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Sojourn 3

Sojourn 3

Commissioned by and dedicated to clarinetist Eugene Jones, was premiered by Mr. Jones on a concert of chamber music at East Tennessee University in Johnson City, Tennessee, on February 28, 2010. This solo is the third in a series of works by the composer titled “Sojourn” for solo instruments. The single-movement work utilizes a Silesian folk song from Schlesische Volkslieder (used in the hymn Fairest Lord Jesus) as its basis. The opening section features material in quasi-Stravinskian rhythm and meter alternating with material hinting strongly at the folk tune and its variants. Melodic material is gradually transformed to the area of D major as the fantasy-like treatment of thefolk tune begins. After a complete statement in D major, a free variation ensues, also in D major, but is interrupted just before its completion by material from the opening section. Melodic transformation back to the octatonic and hybrid pitch material follows and the piece ends with a showy ascending, then diving, flourish.

SEK 157.00
1

Sojourn 3 : A Clarinet Solo

Sojourn 3 : A Clarinet Solo

The B-flat clarinet version was commissioned by and dedicated to clarinetist Eugene Jones, was premiered by Mr. Jones on a concert of chamber music at East Tennessee University in Johnson City, Tennessee, on February 28, 2010. This solo is the third in a series of works by the composer titled “Sojourn” for solo instruments. The single-movement work utilizes a Silesian folk song from Schlesische Volkslieder (used in the hymn Fairest Lord Jesus) as its basis. The opening section features material in quasi-Stravinskian rhythm and meter alternating with material hinting strongly at the folk tune and its variants. Melodic material is gradually transformed to the area of D major asthe fantasy-like treatment of the folk tune begins. After a complete statement in D major, a free variation ensues, also in D major, but is interrupted just before its completion by material from the opening section. Melodic transformation back to the octatonic and hybrid pitch material follows and the piece ends with a showy ascending, then diving, flourish.

SEK 157.00
1

Vier ernste Gesänge : Four viceious Songs

Vier ernste Gesänge : Four viceious Songs

What does a chorus do after they perform the Alto Rhapsody? Answer: Four Serious Songs. This arrangement includes the original piano accompaniment by Brahms. Includes Brahms's original German text and a singable English translation by Paul England (alt). Duration: 18:20 Contents: 1. Denn es gehet dem Menschen (One thing befalleth the beasts) Ecclesiastes 3:19-22 2. Ich wandte mich und sahe (So I returned and did consider) Ecclesiastes 4:1-3 3. O Tod, wie bitter bist du (O death, how bitter art thou) Ecclesiastes 41 4. Wenn ich mit Menschen und mit Engelszungen redete (Though I speak with the tongues of men, and of the angels) I Corinthians 13:1-3, 12-13What does a chorus do after they perform the Alto Rhapsody? Answer: Four Serious Songs. This arrangement includes the original piano accompaniment by Brahms. Includes Brahms's original German text and a singable English translation by Paul England (alt). Duration: 18:20 Contents: 1. Denn es gehet dem Menschen (One thing befalleth the beasts) Ecclesiastes 3:19-22 2. Ich wandte mich und sahe (So I returned and did consider) Ecclesiastes 4:1-3 3. O Tod, wie bitter bist du (O death, how bitter art thou) Ecclesiastes 41 4. Wenn ich mit Menschen und mit Engelszungen redete (Though I speak with the tongues of men, and of the angels) I Corinthians 13:1-3, 12-13

SEK 92.00
1