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The Wilderness/Die Wildnis : for the Beginner on Orchestral Percussion (audio/video online)

The Wilderness/Die Wildnis : for the Beginner on Orchestral Percussion (audio/video online)

This album for children (and teenagers) is intended for beginners encountering the diverse range of orchestral percussion instruments for the first time. Short compositions have been included only for those orchestral instruments that are most likely to be found in a music school (e.g. triangle, light cymbal). The large orchestral drum can easily be replaced by the large drum of a drum kit or a large tom-tom. The pieces have titles that motivate the students (e.g. "The Snake" or "The Elephant") and a choice of tempos enables them to adjust the pieces according to their ability.As an experienced and respected teacher, Tomáš Chmura uses the "play-along" method of teaching:recordings make it easier for beginner drummers to read the notation, get a sense of the composition as a whole and facilitate practising.Mp3 recordings of all the pieces are available on our website in two versions - for piano with percussion instrument or piano solo. The latter recording can also be used in concert performances, should a pianist not be available.

SEK 143.00
1

Italian Concerto BWV 971 With Fingering

Italian Concerto BWV 971 With Fingering

With fingerings by Renate Kretschmar-Fischer. The popular work known today as the Italian Concerto was published as Part 2 of Johann Sebastian Bach’s Clavier-Übung in 1735, togetherwith the Overture in B minor (BWV 831). Publications of music were a rarity in those days, and it stands to reason that Bach would select only pieces he found superior and representative. Originally written for atwo-manual Harpsichord, this music, with its terrace dynamics alternating between Piano and Forte, also reveals its full beauty when played on a modern piano, with the soloist vying with an imaginary orchestral tutti.Thisedition presents the Urtext of the »New Bach Edition« at the cutting edge of Bach scholarship. The fingerings have been added by Renate Kretschmar-Fischer, an internationally renowned pianist andteacher, offering valuable suggestions for study and lessons. Rounding off this volume is an informative introduction discussing the work’s genesis, source tradition as well as fingering on the modern Piano. Urtextedition without fingering available as BA5194.

SEK 154.00
1

Harold En Italie Hol. 68 For Viola & Piano : Symphony in four parts with solo viola

Harold En Italie Hol. 68 For Viola & Piano : Symphony in four parts with solo viola

The first modern piano reduction of Berlioz’ central work for orchestra and viola Designed with additional music from the orchestral tutti for the solo viola for performances with pianoBerlioz’ masterpiece based on the scholarly critical New Berlioz Edition “At last university and conservatory students have a workable, realistic solution that more readily adds a beloved piece to theperforming repertoire. Bravo!”(American String Teacher)

SEK 387.00
1

Medea [Linen Score + USB] : A Melodrama Interspersed With Music

Medea [Linen Score + USB] : A Melodrama Interspersed With Music

Georg Anton Benda‘s melodrama „Medea“ (1775) was one of the most successful German musical theatre works of the late 18th century. With a libretto by Friedrich Wilhelm Gotter, the work soon became a great influence within the melodrama genre. For several decades, it was performed all over central Europe, developing an impressive reception history. Between 1775 and about 1790, the melodrama was considered an extremely popular (albeit controversial) part of musical theatre, in particular in German-speaking regions. Consequently, Benda’s „Medea“ was at the center of many heated debates.

SEK 2806.00
1

Faust : Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version)

Faust : Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version)

Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The earlyversions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in aseparate edition BA 8713 in 2016.)Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching andduring the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire sourcematerial now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions inwhose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that isrooted in the tradition of the opéra comique.Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin andMarguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”,and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed.Only in details of orchestration do other numbers differ from the well-known pieces.

SEK 15141.00
1

The Aria Book Tenor : Volume with detailed booklet in English

The Aria Book Tenor : Volume with detailed booklet in English

About The Aria Book - TenorBy Johann Sebastian Bach (1685-1750), edited by Charlotte Lehmann. Collection (with pull-out supplement) for tenor voice and piano accompaniment. Urtext of the New Bach Edition. Text languageGerman/English. 76 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5213-04) ISBN M006503841. With vocal melody, lyrics, piano accompaniment, performance notes, suggestions for practice and introductory text.Baroque. 9x12 inches. Contents:Unser Mund Und Ton Der Saiten BWV 1, No. 5, F Major, from 'Unser Mund Und Ton Der Saiten'.Was Willst Du Dich, Mein Geist, Entsetzen BWV 8, No. 2, C# Minor, from 'Liebster Gott, Wenn WerdIchSterben'.Was Ist Der Schnode Mensch - Bleibt, Ihr Engel, Bleib Bei Mir BWV 19, No. 4,5, E Minor, from 'Es Erhub Sich Ein Streit'.Kein Ungluck Ist In Aller Welt - Ewigkeit, Du Machst Mir Bange BWV 20, No. 2,3, C Minor, from 'OEwigkeit, Du Donnerwort'.Bache Von Gesalznen Zahren BWV 21, No. 5, C Minor, from 'Ich Hatte Viel Bekummernis'.So Schnell Ein Rauschend Wasser Schiesst BWV 26, No. 2, C Major, from 'Ach Wie Fluchtig, Ach Wie Nichtig'.Ich WillLeiden, Ich Will Schweigen BWV 87, No. 6, Bb Major, from 'Bisher Habt Ihr Nichts Gebeten In Meinem Namen'.Erholet Euch, Betrubte Sinnen BWV 103, No. 5, D Major, from 'Ihr Werdet Weinen Und Heulen'.Ihr Menschen, Ruhmet Gottes LiebeBWV 167, No. 1, G Major, from 'Ihr Menschen, Ruhmet Gottes Liebe'.Auf Meinen Flugeln Sollst Du Schweben BWV 213, No. 7, E Minor, from 'Lasst Uns Sorgen, Lasst Uns Wachen'.

SEK 287.00
1

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Debussy’s Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussyorchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention amongclarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source thatshedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary(Eng)

SEK 90.00
1

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Debussy’s Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussyorchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention amongclarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source thatshedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary(Eng)

SEK 90.00
1

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Debussy’s Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussyorchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention amongclarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source thatshedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary(Eng)

SEK 90.00
1

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Debussy’s Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussyorchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention amongclarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source thatshedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary(Eng)

SEK 90.00
1

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Debussy’s Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussyorchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention amongclarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source thatshedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary(Eng)

SEK 1003.00
1

L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

Drawing on the definitive scholarly-critical edition by Hendrik Schulze et al., the renowned conductor, harpsichordist and organist Jörg Halubek has joined forces with students from the State University of Music and Performing Arts Stuttgart to present a historically informed piano reduction of Claudio Monteverdi’s exciting final opera, “L’incoronazione di Poppea”.The vocal score contains all the appendices found in the full score and includes an uncluttered piano reduction that lies well on the instrument. Rounding off the edition is a detailed musicological Foreword (Ger/Eng) by Emily Hagen providing information on the work’s genesis, the history of its performance andreception. In addition there is a Foreword on performance practice by early music specialist Jörg Halubek.

SEK 525.00
1

Les Indes Galantes RCT 44 : Ballet Heroïque With A Prologue and Four Acts

Les Indes Galantes RCT 44 : Ballet Heroïque With A Prologue and Four Acts

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 complements.Sylvie Bouissou’s new edition differs markedly from previous modern editions and all existing recordings. With its complements she does justice to the performer’s need for Rameau’s various revisions while finally making accessible a version actually authorised byRameau. For the first time it is presented in its complete stylistic and dramatic context.

SEK 5733.00
1

Idomeneo K.366 with Ballet K.367 : Facsimile of Mozarts autograph score

Idomeneo K.366 with Ballet K.367 : Facsimile of Mozarts autograph score

The Packard Humanities Institute, Los Altos, Ca, in association with the International Mozarteum Foundation, Salzburg, present a facsimilie edition of the autograph scores of the seven great Mozart operas.Mozart's sevengreat operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression.Now Mozart scholars, libraries and lover's of Mozart's stage workshave the oppertunity to acquire these priceless manuscripts in flawless reproductions.All volumes include essays on the history of the work and introduction by leading Mozart scholars in EnglishandGermanConsolidation of Mozart manuscripts held in different placesHighest level of precision in reproduction and authenticity of colour through use of the latest technology'I regard it as a true privilege to be able to read and study Mozart's scores in his manuscript hand... The commanding clarity and the characteristic appearance of Mozart's handwriting are unique'    - Kent Nagano (Conductor)

SEK 2933.00
1