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Spring Parade

Spring Parade

The first grand parade at Winter’s end, led by the trumpets...The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions for the most diverse instrumentations. He wrote Spring Parade for trumpet players at the level ofapproximately one year’s study and paid special attention to an easy-to-follow, attractive musical style. As a result, Spring Parade is an ideal performance or competition work for young musicians.

SEK 206.00
1

The African sound of Bert Kaempfert

The African sound of Bert Kaempfert

The composer, arranger and band leader Bert Kaempfert is considered a giant in the field of easy listening music. He wrote songs for world renowned stars such as Ella Fitzgerald, Peggy Lee, Shirley Bassey, Anita Kerr, Frank Sinatra and many others. He created his own unique sound with the Bert Kaempfert Orchestra and had huge international success. His affinity with ‘black music’ is significant and his fascination with South African sounds led to their incorporation into several of his compositions and arrangements. Roland Kernen has used the following well-known tunes in this medley: Zambesi, African Beat, Wimoweh, Happy Trumpeter and Skokiaan.

SEK 1574.00
1

The Patriots : Symphonic Fantasia for Brass Band

The Patriots : Symphonic Fantasia for Brass Band

The Dutch patriottentijd (literally ‘Time of the Patriots’) was a period of political instability in the 1780s. The country was led by regents who were occupied with their own personal interests rather than dedicating themselves to the needs of the people. In this revolutionary period, the devoted republican Patriots were in conflict with the Orangists. A civil war followed, in which the Patriots were beaten and driven away by a Prussian army. This composition is an abstract piece inspired by the Patriots. The thematic material is based on the Dutch war song ‘Merck toch hoe sterck’. Its powerful minor melody, which has its origins in the Eighty Years’ War, isrecognizable throughout the work, presented in variations of constantly shifting character. The Dutch patriottentijd (literally ‘Time of the Patriots’) was a period of political instability in the 1780s. The country was led by regents who were occupied with their own personal interests rather than dedicating themselves to the needs of the people. In this revolutionary period, the devoted republican Patriots were in conflict with the Orangists. A civil war followed, in which the Patriots were beaten and driven away by a Prussian army. This composition is an abstract piece inspired by the Patriots. The thematic material is based on the Dutch war song ‘Merck toch hoe sterck’. Its powerful minor melody, which has its origins in the Eighty Years’ War, is recognizablethroughout the work, presented in variations of constantly shifting character.

SEK 350.00
1

The Patriots : Symphonic Fantasia for Brass Band

The Patriots : Symphonic Fantasia for Brass Band

The Dutch patriottentijd (literally ‘Time of the Patriots’) was a period of political instability in the 1780s. The country was led by regents who were occupied with their own personal interests rather than dedicating themselves to the needs of the people. In this revolutionary period, the devoted republican Patriots were in conflict with the Orangists. A civil war followed, in which the Patriots were beaten and driven away by a Prussian army. This composition is an abstract piece inspired by the Patriots. The thematic material is based on the Dutch war song ‘Merck toch hoe sterck’. Its powerful minor melody, which has its origins in the Eighty Years’ War, isrecognizable throughout the work, presented in variations of constantly shifting character. The Dutch patriottentijd (literally ‘Time of the Patriots’) was a period of political instability in the 1780s. The country was led by regents who were occupied with their own personal interests rather than dedicating themselves to the needs of the people. In this revolutionary period, the devoted republican Patriots were in conflict with the Orangists. A civil war followed, in which the Patriots were beaten and driven away by a Prussian army. This composition is an abstract piece inspired by the Patriots. The thematic material is based on the Dutch war song ‘Merck toch hoe sterck’. Its powerful minor melody, which has its origins in the Eighty Years’ War, is recognizablethroughout the work, presented in variations of constantly shifting character.

SEK 1589.00
1

Marche au Supplice

Marche au Supplice

Hector Berlioz (1803-1869) once remarked: “My life is a novel that greatly interests me.” Experiences in his personal life had a great influence on his compositions. Symphonie Fantastique, written in 1830, is also autobiographical: he subtitled the work Episode in the Life of an Artist. The symphony echoes his feelings for an actress. The Marche au Supplice (march into torture) he described as: “The artist dreams he has killed his beloved, that he has been sentenced to death and is being led to the scaffold. The procession moves to the notes of a march that is now sombre and turbulent, now radiant and stately, and in which boisterous outbursts suddenly dissolve intothe heavy sound of marching feet.”

SEK 1772.00
1

Hungarian Rhapsody N° 2 : for Clarinet Choir

Hungarian Rhapsody N° 2 : for Clarinet Choir

Hungarian Rhapsody N° 2 is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set. Few other piano solos have achieved such widespread popularity, offering the pianist the opportunity to reveal exceptional skill as a virtuoso while providing an immediate and irresistible musical appeal for the listener.Both the original piano solo form and the orchestrated version of this composition have found widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.Composed in 1847 and dedicated to Count László Teleki, Hungarian Rhapsody N° 2 was first published as a pianosolo in 1851. Its immediate success and popularity on the concert stage soon led to an orchestrated version, arranged by the composer in collaboration with Franz Doppler. The Japanese composer Tohru Takahashi has made a splendid transcription of this great music for clarinet choir. A wonderful piece of music for an advanced ensemble!

SEK 757.00
1

Lacus Flevo : Van Zee en Wolde

Lacus Flevo : Van Zee en Wolde

Lacus Flevo refers to the former Lake Flevo, a large inland water of centuries ago, which was located roughly where the Dutch province of Flevoland now lies. It was one of many lakes that were created at the end of the last ice age, after the retreat of the glaciers. In the first part of this concert work, the unspoiled nature of this lake from earlier times is atmospherically depicted. Throughout history, there have been various interventions to reclaim the land for agriculture and habitation – the Zuiderzee Works are the best known and most fundamental example. This complex set of projects led to the creation of the province of Flevoland, where Lake Flevo was once situated. This transition is depicted in the second movement of the composition, by a powerful theme that leads to a grand finale. This composition was written for the fortieth anniversary of the village Zeewolde in Flevoland, as well as the music society AMVZ, also celebrating its fortieth jubilee.

SEK 286.00
1

Lacus Flevo : Van Zee en Wolde

Lacus Flevo : Van Zee en Wolde

Lacus Flevo refers to the former Lake Flevo, a large inland water of centuries ago, which was located roughly where the Dutch province of Flevoland now lies. It was one of many lakes that were created at the end of the last ice age, after the retreat of the glaciers. In the first part of this concert work, the unspoiled nature of this lake from earlier times is atmospherically depicted. Throughout history, there have been various interventions to reclaim the land for agriculture and habitation – the Zuiderzee Works are the best known and most fundamental example. This complex set of projects led to the creation of the province of Flevoland, where Lake Flevo was once situated. This transition is depicted in the second movement of the composition, by a powerful theme that leads to a grand finale. This composition was written for the fortieth anniversary of the village Zeewolde in Flevoland, as well as the music society AMVZ, also celebrating its fortieth jubilee. Download information for the website: Download the audio sample of the beginning DHP 1246525-020 audio sample_01

SEK 1326.00
1

1834 : Machera Impressions

1834 : Machera Impressions

The twofold title of this concert work is directly connected with the band who commissioned it. The ‘Harmonie Municipale Grevenmacher’ from the town of the same name, by the river Moselle in the Grand Duchy of Luxembourg was founded in the year1834. The name Machera is derived from the word machara, which in turn originated from maceries (old wall). Later, Machera evolved into Machern, Grafenmachern, and finally Grevenmacher.In 2009, this music society the third oldest still in existence in the country celebrated its 175th anniversary. And after all these years the society still flourishes! The dynamic committee, led by Georges May, fully supports and inspires themusical leader of the band, Claude Weiland, as well as his 60-strong ensemble. This well-functioning team took the initiative to ask Jan Van der Roost to write an anniversary composition, inspired, on the one hand, by the rural character ofGrevenmacher and its surroundings (where the famous Moselle wine growing dominates the countryside), and on the other hand, by the dynamics, creativity and joie de vivre the band exudes. All of this resulted in a twofold work with alternating peaceand excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages. The première, on 10 January 2010, was conducted by the composer himself at a successful gala concert which brought a fine year full of musicalfestivities to a close. The ‘Harmonie Municipale Grevenmacher’ faces the future with confidence, and will now prepare for its next milestone: the 200th anniversary!

SEK 2119.00
1

Two Famous Wedding Marches : For Variable Instrumentation

Two Famous Wedding Marches : For Variable Instrumentation

The controversial German composer, conductor and music theorist Richard Wagner (1813-1883) is mainly known for his dramatic operas. His music is particularly notable for its lavish harmonies and rich orchestrations. Wagner was of great importance in the history of opera: he realized the concept of the so-called Gesamtkunstwerk - an amalgamation of music, literature, theatre, dance, visual art and (theatre) architecture. His most famous operas include Der Fliegende Holländer, Die Meistersinger, Tannhaüser, Der Ring des Nibelungen and Tristan und Isolde. The wedding march issued in this edition is from the opera Lohengrin, which Wagner composed in 1848.Felix Mendelssohn-Bartholdy(1809-1847) was a versatile German composer of the early Romantic period. He was considered the child prodigy after Wolfgang Amadeus Mozart. Mendelssohn wrote theatre music, choral music, oratorios, piano works (including the well-known Songs Without Words), organ works, chamber music, symphonies, concertos and more. During extensive travels in Europe (from 1830 to 1832) he established his fame as a composer. His main professional commitments were in Leipzig, where he became the director of the Gewandhaus concerts in 1835, and where he founded a conservatory. He led a busy life, despite his weak health. At the young age of 38 Mendelssohn died of a stroke. The wedding march issued in this edition is from Ein Sommernachtstraum (A Midsummer Night’s Dream), the overture to which he had already written by the time he was seventeen, but which was only completed in 1842.

SEK 350.00
1

The Magic Book : for Brass Ensemble and Percussion

The Magic Book : for Brass Ensemble and Percussion

The Magic Book is taken from a tale by Danish author Tang Kristensen. It tells the story of Hans who has the power to transform himself into anything he likes thanks to a magical book. Hans transforms himself into a dog to allow his poor parents to earn some money by selling him to a duke. He also turns into a cow, which they sell to the king for the wedding of the princess, and then again into a horse to pay for the construction of a larger house. But this last transformation turns the tide against them; because the horse is sold with its bridle, it is tied up and, this time, Hans cannot escape. He manages to flee only due to his transformation into a dove and is caught by the princess. To her surprise the dove turns into a man, Hans. They fall in love and are married before becoming king and queen. From the original three-part composition, Thierry Deleruyelle made an instrumentation of two parts for brass ensemble and percussion. In the Castle, Hans’ arrival at the castle is a turning point in the story: the music becomes profound and intense. The percussion rhythm leads the ensemble in its build-up of a majestic melody. Royal Wedding, the happy ending of this tale, as in most tales, unites two characters in a lavish princely wedding. The music is festive and cheerful. One hears the fanfares announcing the couple and their majestic arrival, Hans on the arm of the princess. The tale ends in jubilation, in a modern style led by the percussion!

SEK 757.00
1

The Golden Age

The Golden Age

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewell, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

SEK 400.00
1

The Golden Age

The Golden Age

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewell, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

SEK 400.00
1

The Golden Age

The Golden Age

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewell, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

SEK 1852.00
1

The Golden Age

The Golden Age

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewell, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

SEK 1852.00
1