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Jules Massenet: Air de 'Manon' No.6: Adieux de Manon (sop) (Voice & Piano)

'Adieu, notre petite Table'

Sept exercices journaliers pour flûte op. 5 : Introduction et table des articulations de | Introduction and table of articulations by Bruno Jouard

Félix le Couppey: Le Recueil des Enfants, 14 Pièces faciles et progressives (Piano Duet)

1.Au Clair de la Lune; 2.Il pleut Bergère; 3.Berceuse; 4.Valse; 5.Mélodie; 6.Refrain; 7.Carillon; 8.Rêverie; 9.Chanson de Table; 10.Caprice; 11.Bluette; 12.Muse écossaise; 13.A l'Eglise; 14.Pastorale enfantine

Domenico Giuseppe Scarlatti: Sonatas Vol.11: K507-K555 (LP41) (Piano)

The 11th volume in the vast collection of Scarlatti's sonatas for Keyboard instrument. This Edition follows the numbering System of the Sonatas in Kirkpatrick's Catalogue and contains sonatas K.507-555. Edited by Kenneth Gilbert, this edition also includes a detailed forword and a Table of Concordance with Longo's Numbering, which can be found at the end of the Volume.

F. Capelle: 20 Grandes Etudes Vol.1 (Clarinet solo)

Composed by Ferdinand Capelle , this  Vingt Grandes Études  for Clarinet were written after Sivori, A, Charpentier, Rode, Fiorillo and M. Vieux. Quite difficult, they would help advanced players to master their technique and abilities and to build on the knowledge they already acquired. Each study lasts between one and two pages and they all have the approximate same level of difficulty. The book features an index table with a reference to Sivori, A, Charpentier, Rode, Fiorillo and M. Vieux to use as a guide.

Jacques Delécluse: 200 Exercices journaliers pour Xylophone Vol.1 (Percussion solo)

Deux-Cents Exercices Journaliers - Vol. 1  is the first volume of a set of books for Xylophone players by Jacques Delécluse. This first book uses a rhythm table to help the upper beginners to organise themselves while studying the book. It is a must-have method for those want to master the technique of the Xylophone. The author, Jacques Delécluse , is a soloist at the Paris Orchestra and a professor at the Conservatoire National de Musique de Paris. He has conceived keyboard-percussion instruments that hold his name, and is also the author of a series of seven books “À La Manière De” for Drums and Piano.

Carlos Léon Salzédo: Variations sur un Thème dans le Style ancien, 3 Pièces (Harp solo)

Variations Sur Un Thème Dans Le Style Ancien  by Carlos Salzedo is the third and final work of a series called “Three pieces” for solo pedal Harp. Difficult to play, it is rated 8° and requires good mastering of the instrument and of its technique, including the pedals. Using the full range of the instrument, this work features numerous trills, glissandos and accidentals among other technicalities and is divided between really fast and more quiet parts. Really delightful, this melodious piece is composed of a main theme and eleven variations:  Main Theme (Maestoso) is composed of chords I. A tempo, Graziamente II. Tempo di Bourrée III. Scherzando IV. L’Istesso tempo V. Maestoso VI. Vigorosamente VII. Molto piú lento VIII. Vivo risoluto IX. Lento, tempo di Barcaruola X. Como un preludio XI. Fuga Finishing on the main theme a Tempo, this wonderful work is an amazing piece to include in a concert or a recital. Carlos Salzedo (1885-1961) was a French harpist and composer who wrote and transcribed numerous pieces for the Harp. He also wrote some pedagogical publications for harpists.

Eric Ledeuil: Fête à Camelot, For Flute And Piano (Or Harp)

Teacher, soloist, chamber musician, conductor and composer – Flautist Eric Ledeuil , a student of Patrick Gallois and Benoît Fromanger, wears many hats. This diversity continually enriches his educational work, as can be seen by the success of his flute method La flûte imaginative, published by Leduc in two volumes (AL 30 365 and 30 367). Fête à Camelot , a piece for Flute and Piano (or Harp) for fourth-year students, reconnects with the Knights of the Round Table, an imaginary world that has long been a source of musical inspiration for Ledeuil : the key figures of the legend appear in his Les Méandres de Viviane (AL 30 495, Beginner) and Les Mystères de Brocéliande (AL 29 589, Intermediate). This work is set in King Arthur’s fortress: the great halls ring out with the sounds of joyful festivities, interspersed with echoes of Viviane’s song. A Knight’s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay, but she gives way to the Lady of the Lake – Viviane – whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel , a traditional Breton dance that whips the troubadours’ enchanted instruments into a frenzy.