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Messe Solennelle - Sainte Cécile : Ste Cécile

Messe Solennelle - Sainte Cécile : Ste Cécile

Sacred works occupy a large part of Charles Gounod’s oeuvre. It was the Messe solennelle en l’honneur de Sainte Cécile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera. This Urtext edition is based not only on the original print of 1856 but also on copyists’ manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod’s birth.

SEK 255.00
1

Jazz-Klavieretueden 2

Jazz-Klavieretueden 2

The scope of the genres and styles in Jazz Piano Studies 2 is broader compared to that of Jazz Piano Studies 1 (H5020), since it also covers the various off shoots of contemporary popular music related onlymarginally to jazz.The selection of twenty studies is aimed at amateur Piano players who are interested in jazz and popular music, and serves, in particular, for the improvement of technique and style. The studies alsoequip pianists with the necessary grounding for their own improvisation, although they can also be used by professional Piano players.

SEK 207.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 141.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 141.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 141.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 749.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 196.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 141.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 143.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 143.00
1

Der 42. Psalm - Wie der Hirsch schreit op. 42

Der 42. Psalm - Wie der Hirsch schreit op. 42

Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a Piano reduction by the composer.The setting of Psalm No.42 Op.42 Wie der Hirsch schreit nach frischem Wasser(As the hart pants after the waterbrooks) for Soloists, mixed Choir and full Orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared bythe composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The Piano reduction is by Mendelssohn and isanauthentic part of this edition.

SEK 186.00
1

Jeux d'eau for Piano

Jeux d'eau for Piano

It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword,atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud.

SEK 170.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 213.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 112.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 112.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 112.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 823.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 112.00
1

L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

Drawing on the definitive scholarly-critical edition by Hendrik Schulze et al., the renowned conductor, harpsichordist and organist Jörg Halubek has joined forces with students from the State University of Music and Performing Arts Stuttgart to present a historically informed piano reduction of Claudio Monteverdi’s exciting final opera, “L’incoronazione di Poppea”.The vocal score contains all the appendices found in the full score and includes an uncluttered piano reduction that lies well on the instrument. Rounding off the edition is a detailed musicological Foreword (Ger/Eng) by Emily Hagen providing information on the work’s genesis, the history of its performance andreception. In addition there is a Foreword on performance practice by early music specialist Jörg Halubek.

SEK 525.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 112.00
1

Mass in F major - Missa Romana

Mass in F major - Missa Romana

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra. The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime. This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs. Rounding off the edition are an informative Foreword(Eng/Ger) and a Critical Commentary (Eng).

SEK 192.00
1

Mass in F major - Missa Romana

Mass in F major - Missa Romana

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra. The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime. This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs. Rounding off the edition are an informative Foreword(Eng/Ger) and a Critical Commentary (Eng).

SEK 419.00
1

Messe Solennelle - Ste Cécile : Ste Cécile

Messe Solennelle - Ste Cécile : Ste Cécile

Messe solennelle (Ste Cécile) for Soloists (STB), Choir (SATB), Orchestra and Organ Sacred works occupy a large part of Charles Gounod’s oeuvre. It was the Messe solennelle en l’honneur de SainteCécile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera. This Urtext edition is based not only on the original print of1856 but also on copyists’ manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being publishedtocelebrate the 200th anniversary of Gounod’s birth. - Gounod’s well-known mass in a new Urtext edition - Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) - Idiomatic piano reduction- Full score and parts (BA8966) and vocal score (BA8966-90) available for sale

SEK 136.00
1

Messe Solennelle - Ste Cécile : Ste Cécile

Messe Solennelle - Ste Cécile : Ste Cécile

Messe solennelle (Ste Cécile) for Soloists (STB), Choir (SATB), Orchestra and Organ Sacred works occupy a large part of Charles Gounod’s oeuvre. It was the Messe solennelle en l’honneur de SainteCécile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera. This Urtext edition is based not only on the original print of1856 but also on copyists’ manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being publishedtocelebrate the 200th anniversary of Gounod’s birth. - Gounod’s well-known mass in a new Urtext edition - Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) - Idiomatic piano reduction- Full score and parts (BA8966) and vocal score (BA8966-90) available for sale

SEK 139.00
1