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Quartets for flute : some with alto flute

The volume contains selected transcriptions from well-known sets that Bartók wrote for children and young people: For Children, Children's and Female Choruses, 44 Duos and Mikrokosmos. Some are based on folk melodies and some on original themes. The volume consists of 16 pieces. In nine, the bottom part is set for alto flute. The collections serve to draw music students into the realm of a great genius of 20th-century music, while concurrently introducing them to the basic techniques of playing chamber music.

Concerto per trombone alto ed archi

The manuscript of the here published work by Johann Georg Albrechtsberger has been preserved at the Music Collection of the National Széchényi Library, Budapest, as part of the former Esterházy Archives. The year of its composing 1769.

Lament : für Alto Solo, Flöte, Viola und Cimbalom

Sei Duetti Concertanti per Violino at Alto Viola B

Metamorfosi (II) : per flauto (grande e alto in sol) e nastro

Saxophone Music for Beginners : For alto and tenor saxophone, with piano accomaniment

Magnificat in D major : for soprano, alto, tenor and bass soloists, mixed chorus and orchestra

Messe in B Hob. XXII: 12 : (Theresienmesse) for soprano, alto, tenor and bass soloists, mixed chorus and piano

Bläsertrios+C441 für Anfänger

The recent volume of the series 'Music for Beginners' supplies amateur and professional musicians of woodwind chamber music demanding performance pieces easy to play and well instrumented. The three parts may be played by the following instruments: Part 1: clarinet in B flat or sopran saxophone in B flat or flute or oboe, Part 2: clarinet in B flat or alto saxophone in E flat, Part 3: clarinet in B flat or tenor saxophone in B flat or bassoon.

Tänze für Jugend-Streichorchester : Partitur und Stimmen

The Scubert volume now appearing in the Leggiero series gives a varied picture of the dances of the first third of the 19th century. These include waltzes, galops, minuets, ländler, sentimental waltzes, a series of écossaises, and Wiener Deutsche. The dances, although typical, are individual in character. The range of the violin parts does not go beyond the third position or that of the cello part beyond the fourth position. The viola may be replaced by a third violin section, so the part is provided in both an alto and treble clef version. The material also includes an ad libitum double-bass part.

Klassische Quartettmusik für Anfänger (Erste Lag : für Anfänger (Erste Lage)

In the string quartets published in the series 'Music for Beginners', every part can be played in the first position. When a viola is not available it may be replaced by a third violin: the part is provided in both alto and treble clef versions in this publication. The volume begins with the characteristic Viennese classical dances (contredanse, Ländler, minuet), which can be played even after just one or two years' of diligent instrumental study. These are followed by more extensive string quartets with several movements, which prepare students for playing more serious chamber music. The works are published in score form as well as parts, to make it easier to navigate among themusical material and to assist with the work of rehearsal.

Selected Pieces for Four Flutes

Music by Ferenc Liszt on four flutes? The raison d’ etre of these arrangements, which at a first hearing seem bizarre, is provided by several factors: 1) Liszt’s numerous arrangements of works of his own and those of other composers. 2) A characteristic feature of Liszt’s late piano style: his preference for certain registers of the instrument specifically, in several of his works (e.g. Forgotten waltzes, Christmas tree) for the high register. 3) The practical aspect: these pieces selected and arranged by the excellent first flautist of the Hungarian National Philharmonic Orchestra create a convincing illusion when played on four flutes, and offer an opportunity at anearly stage for those learning to play the flute to discover Romanticism and the music of this great composer. (The alto flute part may be played by a student from a more advanced class, or by the teacher.) The pieces in this collection are equally suitable for study purposes and for concert performance.

Windsequenzen

In 1970 Péter Eötvös spent half a year in Japan where he performed as a member of Karlheinz Stockhausen's ensemble in the German pavilion at the World Expo in Osaka. The encounter with Japanese culture, specifically with Zen Buddhism, had a great effect on him. The fundamental idea of The Sequences of the Wind is one of Zen's complementary contrasts: stillness in movement - movement in stillness. It was inspired by the Japanese landscape and Japanese gardens (the rain, the wind, the sound of stones and the rustle of bamboo cane). This is the third version of the work and was published to mark the 60th birthday of Péter Eötvös. (The composer withdrew the first two versionswritten in 1975 and 1989.) Several elements of modern flute playing appear in the work, which has eight movements at present. The soloist alternately plays four different instruments (a flute of normal tone, a flute that is tuned a quarter tone lower, an alto flute tuned a quarter tone lower and a piccolo).