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Circus Allegro : A Circus Musical for all kids under 100

Circus Allegro : A Circus Musical for all kids under 100

Following the great success of this musical in German, it is now also available in English. Everything seems to be going wrong at "Circus Allegro". Bruno the Bear refuses to appear on stage, his assistant, Bella Stella, has disappeared, and finally, even the tiger escapes! Circus director Ricardo Grande has to improvise constantly. Luckily, his new assistant, clumsy August the Clown, always has a brilliant idea just at the right time. Despite all mishaps, the audience gets to experience a splendid circus evening. And in the middle of all the excitement, the tiger and Bella suddenly reappear. The audience is swept off its feet. Wherever the world-famous "Circus Allegro"appears, audiences shed tears of joy and are enchanted visually, acoustically and emotionally. The individual numbers of this children's musical are composed in different styles and the songs can be performed either with an orchestra or just with a piano.

SEK 145.00
1

Sergei Rachmaninoff: All-Night Vigil op. 37

Sergei Rachmaninoff: All-Night Vigil op. 37

Sergei Rachmaninoff's All-Night Vigil op. 37 (also known as the Vespers) is his last contribution to Russian Orthodox church music. The liturgical model for this piece is a worship service which is held on the evening preceding high feast days and consists of a sequence of prayers, readings and chants. Composed in 1915, in this work for a cappella choir Rachmaninoff succeeded in adapting ideas of late Romanticism to the monophonic liturgical chants of the Russian Orthodox Church. Since then, with its warm resplendant sound this work is regarded as a showpiece for large choirs. The emotional depth of this work is brought to the fore most impressively in the outstanding recordingby the West German Radio Choir (WDR), under the direction of Nicolas Fink.

SEK 249.00
1

Louis Vierne: Pièces de fantaisie op. 51 + 54

Louis Vierne: Pièces de fantaisie op. 51 + 54

Carus has continued the recording of the complete Works of Louis Vierne in the Frauenkirche Dresden with the first part of the 24 Pièces de fantaisie. Kay Johannsen performs the Suites op. 51 and 54 [1926 27] on the Kern organ in the Frauenkirche. The final movement of the Troisième suite op. 54, “Carillon de Westminster,” is by far the most well-known piece of this collection, and next to the finale of the 1ère Symphonie is surely the most famous of all Vierne’s compositions. Kay Johannsen makes full use of all the sonoral possibilities of the French Kern Organ and skillfully combines his sensitive interpretation with the extraordinary acoustic of the Frauenkirche. This SACDoffers all music lovers unlimited aural delights.

SEK 249.00
1

Bach: h-Moll-Messe [Bernius]

Bach: h-Moll-Messe [Bernius]

Bach's B minor Mass is among the greatest and most ambitious works of all time. The various stages of composition of the Mass occupied the composer for over two decades: beginning with the Sanctus [1724], by way of the "Missa" of 1733, to the remaining movements of the Ordinary, which were composed during his last years. Thus the Mass, in its wealth of forms with arias, duets, as well as concertante and fugal choruses, displays the essence of Bach’s skill and personal style. The "greatest musical work of art of all times and all peoples" [to quote the enthusiastic Hans Georg Nägeli, who first edited the Mass in 1818] and one of the most demanding choral works in the repertoire ispresented by Frieder Bernius, the Kammerchor Stuttgart and the Barockorchester Stuttgart in a stellar recording based on the principles of historical performance practice [Carus 83.211].

SEK 355.00
1

Bach: Mass in B minor (2 CD)

Bach: Mass in B minor (2 CD)

Bach's B minor Mass is among the greatest and most ambitious works of all time. The various stages of composition of the Mass occupied the composer for over two decades: beginning with the Sanctus (1724), by way of the Missa of 1733, to the remaining movements of the Ordinary, which were composed during his last years. Thus the Mass, in its wealth of forms with arias, duets, as well as concertante and fugal choruses, displays the essence of Bach’s skill and personal style. The greatest musical work of art of all times and all peoples (to quote the enthusiastic Hans Georg Nägeli, who first edited the Mass in 1818) and one of the most demanding choral works in the repertoire ispresented by Frieder Bernius, the Kammerchor Stuttgart and the Barockorchester Stuttgart in a stellar recording based on the principles of historical performance practice (Carus 83.211).

SEK 302.00
1