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Fix Me Jesus A Cappella Negro Spiritual Soprano Solo

The spiritual Fix Me, Jesus , arranged by Hall Johnson for SATTBB choir a cappella.

Milton Babbitt: All Set

Study Score for All Set - a work for Jazz Ensemble dating from 1957.

All Hail The Power Pno/Org Acc

All Hail The Power , arranged by Carl F. Mueller for SATB choir with Organ or Piano accompaniment.

Scales And Chords In All Major And Minor Keys

A collection of Scales And Chords In All Major And Minor Keys edited by F.A. Schultz.

Philip Littell/Lance Horne: All Together

Recorded by the New York Concert Singers and premiered at the Lincoln Centre Tree Lighting by Project Youth Chorus and the Muppets, this sweet a cappella setting is a simple and warm salute to the December holidays especially appropriate for diverse audiences. "We are different and the same, all together. What we want this holiday is peace forever." The full recording is available at www.newworldrecords.org and dramonline.org. (Lance Horne, All Together, New World Records NW80592. P 2001 C 2001, Anthology of Recorded Music, Inc. Used by permission).

ALL THE PRETTY LITTLE HORSES (ARR DOUMA JEFFREY) YALE GLEE CLUB SATB

ALL THE PRETTY LITTLE HORSES (ARR DOUMA JEFFREY) YALE GLEE CLUB SATB

Felix Mendelssohn: If With All Your Hearts (Elijah) SATB

A version for SATB Choir and Piano accompaniment of the wonderful If With All Your Hearts from the Oratoirio Elijah. Arranged by Carl Deis.

Two Macedonian Folk Songs All Night I Am Awake Come, Sweetheart A Cappella

Two Macedonian Folk Songs (All night I am awake/Come, Sweetheart) by Alojz Srebotnjak with English translation by Stewart Robb . For SATB choir a cappella.

Now Thank We All Our God Organ, Piano Accompaniment

Now Thank We All Our God , arranged by Carl F. Mueller for SATB choir with Piano accompaniment. The melody upon which this harmonization and arrangement is based first appeared anonymously in Praxis Pictatis Melica (1648). The authorship of the melody has been variously assigned to Johann Cruger (1598-1662), Martin Rinkart (1586-1649), and Luca Marenzio (1560-1599).

Giuseppe Concone: Fifty Lessons For High Voice Op.9

Fifty lessons for high voice. Schirmer's Library of Musical Classics. The purpose of these lessons is 'To place and fix the voice accurately', 'To develop taste while singing broad elegant and rhythmical melodies'.

Giuseppe Concone: Fifty Lessons Op.9 For Medium Voice

Fifty lessons for medium voice. Vol.242 Schirmer's Library of Musical Classics. The purpose of these lessons is 'To place and fix the voice accurately', 'To develop taste while singing broad elegant and rhythmical melodies'.

Giuseppe Concone: Fifty Lessons Op.9 For Low Voice

Fifty lessons for low voice. Vol.243 Schirmer's Library of Musical Classics. The purpose of these lessons is 'To place and fix the voice accurately', 'To develop taste while singing broad elegant and rhythmical melodies'.

Arr. Jameson Marvin: Swing Low, Sweet Chariot/All Night, All Day

This accessible setting of two traditional spirituals will be a very effective selection in concert. Featuring Baritone and Mezzo-Soprano soloists with choir back-up, the rich choral harmonies will resound throughout your performance space. Duration: ca. 3:45.

Sing All Ye Joyful

Dale Warland: Welcome All Wonders

No. 1 in Nativity Suite , the opening sounds of the instruments and voices in this setting are meant to invoke an air of mystery. The initial tone clusters, approached by layering the voice parts, should be presented very subtly, in order to enhance the intimacy and the veiled quality suited to this traditional liturgical. The alleluias, which reflect the significance of the Christmas Eve, should be joyful. Other movements include: O Magnum Mysterium (50600072), A Boy Was Born (50600073). Flute and Harp Parts available separately for the full suite (50600165).

All Time Favourite Violin Solos

A choice collection of perennial favourites by such masters as Bach, Brahms, Debussy, Handel, Haydn, Saint-Saens, Schubert, Tchaikovsky and Wagner.

Dominick DiOrio: All Is (SATB)

This music is restless and unbridled, like a child who fusses and pouts when not wanting to be restrained. And it is optimistic like a child is Naive, until the final warning words of the work.

Sing All Ye Joyful - Piano

Craig Urquhart: All Shall Be Well

The flowing lines of this short a cappella work are woven into an elegant vocal tapestry that will create an atmosphere of serenity and warmth. Duration: ca. 3:30.

Come, All Ye Shepherds (Arr. Dan Kallman)

A traditional song arranged for SATB (divisi) Choir A Cappella.

Arr. Jameson Marvin: All Through The Night

Continuing the proud history of the Harvard Glee Club, this male voice setting of a Welsh folksong will showcase your singers at their best, offering many opportunities to develop phrasing, intonation and blend. Duration: ca. 2:45.

Virgil Thomson: The Mother Of Us All

Opera in Two Acts. Ostensibly a biography of Susan B. Anthony and the suffragette movement, Stein's libretto slyly fractures history and expands the argument beyond votes for women to the essence of equality in America. Susan B.'s world is peopled with a demented mix of contemporaries (Ulysses S. Grant, Lillian Russell), anachronistic figures (Daniel Webster, John Adams) and symbolic characters (Jo the Loiterer, Chris the Citizen). Together they weave an unconventional but convincing crazy quilt of American dreams, ideals and values.

Hans Leo Hassler: Come All Musicians Come

For SSATBB Choir A Cappella.

Theron Kirk: Eyes Of All Wait Upon Thee

For 2-Part Voice Choir.

All The Pretty Little Horses (Arr. Margaret Vance)

American Folksong arranged for SATB Choir and Piano.