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Volver a La Montana : from Islas y Montanas

Volver a La Montana : from Islas y Montanas

Volver A La Montana (Return to the Mountain) is based on several folk tunes of the Quechua (Inca) people of Ecuador, Peru, and Bolivia. Near the end of the movement, the folk song Sepracion (Separation) is quoted briefly. The words are My mother told me no to cry, though I'm leaving the mountains forever. Over the past century, many of the Quechua people have had to leave their villages forever because of the economic difficulty of trying to maintain their traditional mountain lifestyle. The movement opens with a stately processional, followed by a fast dance that uses the characteristic Latin American alternation or simultaneous appearance of two- and three-beat patterns. Inthe return to the processional theme near the end of the movement, muted trumpets echo the flutes, as sound would echo in the mountains.

SEK 1285.00
1

Volver a la Montana : from Islas y Montanas

Volver a la Montana : from Islas y Montanas

Volver A La Montana (Return to the Mountain) is based on several folk tunes of the Quechua (Inca) people of Ecuador, Peru, and Bolivia. Near the end of the movement, the folk song Sepracion (Separation) is quoted briefly. The words are My mother told me no to cry, though I'm leaving the mountains forever. Over the past century, many of the Quechua people have had to leave their villages forever because of the economic difficulty of trying to maintain their traditional mountain lifestyle. The movement opens with a stately processional, followed by a fast dance that uses the characteristic Latin American alternation or simultaneous appearance of two- and three-beat patterns. Inthe return to the processional theme near the end of the movement, muted trumpets echo the flutes, as sound would echo in the mountains.

SEK 145.00
1

Brooklyn Bridge

Brooklyn Bridge

Michael Daugherty about Brooklyn Bridge:Designed by John Roebling (1806-1869), the BrooklynBridge endures as the most admired and best-loved bridge in New York City. After the opening of the bridge to the public in 1883, Harper's Monthly reported, The wise man will not cross the bridge in five minutes, nor in twenty. He will linger to get the good of the splendid view about him. As I have lingered and walked across the BrooklynBridge over the years, the stunning vistas of the New York skyline have inspired me to compose a panoramic clarinet concerto.Like the four cables of webs of wire and steel that hold the BrooklynBridge together, my ode to this cultural icon is divided intofour movements. Each movement of the clarinet concerto is a musical view from the BrooklynBridge:I. East: Brooklyn and BrooklynHeightsII. South: Statue of LibertyIII. West: Wall Street and the lower Manhattan skyline which once was dominated by the WorldTradeTowersIV. North: EmpireStateBuilding, ChryslerBuilding, and RockefellerCenterIn the final movement of the concerto, I also imagine Artie Shaw, the great jazz swing clarinettist of the 1940s, performing with his orchestra in the once glorious Rainbow Room on the sixty-fifth floor of the RockefellerCenter.

SEK 479.00
1

Brooklyn Bridge

Brooklyn Bridge

Michael Daugherty about Brooklyn Bridge:Designed by John Roebling (1806-1869), the BrooklynBridge endures as the most admired and best-loved bridge in New York City. After the opening of the bridge to the public in 1883, Harper's Monthly reported, The wise man will not cross the bridge in five minutes, nor in twenty. He will linger to get the good of the splendid view about him. As I have lingered and walked across the BrooklynBridge over the years, the stunning vistas of the New York skyline have inspired me to compose a panoramic clarinet concerto.Like the four cables of webs of wire and steel that hold the BrooklynBridge together, my ode to this cultural icon is divided intofour movements. Each movement of the clarinet concerto is a musical view from the BrooklynBridge:I. East: Brooklyn and BrooklynHeightsII. South: Statue of LibertyIII. West: Wall Street and the lower Manhattan skyline which once was dominated by the WorldTradeTowersIV. North: EmpireStateBuilding, ChryslerBuilding, and RockefellerCenterIn the final movement of the concerto, I also imagine Artie Shaw, the great jazz swing clarinettist of the 1940s, performing with his orchestra in the once glorious Rainbow Room on the sixty-fifth floor of the RockefellerCenter.

SEK 387.00
1