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Choral Anthology 1

Choral Anthology 1

Vytautas Miškinis (b.1954) is a composer, choir conductor and educator. His output encompasses over 400 secular, and around 150 sacred, works; in addition to over 100 folk song arrangements. Miškinis was Artistic Director of Ažuoliukas youth choir, and music for children constitutes a large part of his work. His music is characterised by polyphonic and melodic material, as well as aleatoric and sonoristic effects. His works have become popular both in Lithuania and abroad.

SEK 165.00
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Messe G D167

Messe G D167

Schubert's Mass No.2 in G D167 for SATB choir and Piano accompaniment.Franz Schubert composed his ‘Mass No. 2 in G major’ in less than a week (March 2 to 7,1815). Schubert was an Austrian composer, who was extremely prolific during his lifetime – despite dying at 31 his output consists of over six hundred secular Vocal works (mainly Lieder), seven complete symphonies,sacred music, operas, incidental music and a large body of chamber and Piano music. Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of themostfrequently performed composers of the early nineteenth century.

SEK 133.00
1

Oboe Quartet in F K.370 : arranged for Oboe and Piano

Oboe Quartet in F K.370 : arranged for Oboe and Piano

The Oboe Quartet in F major, K. 370/368b, was written by Wolfgang Amadeus Mozart in early 1781. The quartet, originally arranged for oboe, violin, viola and cello is presented in this edition for Oboe with Pianoaccompaniment. In 1780, Mozart was invited to Munich to visit Elector Karl Theodor, who had commissioned the opera Idomeneo for a carnival celebration. While in Munich, Mozart renewed an acquaintance with Friedrich Ramm, avirtuoso oboist in the Munich orchestra. It was for Ramm that Mozart composed the quartet in order to show off his virtuosity and the improvements that had been made to the oboe at that time. One way that this piece showed offtheinstrument was the use of the 'high F' above the staff, a note rarely played in any repertoire previously written for the oboe. This piece is a work of chamber music, but it has elements that harken to other musicalgenres, and requires a fair amount of virtuosity. Because of its large amount of virtuosic playing on the part of the oboe and the large degree to which the strings simply accompany the oboist, it almost resembles a concerto, butwith only with four players instead of an entire orchestra. Despite this, there are also a number of places within the work that require ensemble playing, for example, the famous 13-bar passage in the finale in which the oboeplays in common time against a 6/8 accompaniment.

SEK 196.00
1

French Suites : French Overture BWV 831

French Suites : French Overture BWV 831

This new edition of Bach’s French Suites (BWV 812–817) pairs these works with the large-scale French Overture in B minor (BWV 831) from the second part of the Clavier-Übung. It brings together on the one hand six essentially small-format keyboard suites of moderate difficulty and on the other the most extensive and substantial of Bach’s sets of suites. The player is provided with as clear and comprehensible a score as possible, and makes it easier to approach the work, while those of an academic bent can refer to the Editorial Report for a documentation of sources, editorial additions and ornaments of a comprehensiveness otherwise found only in critical complete editions.

SEK 239.00
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Concerto in E minor Op.64

Concerto in E minor Op.64

Felix Mendelssohn's Violin Concerto in E minor, Op. 64, is his last large orchestral work. It forms an important part of the violin repertoire and is one of the most popular and most frequently performed violin concertos inhistory. A typical performance lasts just under half an hour. Mendelssohn originally proposed the idea of the violin concerto to Ferdinand David, a close friend and then concertmaster of the Leipzig Gewandhaus Orchestra.Although conceived in 1838, the work took another six years to complete and was not premiered until 1845. During this time, Mendelssohn maintained a regular correspondence with David, who gave him many suggestions. The workitselfwas one of the foremost violin concertos of the Romantic era and was influential on many other composers.

SEK 292.00
1

Vocalises - Medium-High Voice & Piano

Vocalises - Medium-High Voice & Piano

This collection of Vocalises contains 45 vocal exercises devised by innovative teacher Gabriel Fauré. When Gabriel Fauré was appointed Director of the Paris Conservatoirein 1905, one of his most pressing concerns – and first achievements – was a complete reform of the teaching of singing. He was determined to introduce mandatory study of art song, along with 'exercises developing vocalsuppleness, articulation, and voice placement and production, which are the basis of singing teaching'. To this end, between 1906 and 1916 he composed a substantial body of accompanied vocalises for use in theConservatoire’ssight-singing examinations. For a century these vocalises – all but one now held in the Archives nationales de France in Paris – have lain unknown to the musical world at large. Their first publication here marks amajor event for the vocal teaching repertoire (as well as some entrancing music); a marvellous resource of skilfully devised vocal exercises ranging from elementary to advanced virtuoso level, all from one of history’sgreatest song composers.

SEK 271.00
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