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Chamber Music for/ Kammermusik für Violoncelli 7 : for 3 violoncellos

Chamber Music for/ Kammermusik für Violoncelli 7 : for 3 violoncellos

Chamber Music for Violoncellos Volume 7 contains trios, the first piece is a work with variations by the French cello virtuoso Bréval, in which the first two parts, above an easy third part, are of equal difficulty. In Chopin's lyrical Dumka, an interesting feature is the ritornello on harmonics, his Bacchanalia is a lively drinking song. In the trio sonata by Vivaldi the third part shares equally in the imitative playing. The last works in the volume are Mozart's piece on a theme by Grétry and the closing chorus that follows his Freemasons'? cantata (the melody of the Austrian national antem).

SEK 226.00
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Streichquartett Nr. 1 op. 7

Streichquartett Nr. 1 op. 7

'String quartets accompanied Bartók's creative career from the First, composed in 1908, to the Sixth, completed in 1939 while still in Europe. The First String Quartet was the most significant creation of the newly fledged composer. It is unsurprising then that when composing a work of such scale as the First String Quartet in 1908, Bartók should attenuate the German spirit with French colours. The co-habitation of the two is a characteristically Jugendstil phenomenon, perfectly in keeping with the trends of the age. However, this blending of styles was not a conscious effort on Bartók's part: rather, he was exploring various means of expression. The tonal plan, too, israther curious: the first movement is in A flat minor, the second in B major, the third in A minor: that is, the closed tonal system typical of Classical form, and which would reappear in Bartók's later works, is in no way present here.' (HCD 32513 Bartók New Series, Vol. 13, János Kárpáti)

SEK 271.00
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Jatekok - Games - Spiele 7 : Tagebucheintragungen, persönliche Botschaften

Jatekok - Games - Spiele 7 : Tagebucheintragungen, persönliche Botschaften

The 7th volume of Kurtág's outstanding piano miniatures includes 34 of his personal musical notes, messages composed between 1994 and 2002. Just as in the case of the earlier volumes Kurtág dedicates most of these pieces to members of his artistic and intellectual circle of friends, although some of them are homages. 'Hommage á Berényi Ferenc 70' is originally written for cimbalom, but can be played on the piano as well. Some works are intended for an upright piano with harp pedal. (BMC CD 139)

SEK 305.00
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