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For Children (Japanese edition) 3-4

For Children (Japanese edition) 3-4

The series For Children (together with Mikrokosmos) belongs undoubtedly to the basic works of piano instuction. It is learned from almost all over the world, its sheet music edition is sold by Boosey & Hawkes and EMB in territorial distribution. The present edition was prepared by the composer's son Péter Bartók living in the United States who used all available manuscripts and other documents which helped clarify the uncertainties concerning the music text. In order to meet this objective, a completely new engraving was made and the editor described the historical background of the emergence and the editions of the work as well as the nature of the corrections. The thirdand fourth parts based on Slovak folksongs appear now contracted to one volume with Hungarian, German and Slovak titles, folksong texts and notes of the editor in Hungarian and German. (Hungaroton HCD 12304)

SEK 183.00
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Mikrokosmos for piano 4 : New Definitive Edition

Mikrokosmos for piano 4 : New Definitive Edition

'The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose (Vol. 1: Z. 125, Vol. 2: Z. 126, Vol. 3: Z. 127, Vol. 4: Z. 128, Vol. 5: Z. 129, Vol. 6: Z. 130). That is, to give piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as "world of the little ones, the children".' (Interview broadcast by WNYC, in early 1945, on a programme entitled Ask the Composer.)

SEK 166.00
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Ökumenische Messe für gemischten Chor

Ökumenische Messe für gemischten Chor

The a capella mass by Heinz Wunderlich (b. 1919), a professor at the Hamburg College of Music, consists of the following movements: Kyrie (for 4-part choir), Gloria in excelsis Deo (for 4-part choir), Halleluja vor dem Evangelium (for 3-part male choir), Sanctus (for soloists and 3-part male choir), Maranatha nach dem Ende des Konsekrationsgebetes (for 3-part male choir), Agnus Dei (for 2-part female choir), Danksagung (for 3-part mixed choir).

SEK 177.00
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Chamber Music for/ Kammermusik für Violoncelli 4 : for 3 violoncellos

Chamber Music for/ Kammermusik für Violoncelli 4 : for 3 violoncellos

The series - after three volumes of quartets - continues with trios this time. In the trio by Haydn the three cellos take turns playing the leading part. A special feature of the Purcell Chaconne is the fact that the two parts above the 6-bar ostinato bass move in canon throughout the piece. All three Mozart works - the Canon inversus (mirror canon), the Canzonetta and the Adagio - are miniature masterpieces. The Elgar work: Salut d'amour, with which the volume ends, demands a slightly higher level of skill, but is a rewarding task for everyone who performs it.

SEK 246.00
1

Mikrokosmos for piano Volume 3-4, BB 105 : Urtext (1932-1939)

Mikrokosmos for piano Volume 3-4, BB 105 : Urtext (1932-1939)

Bartók's Mikrokosmos has been one of the milestones in pedagogical piano repertoire for 80 years - and yet it is also far more than a "classical" piano primer. These 153 piano pieces, organized in ascending order of difficulty,engage not only with technical aspects of piano playing but also with the fundamentals of composition - from "Imitation and Inversion," "Ostinato," and "Free Variations," concerning compositional technique, to mood pieces andpieces with programmatic ideas such as "Notturno," "Boating," "From the Diary of a Fly," or the famous "Six Dances in Bulgarian Rhythm." Mikrokosmos first appeared in 1940 in six volumes. Based on volume 40 of the Bartók CompleteEdition published in 2020, the present Urtext edition offers the series gathered in three volumes. This edition includes Bartók's preface, exercises, and notes written for the first edition. Furthermore, it also features a prefaceand comments by the editor, which not only discuss the genesis and the compositional sources but also provide performers, teachers and pupils alike, with authentic and detailed information about Bartók's notation and the specificperforming problems of Mikrokosmos.

SEK 325.00
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Technische Studien Band 3

Technische Studien Band 3

The first of the Supplement volumes to be iussed is Part 3 of the Technical Studies, the manuscript of which, after enduring many vicissitudes and lying hidden for decades, turned up in Weimar only in 1975, and appeared in print in 1983. The thematic index provides an overview of the entire material of all three volumes of the Technical Studies. This publication is available in two versions: bound in blue linen, or in grey boards. Only the former version contains the descriptions of sources and the critical notes.Territorial restrictions may apply. Please ask before ordering.

SEK 1277.00
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Violoncello ABC 3

Violoncello ABC 3

A sequel to the Cello ABC and Cello tutor 2. The basic principle of its construction is similar to that of the previous two volumes: clearly grouped, attractive musical material for which the most effective order for teaching can be decided by the teacher, taking account of students’ capabilities. The sole aim of volume 3 is to lay the foundation for clear and confident playing in the first four positions, thus it does not contain any new tasks relating to bow-handling or rhythm. Arranged in the order of the positions, the material begins in each position with the most essential technical exercises, then progresses from easier works to longer and more demanding ones. A considerableproportion of the material consists of pieces with piano accompaniment, and duets the latter make it possible in every lesson for the learner to make music together with the teacher.

SEK 296.00
1

3 Concerti Facili per Violoncelle e Piano

3 Concerti Facili per Violoncelle e Piano

The source of this publication was issued in London in 1745 by John Walsh Jr. Walsh’s publication contains six four-movement works, originally written for violin, solo cello, a keyboard instrument and a second cello to reinforce the bass of the latter, but the role of the violin is insignificant, so these works can be regarded as pieces for cello. Of the six works, the arranger of the volume was publishing the three most suitable ones to that as cello concertos: the piano part incorporates both the violin interludes and the continuo. In the cello part higher positions do occur, but they do not necessarily require use of the thumb: they are playable after 4-5 years’ intensivestudy of the instrument.

SEK 186.00
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