30 resultat (0,21395 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Nollställ filter

Produkter
Från
Butiker

Beethoven: String Quartet A Minor Op.132

Beethoven: String Quartet A Minor Op.132

The heart of Beethoven’s Quartet op.132 is the “Holy song of thanksgiving”, in which Beethoven takes up old counterpoint techniques and Gregorian simplicity. In this unusually beautiful and well preserved manuscript, Beethoven generously makes the most of the space on its pages. The lavish four colour printing allows the composer’s occasionally unconventional manner of notation to come to life. It permits a unique insight into the creative process, which continued after it had been written down in the form of multiple additions and changes. The edition is rounded off with a preface by the pianist András Schiff, with whose generous support this valuable facsimile was made possible.

SEK 1682.00
1

Telemann 12 Fantasias Flt Solo Bk

Telemann 12 Fantasias Flt Solo Bk

**Not for sale outside of the UK and Commonwealth** Georg Philipp Telemann 's 12 Fantasias for solo Flute. Aside from the Partita in A minor by Johann Sebastian Bach (HN457) and the Sonata in A minor by his son Carl Philipp Emanuel (HN555), it was also mainly Telemann ’s 12 Fantasias that enriched the solo Flute repertoire in the first half of the 18th century. Telemann ’s cycle evidently had a great influence on the flautist’s world. The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on. This Henle Urtext edition is based on Telemann ’s print, which has been reproduced as a facsimile in the edition. The Flute expert Rachel Brown has provided a commentary with details regarding performance practice.

SEK 261.00
1

Erik Satie: Nocturnes

Erik Satie: Nocturnes

With the five Nocturnes composed in 1919, Satie concluded the series of cyclically organized Piano pieces which, in a way, constitute the backbone of his oeuvre. As his models, he chose the eponymous pieces by John Field and Frédéric Chopin, borrowing not only the romantic, elegiac inflections, but also the tripartite form and rocking movement. Totally original, in turn, is the harmony which he devised according to his own system. Commenting on his Nocturnes, Satie once said: “ This is a different expression of myself ”. Indeed, the pieces, which are not difficult to play, seem unusually serious and far removed from the nonsense, parody and cabaret atmosphere that colour such a large part of his oeuvre.

SEK 133.00
1

Edward Elgar: Salut d'Amour Op. 12 For Violoncello And Piano

Edward Elgar: Salut d'Amour Op. 12 For Violoncello And Piano

Edward Elgar ’s Salut D’Amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts, the work became an enormous success early on. There are numerous arrangements – but the only versions for which the autograph manuscripts survive are those for Violin and Piano (HN 1188), Piano solo (HN 1190) and Violoncello and Piano. Up to now there has only been an arrangement of the Cello part made by the original publisher, presumably with Elgar ’s approval. We are now for the very first time publishing the version following Elgar ’s autograph manuscript, which for unknown reasons had never been released. In addition we are publishing the trusted musical text from the first edition.

SEK 149.00
1

Franck Sonata Pf/Vln A Maj Vlc/Pf Bk

Franck Sonata Pf/Vln A Maj Vlc/Pf Bk

**Not for sale outside of the UK and Commonwealth** César Franck 's Sonata For Piano And Violin In A . Urtext edition for Cello. Unlike some of his other late works, Franck ’s Violin Sonata (HN293), composed in 1886, was well-received by the public and critics from the very start. The beautiful arrangement for Cello published in January 1888 distinguishes itself from the numerous other arrangements in that Franck expressly authorised it. The cellist Jules Delsart, who had heard a performance of the sonata in Paris in December 1887, was so delighted by it that he asked Franck ’s permission to make a transcription of the Violin part for his own instrument. Delsart remained close to the original; he left the Piano part unaltered and transposed the Violin part only where necessary and appropriate into the lower register.

SEK 345.00
1

Robert Schumann: Twelve Poems Op. 35, Set Of Songs On Texts By Kerner (High/Medium Voice)

Robert Schumann: Twelve Poems Op. 35, Set Of Songs On Texts By Kerner (High/Medium Voice)

As with the Dichterliebe (HN 549), Frauenliebe und Leben (HN 547) or the song cycles with texts by Heine and Eichendorff (HN 548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann ’s “Liederjahr”. Yet it has a special place: it was composed in the time immediately following Schumann ’s marriage to Clara Wieck. Schumann set a series of poems to music in November, during a “quiet week, which went by with composing and much loving and kissing”, and the cycle was complete by the turn of the year. It contains a great deal of intimate musical innuendos. The first edition of 1841 was soon followed by a second issue, many of the songs were published individually and the “Wanderlied” soon became a core piece in the repertoire. With this edition the songs in Schumann ’s cycle are once again being published together in a single volume.

SEK 287.00
1

Gabriel Fauré: Violin Sonata No.2 E Minor Op.108

Gabriel Fauré: Violin Sonata No.2 E Minor Op.108

Fauré ’s 2nd Violin Sonata was written in 1916 in Evian and Paris, the first in a series of chamber music works. It is thus one of Faure ’s late works, characterised by austerity, introspection and the intensity of its expression. It is hard to imagine a greater contrast to the brilliant and ornamental style of the virtuosic 1st Violin Sonata (HN 980), published 40 years earlier. The 2nd Sonata concentrates on the essentials, and on closer contact turns out to be a fascinating composition that harmonically explores the limits of tonality, delving deep into the “Modernism” of the 1920s.

SEK 399.00
1

Robert Schumann: String Quartets Op.41

Robert Schumann: String Quartets Op.41

Although Schumann ’s first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets Op.41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn’s praise in particular that occasioned Schumann to dedicate the new works to him. The composer wrote to his publisher in an appropriately confident manner: “ Be assured, I have spared no pains in creating something very decent, indeed I sometimes think it is my best ”. As is generally known, today Schumann ’s Opus 41 forms part of the core repertoire for quartet players.

SEK 568.00
1

Robert Schumann: String Quartets Op. 41 (Study Score)

Robert Schumann: String Quartets Op. 41 (Study Score)

Although Schumann ’s first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets Op.41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn’s praise in particular that occasioned Schumann to dedicate the new works to him. The composer wrote to his publisher in an appropriately confident manner: “ Be assured, I have spared no pains in creating something very decent, indeed I sometimes think it is my best ”. As is generally known, today Schumann ’s Opus 41 forms part of the core repertoire for Quartet players.

SEK 335.00
1

Domenico Dragonetti: The Famous Solo - Für Kontrabass Und Orchester

Domenico Dragonetti: The Famous Solo - Für Kontrabass Und Orchester

It is a bit of a paradox: one of Dragonetti ?s favourite pieces and also his showpiece, The Famous Solo , originally for Double Bass and Orchestra, is largely unknown today. This cannot be down to the virtuoso work itself, but is more likely due to the unclear source situation with its different versions. In this edition, Tobias Glöckler presents Dragonetti ?s autograph arrangement for Double Bass and String Quartet for the first time. For those who would like to study the orchestral version, there is also a Piano reduction, based on a contemporary model. Using this edition, The Famous Solo can be performed as needed in the solo and orchestral tuning ? Piano scores and quartet parts in e minor and f sharp minor are also included.

SEK 425.00
1

At The Piano - Mendelssohn: 13 Well-Known Original Pieces

At The Piano - Mendelssohn: 13 Well-Known Original Pieces

At the piano with Mendelssohn – everyone naturally thinks first of his wonderful Songs without Words, from which we have chosen a varied selection here. But there are other pieces in this volume that are no less fascinating, such as several of his enchanting children’s pieces, which belong alongside Robert Schumann’s Kinderszenen. In compositions such as the Prelude in f minor, we can also discern the love that Mendelssohn the German Romantic bore for the polyphony of J. S. Bach.

SEK 234.00
1

Maurice Ravel: Sonata For Violin And Violoncello

Maurice Ravel: Sonata For Violin And Violoncello

Following the intoxicating sounds of La Valse, the smaller scoring and modern musical language of Sonata For Violin And Violoncello were a shock. Yet this pioneering work has now become a permanent fixture on the concert stage.To help the players, two performance scores are provided in which the other instrument?s part is also given. Both parts are included in a marked and an unmarked version.Sonata For Violin And Violoncello was composed by Maurice Ravel between between 1920 and 1922.

SEK 367.00
1

Johann Sebastian Bach: Sinfonias (Three Part Inventions)

Johann Sebastian Bach: Sinfonias (Three Part Inventions)

Johann Sebastian Bach ’s three-part Sinfonias acquaint pianists of every age with the art of playing three equal parts with just two hands – a true phenomenon. It is no accident that these pieces, together with the two-part Inventions, are considered indispensable to every pianist. This beautiful music has lost nothing of its relevance to us nearly 300 years after its creation. Henle are now presenting a 2015 edition of this classic collection, which draws upon all known sources and offers the best in instruction, especially with respect to the transmitted embellishment variants. This volume is ideal for pianists of every age.

SEK 165.00
1

Ludwig Van Beethoven: Symphony No. 5 In C Minor Op.67

Ludwig Van Beethoven: Symphony No. 5 In C Minor Op.67

Beethoven is presumed to have completed his 5th Symphony in early 1808; today, it is one of the most famous works of classical music of all. Its nickname “Fate Symphony” was given to it posthumously by Beethoven ’s biographer Anton Schindler; a title which no longer plays a role in modern-day Beethoven scholarship. Based on the recently published musical text of the Beethoven Complete Edition and supplied with a new preface by editor Jens Dufner, one of the most vibrant and stimulating orchestral works of the standard repertoire is now available in a practical format for travel, study or the concert hall.

SEK 197.00
1

Johann Sebastian Bach: Two Part Inventions

Johann Sebastian Bach: Two Part Inventions

**Not for sale outside of the UK and Commonwealth.** All Piano students are familiar with Bach ’s Two Part Inventions – but virtuosos of the Keyboard also keep coming back to these timelessly beautiful but by no means easy works. It is hard to believe what Bach was able to express using only two parts! In his famous preface the composer himself calls the work an “Instruction” which teaches students and Keyboard lovers to “treat correctly” several parts, to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. This edition draws upon all known sources.

SEK 170.00
1

Max Reger: Clarinet Quintet In A, Op. 146

Max Reger: Clarinet Quintet In A, Op. 146

With his Clarinet quintet, begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger ’s last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, we are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube.

SEK 563.00
1

Claude Debussy: Minstrels From Préludes I For Violin And Piano

Claude Debussy: Minstrels From Préludes I For Violin And Piano

The first volume of Debussy ’s Préludes for Piano (HN 383) was published in 1910 and was soon followed by arrangements for various scorings commissioned by the original publisher. Debussy personally transcribed only one Prélude, Minstrels , which was released in 1914 in a version for Violin and Piano. Back at that time, “ Minstrels ” was the name given to comedians who performed in blackface and caricatured the alleged behaviour of Blacks in America. The arrangement is of interest not only to pianists, since Debussy intervened in the original musical text by adding variants, but also to violinists, who will discover charming and rewarding music of medium difficulty (5 of 9).

SEK 139.00
1

Max Reger: Clarinet Quintet In A Major Op.146

Max Reger: Clarinet Quintet In A Major Op.146

With his Clarinet Quintet , begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger ’s last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The Quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, Henle are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube.

SEK 250.00
1

Alexander Skrjabin: Piano Sonata No. 4 In F Sharp Op. 30

Alexander Skrjabin: Piano Sonata No. 4 In F Sharp Op. 30

Skrjabin ten complete Piano sonatas offer a fascinating insight into the Russian composer’s stylistic development. While his first works still fully reflect the late-romantic tradition, the late works keep bursting the bounds of tonality. The boldly outlined, two-movement Fourth Sonata marks a turning point, for it evokes the world of the “Poème de l’extase” with its mystical atmosphere hovering between ethereal rapture and ecstatic flight. The publication of opus 30 means that all of Skrjabin ’s sonatas are now available in Henle Urtext quality and edited by the expert Valentina Rubcova of Moscow – an invitation to all pianists to plunge into this unique cosmos.

SEK 170.00
1

Leos Janácek: Mládí (Youth) - Suite For Wind Instruments (Study Score)

Leos Janácek: Mládí (Youth) - Suite For Wind Instruments (Study Score)

Leos Janácek 's Mládí (Youth) Suite for Wind Instruments. Study score for Flute/Piccolo, Oboe, Clarinet (B flat), Horn (F), Bassoon and Bass Clarinet (B flat). Leoš Janáček composed his Suite for wind instruments Mládí (in English youth) in 1924, so when he was over 70. Numerous sources still survive for this work, making it difficult to establish the definitive musical text. For this Urtext edition – a cooperation with Universal Edition Wien – Jiří Zahrádka from the Janáček-Archiv in Brno succeeded in brilliantly surmounting this difficulty: he consults all of the handwritten sources for the edition for the first time and is thus able to give exact instructions, for instance regarding the numerous tempo variants.

SEK 261.00
1

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

“ His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe ”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia Op. 103 that had been sent as evidence of the composer’s progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: the Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven ’s great skill. This Urtext edition also contains additional parts for Horns in F.

SEK 202.00
1

Leos Janácek: Mládí (Youth) - Suite For Wind Instruments (Parts)

Leos Janácek: Mládí (Youth) - Suite For Wind Instruments (Parts)

Leos Janácek 's Mládí (Youth) Suite For Wind Instruments. Parts for Flute/Piccolo, Oboe, Clarinet (B flat), Horn (F), Bassoon, Bass Clarinet (B flat). Leoš Janáček composed his Suite for wind instruments Mládí (in English youth) in 1924, so when he was over 70. Numerous sources still survive for this work, making it difficult to establish the definitive musical text. For our Urtext edition – a cooperation with Universal Edition Wien – Jiří Zahrádka from the Janáček-Archiv in Brno succeeded in brilliantly surmounting this difficulty: he consults all of the handwritten sources for the edition for the first time and is thus able to give exact instructions, for instance regarding the numerous tempo variants.

SEK 388.00
1