained in the critical report of the Beethoven Complete Edition which was compiled at the same time. The Urtext edition has been re-engraved, but the proven page layout of the previous edition has been preserved. The renowned cellist David Geringas provided completely new fingerings and bowings for the cello part, which also has excellent page turns. An unmarked Urtext part is also included.

SEK 457.00
1

Ludwig Van Beethoven: Concerto For Piano And Orchestra No. 3 Op. 37

Ludwig Van Beethoven: Concerto For Piano And Orchestra No. 3 Op. 37

Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. When the composer sold his first two piano concertos in late 1800, he mentioned that he had even “better” ones which for the time being he was keeping for himself until he went on tour. He probably meant a concert tour with the just finished Third Piano Concerto in c minor, which is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. The detailed editor’s preface by Beethoven scholar Hans-Werner Küthen concludes withvaluable information about the edition.

SEK 176.00
1

Wolfgang Amadeus Mozart: Serenade In B Flat K.361 - Gran Partita

Wolfgang Amadeus Mozart: Serenade In B Flat K.361 - Gran Partita

“Wind music of a very special nature on a large-scale, a composition by Hr. Mozart ” – this was the way the “Wiener Blättchen” announced the concert in the National Court Theatre, in which the clarinettist Anton Stadler was to hold his academy. There were twelve Wind instruments supported by a Double Bass, which was a very unusual combination of instruments, and the contemporary critics raved about it, “Oh, what an effect it made – glorious and grand, excellent and exquisite!”. The title “ Gran Partita ”, which was added to the autograph in an unknown hand, also bears witness to admiration and respect. Our edition is based on the autograph which has changed hands many times and is today held in Washington.

SEK 759.00
1

Ludwig van Beethoven: Concerto for Piano and Orchestra No. 3 c minor op. 37

Ludwig van Beethoven: Concerto for Piano and Orchestra No. 3 c minor op. 37

Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. When the composer sold his first two piano concertos in late 1800, he mentioned that he had even “better” ones which for the time being he was keeping for himself until he went on tour. He probably meant a concert tour with the just finished Third Piano Concerto in c minor, which is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. The detailed editor’s preface by Beethoven scholar Hans-Werner Küthen concludes withvaluable information about the edition.

SEK 367.00
1

Muzio Clementi: Piano Sonatas Selection Volume 1 (Urtext)

Muzio Clementi: Piano Sonatas Selection Volume 1 (Urtext)

This is a wonderful selection of Piano Sonatas by Muzio Clementi. A dedicated player and pioneer of the Piano, which led to him being dubbed the father of the piano, Italian composer and Pianist Muzio Clementi created a large repertoire of long-lived and revered sonatas for Piano, especially during his time in England. Clementi was the consummate Piano devotee: his performances, didactic exercises and sonatas for mature pianists, all helped to popularize the instrument throughout Europe.This Urtext edition of these Piano Sonatas Volume 1 (Klaviersonaten Auswahl Band 1), edited by Sonja Gerlach and Alan Tyson, and fingered by Hans-Martin Theopold, provides you with an accurate realisation of the composer?s original intentions, with thorough and detailed editorial markings and suggestions.

SEK 393.00
1

Ludwig Van Beethoven: Concerto For Piano And Orchestra No. 5 Op. 73

Ludwig Van Beethoven: Concerto For Piano And Orchestra No. 5 Op. 73

Ludwig van Beethoven composed his five large piano concertos over a period of twenty years. His Fifth Concerto in E-flat major op. 73, first published in 1810/11, is here presented in a piano reduction for two pianos. This edition, in the quality one has come to expect from an Urtext, is based on the Beethoven Complete Edition and is designed for practical use. In order to do justice to Beethoven’s intentions, the composer’s characteristic notation has been retained in the solo part. The preface, by the Beethoven researcher Hans-Werner Küthen, offers valuable details on the source situation and on its historical context, describing the circumstances of the year of itscomposition (1809) during the Napoleonic occupation of Vienna.

SEK 208.00
1

Ludwig Van Beethoven: Piano Concerto No. 5 In E Flat Major Op. 73

Ludwig Van Beethoven: Piano Concerto No. 5 In E Flat Major Op. 73

Ludwig van Beethoven composed his five large piano concertos over a period of twenty years. His Fifth Concerto in E-flat major op. 73, first published in 1810/11, is here presented in a piano reduction for two pianos. This edition, in the quality one has come to expect from an Urtext, is based on the Beethoven Complete Edition and is designed for practical use. In order to do justice to Beethoven’s intentions, the composer’s characteristic notation has been retained in the solo part. The preface, by the Beethoven researcher Hans-Werner Küthen, offers valuable details on the source situation and on its historical context, describing the circumstances of the year of itscomposition (1809) during the Napoleonic occupation of Vienna.

SEK 367.00
1

Muzio Clementi: Piano Sonatas Selection - Volume 2 (Urtext)

Muzio Clementi: Piano Sonatas Selection - Volume 2 (Urtext)

This is a wonderful selection of Piano Sonatas by Muzio Clementi. A dedicated player and pioneer of the Piano, which led to him being dubbed the father of the piano, Italian composer and Pianist Muzio Clementi created a large repertoire of long-lived and revered sonatas for Piano, especially during his time in England. Clementi was the consummate Piano devotee: his performances, didactic exercises and sonatas for mature pianists, all helped to popularize the instrument throughout Europe.This Urtext edition of these Piano Sonatas Volume 1 (Klaviersonaten Auswahl Band 2), edited by Sonja Gerlach and Alan Tyson, and fingered by Hans-Martin Theopold, provides you with an accurate realisation of the composer?s original intentions, with thorough and detailed editorial markings and suggestions.

SEK 552.00
1

Johannes Brahms: Doppelkonzert A-Moll Op. 102

Johannes Brahms: Doppelkonzert A-Moll Op. 102

Between 1859 and 1885 Johannes Brahms, with his four symphonies, two piano concertos, violin concerto, dances, variations and overtures, became the representative of large-scale orchestral music. In 1887 he chose the violin andvioloncello as solo instruments for his Double Concerto in a minor op. 102, since he had outstanding soloists at his disposal. After the premiere of Brahm's second cello sonata, cellist Robert Hausmann had requested a concertpiece - while the renowned violinist Joseph Joachim was Brahms's friend and had premiered his Violin Concerto, among other things. After the dark-hued Fourth Symphony this concerto comes across as strikingly optimistic andconciliatory. We now offer the score, also published as part of our New Complete Edition, in a convenient study edition.

SEK 245.00
1

Johannes Brahms: Variations Op.21 No.1 And 2

Johannes Brahms: Variations Op.21 No.1 And 2

Brahms began his career as a pianist. His contribution to the piano music of the 19th century is significant in two respects: following Schubert and Schumann he cultivated the small, lyrical form, while as Beethoven’s successor he admitted large forms such as the piano sonata and variation cycle. His two variation cycles op. 21, published in 1862, place great demands on the performer. In the first cycle, on a lyrical theme in D major, the technique of figurative and contrapuntal alterations is highly developed. The “Variations on a Hungarian Song” should be a refreshing challenge for the advanced pianist, owing to their metrical features and their virtuoso temperament. We wereable to engage Canadian musicologist Margit L. McCorkle as the editor. Together with her husband she also compiled the “Thematic-Bibliographic Catalogue” of Brahms’s works.

SEK 202.00
1

Franz Liszt: Années De Pèlerinage Deuxième Année - Italie

Franz Liszt: Années De Pèlerinage Deuxième Année - Italie

Between 1837–39 Liszt was travelling through Italy with Marie d’Agoult. As was the case with the first volume of the Années de Pèlerinage, Schweiz (1835/36) he once again recorded his travel impressions in musical form. He devoted himself to subjects from literature (Petrarca, Dante) and the visual arts (Raffael, Michelangelo). Many years later Liszt reworked the pieces, publishing them in 1858 as Années de Pèlerinage, Zweites Jahr, Italien. The central work in this volume is the large-scale so-called Dante Sonata (Après une Lecture de Dante, see also single edition HN 981). The Sonetto 104 del Petrarca (also available as a single edition HN 982) is just as popular. In 1861 Liszt published an appendix to Volume II, Venezia e Napoli, which is also available as a separate edition HN 985.

SEK 265.00
1

Ludwig Van Beethoven: Piano Concerto No. 4 In G Major Op. 58 (Piano Reduction)

Ludwig Van Beethoven: Piano Concerto No. 4 In G Major Op. 58 (Piano Reduction)

Ludwig van Beethoven composed his five large piano concertos over a period of twenty years. His Fourth Concerto in G major op. 58, largely written in 1805/06, is here presented in a piano reduction for two pianos. This edition, in the quality one has come to expect from an Urtext, is based on the Beethoven Complete Edition and is designed for practical use. Indications of the instrumentation have been added to the second piano part for purposes of musical orientation. In his extensive preface, Beethoven researcher Hans-Werner Küthen discusses the special source situation of the Fourth Piano Concerto. This is the only one of Beethoven’s five concertos for which the autograph scorehas not survived. For this Urtext edition, this offered an incentive for a most exacting examination of all other extant sources.

SEK 367.00
1