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Avner Dorman: String Quartet No. 1

Avner Dorman: String Quartet No. 1

For String Quartet. I have always regarded the String Quartet as one of the highest and most pure mediums. As I approached composing my first String Quartet, I looked for an equivalent to its perfection and considered the great beauty and expression that a true friendship can embody. What came to my mind was a friendship that I shared with three other people. At the end of the year 2000, one of those friends passed away in a motorcycle accident. The piece progresses from the exuberant motorcycle ride, through the accident and into the pain, anger, and frustration that followed the death. It ends with a memory of an experience shared by the four friends . — Avner Dorman

SEK 371.00
1

John Corigliano: String Quartet (Score)

John Corigliano: String Quartet (Score)

This 35-minute work is in five movements which bears a resemblance to the arch-form principales of Bartok?s fourth quartet. The quartet is based upon a motto composed of even repetitions of a single tone, and a sequence of disjunct minor thirds. There are also four pitch centers recurring throughout the work: C, C-sharp, G and G-sharp.The String Quartet was commissioned by the Lincoln Center for the Performing Arts for the Cleveland Quartet. The first performance was on Oct 26 1995 by the Cleveland Quartet.

SEK 286.00
1

Avner Dorman: String Quartet No. 2 - Mirage

Avner Dorman: String Quartet No. 2 - Mirage

For String Quartet. When I was asked to write a new piece for the Jerusalem Quartet, I wanted it to be uniquely Israeli. Mirage is characteristic of both our physical land as well as of our history and heritage. Throughout the piece, themes are introduced and developed, but instead of reaching a satisfying culmination they evaporate or fade away as we get closer to them. The work is in three movements, Mirage, Prayer for the Innocents, and Ruchot . — Avner Dorman

SEK 331.00
1

Bright Sheng: String Quartet No.3 (Score/Parts)

Bright Sheng: String Quartet No.3 (Score/Parts)

Sheng's 'String Quartet No.3' was inspired by the memory of a Tibetan folk dance seen in Chinhai, the border province between China and Tibet. The dance began with freely rhythmic folk singing and segued into a very rhythmic dance through which the singing continued. The structure is loosely based on this memory, though the pieces is not an attempt to recreate the scene. The work develops towards the final larghetto section, an elegy to friends of the composed who sadly passed away shortly before this piece was written.

SEK 350.00
1