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Choral Anthology 1

Choral Anthology 1

Vytautas Miškinis (b.1954) is a composer, choir conductor and educator. His output encompasses over 400 secular, and around 150 sacred, works; in addition to over 100 folk song arrangements. Miškinis was Artistic Director of Ažuoliukas youth choir, and music for children constitutes a large part of his work. His music is characterised by polyphonic and melodic material, as well as aleatoric and sonoristic effects. His works have become popular both in Lithuania and abroad.

SEK 165.00
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Thème Et Variations Op.73

Thème Et Variations Op.73

Nowhere in Fauré's output are the polemics about tempo and metronome markings so pronounced as in this extended and relatively neglected piece. Howat is a passionate advocate of the 'Thème et variations' and believes that a cogentreappraisal of the work's tempo relationships instantly makes the work much more accessible and structurally coherent. The peerless scholarship of this edition is further amplified by corrections, performing options andinterpretative advice given by Fauré to the pianists José Iturbi, Robert Casadesus, Ricardo Viñes, Marguerite Long and Vlado Perlemuter.

SEK 218.00
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Messe G D167

Messe G D167

Schubert's Mass No.2 in G D167 for SATB choir and Piano accompaniment.Franz Schubert composed his ‘Mass No. 2 in G major’ in less than a week (March 2 to 7,1815). Schubert was an Austrian composer, who was extremely prolific during his lifetime – despite dying at 31 his output consists of over six hundred secular Vocal works (mainly Lieder), seven complete symphonies,sacred music, operas, incidental music and a large body of chamber and Piano music. Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of themostfrequently performed composers of the early nineteenth century.

SEK 133.00
1

Gloria In D RV 589 - Vocal Score

Gloria In D RV 589 - Vocal Score

Vivaldi's international renown came about largely as a result of his concertos, which were collated, and, of course performed, throughout the courts of Europe. Quite unlike the concertos, Vivaldi's voluminous output of sacredworks was hardly known beyond the purlieus of their original performance. Following the composer's death they became increasingly unknown and even today it is difficult to say how many pieces of church music Vivaldi composed.As few of Vivaldi’s church compositions can be dated on the basis of written or stylistic evidence, the origins of the Gloria In D remain shrouded with conjecture.Rather than being conceivedaspart of a larger Mass setting, the Gloria is an independent work, a cyclical composition of broad design consisting of twelve self-contained movements. Stylistically, it closely resembles a concertante Mass.This Urtext edition of Vivaldi’s ever-popular work provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions, as edited by KlausBurmeister.

SEK 133.00
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