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Traditional: Le Semeur (Bretagne) (Choral-Mixed a cappella)

No.2 from 'Répertoire folklorique' (MzTB chorus)

SEK 67.00

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Traditional: Air écossais (Horn Ensemble (5 or more))

for 5 horns

SEK 206.00

1

Traditional: C'est un petit Pauvre (Provence) (Choral-Female a cappella)

No.33 from 'Répertoire folklorique' (2-part chorus (equal voices))

SEK 60.00

1

Traditional: Le Jour de la Noël (Auvergne) (Choral-Mixed a cappella)

No.12 from 'Répertoire folklorique' (MzTB chorus)

SEK 67.00

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Rosemary Lane

"Rosemary Lane is an arrangement of the traditional folk song which tells the story of a domestic worker being seduced by a sailor. I took the liberty of freely re-harmonising the melody to bring out the bittersweet qualities of this heartbreaking and yet so familiar story." (Josephine Stephenson)

SEK 147.00

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Jacky Bourbasquet, Claude Gastaldin, Lionel Melot: Drum Session 14

With few study books for Drums in existence, Drum Session 14 contributes to a series of prolific studies for the instrument, filling a vital gap. Accompanied by a CD, this progressive book effectively focuses on all musical studies, accessible to any musician. Compiled by Jacky Bourbasquet and Claude Gastaldin , two prominent drummers of our day, and with music specially composed by renowned pianist Lionel Melot , the book contains 35 pages of music in various styles which will enable the pupil to progress in their instrumental study. Drums Session 14 is an indispensable complement to traditional teaching of the instrument.

SEK 121.00

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Jacky & Claude Bourbasquet J.& Gastaldin: Drums Movie Session (Percussion solo)

With few study books for Drums in existence, Drums Movie Session contributes to a series of prolific studies for the instrument, filling a vital gap. Accompanied by a CD, this progressive book effectively focuses on all styles of cinematic music, from Western to suspense. Compiled by Jacky Bourbasquet and Claude Gastaldin , two prominent drummers of our day, and with music specially composed by renowned pianist Lionel Melot , the book contains 33 pages of film music in various styles which will enable the pupil to progress in their instrumental study. Drums Movie Session is an indispensable complement to traditional teaching of the Drum Kit.

SEK 484.00

1

Olivier Messiaen: Le Banquet Celeste

The Organ works of Olivier Messiaen form a significant part of his output, providing a hugely versatile tool for the composer's experiments into the extension and abandonment of traditional diatonic harmony that would make him one of the most influential French composers of the 20th century. This piece, from the earlier years of Messiaen's career, displays a tonal structure reminiscent of Mahler, but pushes its boundaries beyond these confines in a way that, along with Schoenberg, would eventually inspire Pierre Boulez and the post-war avant garde . The slow pace and rich, warm texture of Messiaen's Le Banquet Celeste creates an atmospheric and stirring musical experience.

SEK 177.00

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Wolfgang Amadeus Mozart: Serenade in C minor, transcribed for Wind Quintet by David Walter

Wolfgang Amadeus Mozart 's (1756-1791) Serenade in C minor was written by the composer in 1782-83. The work remains widely performed by Wind Octets, making it one of the most significant, substantial works in the wind ensemble repertoire. David Walter 's transcription of Serenade in C minor, also known as Serenade No. 12, is for Wind Quintet, making the popular work even more accessible and versatile. Serenade in C minor comprises four movements; 1) Allegro, 2) Andante, 3) Menuet and Trio, and 4) Allegro. This edition of Mozart 's Serenade in C minor for Wind Quintet is essential to all ensembles looking for exciting, yet traditional repertoire.

SEK 558.00

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Roger Boutry: Trumpeldor (Trumpet & Piano)

Parisian born composer, Roger Boutry (b. 1932) proves with his Trumpeldor for Trumpet and Piano, his ability as a virtuoso musician. Boutry won many prizes during his time at the Paris Conservatoire, as well as for his professional work. He has over 100 published works in which he successfully unites diverse modern and traditional trends. He was named Personality of the Year in 1989 for all of his artistic activities. Trumpeldor is highly rhythmic and syncopated, exploiting tonality and Trumpet technique to their full potential. The entire work is riveting for performers and audiences alike. Boutry 's Trumpeldor for Trumpet and Piano accompaniment is an essential, varied addition to the advanced saxophonist's repertoire.

SEK 325.00

1

Emmanuel & Guy Boursault E.& Lefèvre G.: Déchiffrage Vol.1: Easy to medium Difficulty (Percussion solo)

Déchiffrages Pour Batterie - Vol. 1 is the first volume of a series of two focusing on the reading of rhythms for Drums. Written by Emmanuel Boursault and Guy Lefevre , this book should be used as a complementary work to the traditional Drum methods. This method introduces the players to repetitions, coda, D.C. Fill, different measures (3/8, 5/8, 5/4) and improvisation among others aspects of the rhythms. Déchiffrages Pour Batterie - Vol. 1 also uses a manuscript font in order for the student to become familiar with the kind of sheet music they could face in their everyday work. Emmanuel Boursault and Guy Lefevre were both Conservatoire professors, who contributed to the creation of the Emmanuel Boursault school of Drums.

SEK 286.00

1

Makoto Shinohara: Kassouga (Flute & Piano)

Composed by Makoto Shinohara , Kassouga is a piece for advanced Flute players, accompanied by a Piano. This work lasts 6 minutes and is dedicated to Hirohiko Kato. Very difficult, the first section of the piece slowly but expressively and includes a Cadenza by the Flute solo. The second part is then introduced, fast, energetic and rhythmic, before another Cadenza by the Solo Flute, leading to the end of the work finishing really harmoniously. It is a melodious work that is relatively challenging and could be played in recitals or for contests. Makoto Shinohara is a Japanese composer from Osaka. He studied in France with Olivier Messiaen and Tony Aubin and in Germany with Bernd Alois Zimmermann and Gottfried Koenig. He wrote some Orchestral pieces, some chamber music some electronic music and some works for traditional Japanese instruments.

SEK 206.00

1

Joseph Hector Fiocco: Pièces de Clavecin (LP78) (Harpsichord solo)

Harpsichord Pieces, LP. 78 is a set of works for Harpsichord, written by Joseph Hector Fiocco and edited by Diana Petech . This edition includes a really complete preface, with comments and advice to work through this book and explanations of all the symbols that can be found in it. It features 24 pieces divided in two suites, with the second suite set in a more traditional layout than the first one. The name of each piece is also not especially appropriate regarding their style. First suite: - L’anglaise - L’harmonieuse - La plaintive - La villageoise - Les promenades - L’inconfiante - L’italienne - La française - L’adagio - L’alegro - L’andante - La vivace Second suite: - L’alemande - La legère - La guigue - La farabande - L’inquiette - La gavotte - Les menuets - Les sautèrelles - L’agitée - Les zéphirs - La musette - La fringuante Joseph Hector Fiocco (1703-1741) is a Belgian harpsichordist who had Italian origins.He was Deputy Choir Master at the court and resigned to become Choir Master in another French city. He composed numerous religious music works.

SEK 286.00

1

Henri Tomasi: 3 Pastorales (Flutes 3)

French composer and conductor, Henri Tomasi (1901-1971) published Trois Pastorales for Flute Trio in 1964. As with his other wind compositions, Trois Pastorales was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learned during the summers with his Grandmother in to his compositions. The Trois Pastorales are named; 1) Bolivian, 2) Cretan, and 3) Sicilienne. This Tomasi piece is suitable to an advanced Flute Trio, providing an exciting alternative addition to the ensemble repertoire.

SEK 266.00

1

Henri Tomasi: Concerto (Bassoon & Piano)

French composer and conductor, Henri Tomasi (1901-1971) published Concerto for Bassoon in 1957. As with his other wind compositions, Concerto for Bassoon was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating into his compositions themes of the songs he had learnt during the summers with his Grandmother. The Concerto for Bassoon is in three movements; 1) Andante and Allegro, 2) Serenade Nocturne, and 3) Final-Saltarelle. This Tomasi piece is suitable to advanced bassoonists, providing an exciting, alternative addition to the instrument's repertoire.

SEK 424.00

1

Henri Tomasi: Chant Corse (Alto Sax & Piano)

French composer and conductor, Henri Tomasi (1901-1971) published his Corsican Song for Alto Saxophone and Piano in 1932. As with his other wind compositions, Chant Corse was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions, as is the case with Chant Corse. This Tomasi work is unusual in composition through its exploitation of tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced saxophonists, provides an exciting, alternative addition to the repertoire.

SEK 186.00

1

François Rabbath: Trombes D’eau For Double Bass

The international fame of bass player François Rabbath acknowledges both the untiring teacher, author of a Nouvelle technique de la contrebasse , which a whole generation of students, desirous of freeing themselves from the fetters of traditional teaching has taken up and the inspired soloist unsparing of himself in concert. For several years now, he has become accustomed to spending a few days in the summer in Kansas City (Missouri) to give master classes and a concert there, in the framework of the ‘KC BassFest’. In July 2016, a moving surprise awaited him: on the stage of the American Jazz Museum a full-length portrait was unveiled, painted by local artist Ruthie Ingram from photos taken during his recital the previous year. By way of thanks, Rabbath dedicated Trombes d’eau to her, a solo piece lasting approximately six minutes, composed at the instigation of the International Society of Bassists for the 2017 edition of the International Double Bass Competition. Conceived as a series of short variations on an impassioned theme, the work emphasises evocative glissandi and explores double stopping and artificial harmonics without ever sacrificing the essential: the pleasure of musical expression.

SEK 246.00

1

Sophie Dufeutrelle: Marine

**Please note: this title is not available to trade customers in France or the USA.** For Sophie Dufeutrelle , Professor of Flute at the Ecole Nationale de Musique de Villeurbanne, an intense pedagogical activity goes hand in hand with composition, an area in which she has received several commissions from esteemed soloists such as Maxence Larrieu and Philippe Bernold. Written in 2002 for a Flute Orchestra of around 20 instruments (from the Piccolo to the Octobass), Marine belongs to a tradition cherished by painters since the 16th century: the maritime landscape. The 1st movement (Mist) opens onto a lengthy section largely dedicated to improvisation in the spirit of Walter Thompson’s soundpainting: using finger movements, the conductor signs to the musicians the type of motif (calm sea, swell, whistling buoys, seagulls and fishing boats) that will insert itself ad libitum between two lines of waves. The 2nd movement, more traditional, floats a Song of heartbreaking melancholy followed by a light, lively Dance that swirls the heart into joyful eddies. Written for intermediate-level flautists (with one part reserved for beginners), this piece, with its variety of atmospheres, concludes on a high note – in the joy of making music together!

SEK 350.00

1

Eric Ledeuil: Fête à Camelot, For Flute And Piano (Or Harp)

Teacher, soloist, chamber musician, conductor and composer – Flautist Eric Ledeuil , a student of Patrick Gallois and Benoît Fromanger, wears many hats. This diversity continually enriches his educational work, as can be seen by the success of his flute method La flûte imaginative, published by Leduc in two volumes (AL 30 365 and 30 367). Fête à Camelot , a piece for Flute and Piano (or Harp) for fourth-year students, reconnects with the Knights of the Round Table, an imaginary world that has long been a source of musical inspiration for Ledeuil : the key figures of the legend appear in his Les Méandres de Viviane (AL 30 495, Beginner) and Les Mystères de Brocéliande (AL 29 589, Intermediate). This work is set in King Arthur’s fortress: the great halls ring out with the sounds of joyful festivities, interspersed with echoes of Viviane’s song. A Knight’s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay, but she gives way to the Lady of the Lake – Viviane – whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel , a traditional Breton dance that whips the troubadours’ enchanted instruments into a frenzy.

SEK 196.00

1

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