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A Musical Trip II

Preludes for Piano, Book II

Concord Piano Book, Vol. II

Musical Mind Benders : Musical Quizzical II

Somerset Anthem Books, Volume II : Easter

Bela Bartok Album for Piano, Vol. II

Sonata for Manuals Only : Organ Sonata II

Two Keats Choruses: II. The Poetry of Earth

How Lovely Is Thy Dwelling Place

Commissioned for the 100th anniversary of Lakewood Congregational Church, Lakewood, Ohio. The text is drawn both from Psalm 84 and two additional verses written by the late poet John Stirling Walker. The anthem features interludes based on the tune AURELIA (“The Church’s One Foundation”) by Samuel Wesley. The final verse includes the congregation singing this tune as a descant accompanying the original music. Duration: 7:00 Brass Quartet parts include: B-flat Trumpets I and II, Trombones I and II

Suite Remembrance

A set of four contrasting “memorial dances” for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving, and each takes after a dance form: I. Todtentanz (Saltarello), II. All Flesh is Grass (Gavotte), III. If I can Stop One Heart from Breaking (Sarabande), and IV. Mourning into Dancing (Gigue)- the fourth movement is for double chorus. Duration: 8:30 Contents: I. Todtentanz (Saltarello) II. All Flesh Is Grass (Gavotte) III. If I Can Stop One Heart from Breaking (Sarabande) IV. Mourning into Dancing (Gigue)A set of four contrasting “memorial dances” for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving, and each takes after a dance form: I. Todtentanz (Saltarello), II. All Flesh is Grass (Gavotte), III. If I can Stop One Heart from Breaking (Sarabande), and IV. Mourning into Dancing (Gigue)- the fourth movement is for double chorus. Duration: 8:30 Contents: I. Todtentanz (Saltarello) II. All Flesh Is Grass (Gavotte) III. If I Can Stop One Heart from Breaking (Sarabande) IV. Mourning into Dancing (Gigue)

An Alleluia Flourish : Piano/Choral Score

Commissioned by Classical Movements for an incredibly large ensemble of primarily “older” singers. Along with some brass, keyboard, and timpani, this work serves as a fun, fanfare-like, flourish-filled opener for a festive program. Just as the constraints in place for the aging voice play to the strengths of this unique ensemble, so do these simpler vocal requirements make this an ideal piece for student ensembles at both middle and high school levels. -Julian Wachner Duration: 2:35 Instrumental Parts include: F Horn, Trombone (substitue for Horn), Trumpet I and II in C and B-flat, TimpaniCommissioned by Classical Movements for an incredibly large ensemble of primarily “older” singers. Along with some brass, keyboard, and timpani, this work serves as a fun, fanfare-like, flourish-filled opener for a festive program. Just as the constraints in place for the aging voice play to the strengths of this unique ensemble, so do these simpler vocal requirements make this an ideal piece for student ensembles at both middle and high school levels. -Julian Wachner Duration: 2:35 Instrumental Parts include: F Horn, Trombone (substitue for Horn), Trumpet I and II in C and B-flat, Timpani

Mrs. Noah from Hotel Eden

Mrs. Noah is about middle-aged love. It centers around the relationship between Noah and his wife, Mrs. Noah, a name she hates being called. In this light-hearted aria, she complains that, everywhere she visits, people call her Mrs. Noah. She mentions different locations that she has been in the world: France, Genoa, Samoa, along the Mississippi, Hawaii, and Shenandoah. With these places, the music changes to reflect musical styles that are native to each location. At the end of the aria, she pleads to be called by her “real name,” Rosalyn! Mrs. Noah is the aria from Act II of the Three-Act Chamber Opera, Hotel Eden.

Vidimus stellam : We Have Seen His Star

In the tradition of Daniel Pinkham ™s Christmas Cantata, Kevin Siegfried ™s Vidimus stellam (We Have Seen His Star) is a radiant and uplifting work for SATB Chorus and Brass Quintet or Organ. Using traditional Latin texts drawn from Advent, Christmas, and Epiphany, Vidimus stellam evocatively traces the theme of Light through the Christmas season. In the choral parts, an expressive lyricism predominates, revealing Siegfried ™s affinity for chant and early music. A balance between accessibility and challenge is maintained throughout. The brass quintet writing is richly varied and creatively interwoven through the score, at times powerful and majestic,playful and jubilant, atmospheric and coloristic. Brass Quintet Instrumentation: Trumpets I and II, Horn in F, Trombone, Bass Trombone