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Quartetto Breve - Partitur

Quartetto Breve - Partitur

String Quartet No.1 - 'Quartetto Breve' (1952) by Per Nørgård. Programme note:  The spectrum of sound, the gesticulation – in short, the very nature of the strings – has always had a central place in my output, demonstrated by the numbers of string quartets, concertos with string soloist, chamber and solo works. The interest dates back to my school years, when I was fortunate to be able to compose for a cello-playing schoolmate and to accompany him on the piano. I discovered then the innumerable nuances of sound and playing varieties offered by just one bow, four strings and five fingers..  My first string quartet – Quartetto Breve – has a firm root in the Nordic tradition and is strongly inspired by Jean Sibelius (1865-1957) and my teacher Vagn Holmboe (1909-96).  Per Nørgård (1998) 

SEK 328.00
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Bernhard Lewkovitch: Tre Mandskor Motetter (TTBB)

Bernhard Lewkovitch: Tre Mandskor Motetter (TTBB)

This set of three motets for unaccompanied male choir sets the Latin words for the De Profundis, Ave Maria and Laudate and manifests Lewkovitch's fascination both with chant and with modality.Contemporary Danish composer, conductor and Organist Bernhard Lewkovitch has followed a rare path among modern composers. From 1947 he was Organist at St Ansgars Kirches and later remained connected with the Catholic Church by working as an Organist. Clearly he is inspired by the Catholic liturgy and sees his great output of ecclesiastical music as a vocation and a great responsibility. For many years his work by inspired by Gregorian chant and was composed in church modes, then in the mid 1950’s he began to expand into modern bitonality and polytonality, culminating in Il cantico delle creature in 1962/3 in which there was no conventional notation and no fixed pitch. After that, Lewkovitch had somewhat of a hiatus, later returning again to the inspirations of the mid1950’s.

SEK 150.00
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Per Nørgård: String Quartet No.6 'Tintinnabulary' - Score

Per Nørgård: String Quartet No.6 'Tintinnabulary' - Score

Programme note The spectrum of sound, the gesticulation – in short, the very nature of the strings – has always had a central place in my output, demonstrated by the numbers of string quartets, concertos with string soloist, chamber and solo works. The interest dates back to my school years, when I was fortunate to be able to compose for a cello-playing schoolmate and to accompany him on the piano. I discovered then the innumerable nuances of sound and playing varieties offered by just one bow, four strings and five fingers..  The bell-like association if the title reflects the special texture of the work. Like the continously changing overtones of a struck, resonating bell the four parts are unified through one single basic line, broken up in a multitude of changing dynamics, of a multifacetted rhythm and resulting in an ever transforming harmony.  The duration of the work is ca 12 minutes.  Per Nørgård (1998)     

SEK 485.00
1

Franz Schubert: Fantasy 'the Wanderer' Op.15

Franz Schubert: Fantasy 'the Wanderer' Op.15

The Fantasie in C major, Op. 15, popularly known as the Wanderer Fantasy , is a four-movement fantasy for solo Piano composed by Franz Schubert  in 1822. The whole work is based on one single basic motive from the lied “The Wanderer” and the four movements are played without a break.  It is widely considered to be  Schubert 's most technically demanding composition for the Piano. Schubert  himself said "the devil may play it," in reference to his own inability to do so properly. It is the perfect challenge for any proficient pianist, and the effort will be appreciated by audiences upon hearing this marvellous piece! Franz Schubert  was an Austrian composer who was extremely prolific during his short lifetime(he died at the age of 31). His output consists of over six hundred secular vocal works, seven complete symphonies,sacred music, operas, incidental music and a large body of chamber and Piano music. Today  Schubert  is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century.

SEK 173.00
1